Saturday, December 18, 2010
January 1980 in the UK: chronology
Friday, December 17, 2010
Captain Beefheart RIP - Hard Workin' Fucked Over Man
He features on the soundtrack of one of my favourite films, Blue Collar (1978), in which a group of Michigan car factory workers (played by Harvey Keitel, Richard Pryor and Yaphet Kotto) revolt against the company and the union which is in cahoots with it by staging a robbery. I love the way in the title sequence that the sounds of the factory are built into the music, with Ry Cooder on guitar and Beefheart on vocals.
St Pauls Uprising, Bristol 1980
Thursday, December 16, 2010
Eadweard Muybridge
The Edweard Muybridge is on at Tate Britain in London until January 11 2011.
Tuesday, December 14, 2010
Night is not an object
"When [...] the world of clear and articulate objects is abolished, our perceptual being, cut off from its world, evolves a spatiality without things. This is what happens in the night. Night is not an object before me; it enwraps me and infiltrates through all my senses, stifling my recollections and almost destroying my personal identity. I am no longer withdrawn into my perceptual look-out from which I watch the outlines of objects moving by at a distance. Night has no outlines; it is itself in contact with me and its unity is the mystical union of the mana. Even shouts or a distant light people it only vaguely, and then it comes to life in its entirety; it is pure depth without foreground or background, without surface and without any distance separating it from me." (Maurice Merleau-Ponty, Phenomenology of Perception, 1945)
Isn't this quality of night part of what makes people interact differently after dark? The light reinforces our sense of separate identity, watching the world from our personal lighthouse, the dark begins to dissolve it.
Photo by Anthony Rahayel at Picable, taken at BO18 club in Beirut. Quote sourced from Documents.
Sunday, December 12, 2010
Some more DayX3 Music Notes
So having already written on some of the sounds on the December 9th demonstration and the Battle of Millbank, here's some more notes on the subject.
- Dan Hancox has put together a 2010 Riot Playlist of tracks he heard being played in and around Parliament Square on December 9th. Tinie Tempah, Rihanna, Princess Nyah and Sean Paul all feature, while in the comments others add Rage Against the Machine (Killing in the Name of) and Polynomial-C by Aphex Twin. Dummy mag has turned this into a Spotify playlist.
- I've noted previously that the Star Wars 'Imperial March' theme, also known as the Darth Vader tune has cropped up several times in the current movement. I've been down to the Goldsmiths occupation a couple of times in New Cross and couldn't help but notice that some of the people involved had put together a short film using guess which tune?
- Another track I heard being played at the demo on Thursday was Liar Liar by Captain Ska. It was being played from the fairly dismal National Union of Students bus on the embankment (footage here). It is an explicitly anti-cuts anthem, is this what Dan Hancox had in mind in his recent call to arms for musicians to make some noise about the cuts?:
Saturday, December 11, 2010
Strictly Scum Dancing Stopped by Police
But other accounts suggest it was more chaotic than this implies. According to the Enfield Independent:
Riot police clash with Enfield warehouse ravers (Monday 6th December 2010)
'Police officers were pelted by fired-up ravers furious their illegal warehouse rave was shut down prematurely. Officers visited the abandoned warehouse on an Enfield industrial site, in Lincoln Road, at 11.30pm on Saturday night after a tip off that hundreds of young people were gearing up to party.
It is believed the rave was put together by a rave group called Scumtek which organises guerilla dance events dubbed Strictly Scum Dancing, spread by word of mouth and on the internet. One reveller broadcasted the event on the web, stating: "London ravers! Strictly Scum Dancing from Scumtek is happening now in Lincoln Road, Enfield...if the Old Bill says it's off, it's not".
Up to 300 turned up and more than 800 people were said to have been turned away before even getting to their destination. As officers tried to move the party-goers along, a small group started throwing bottles and rocks at the police near Great Cambridge Road. Enfield police were inundated with calls from frightened residents from Percival Road as small groups of the ravers sat on cars, setting off alarms and drinking alcohol, leaving behind their cans and beer bottles.
Neighbours who live near the scene said it all started to "turn nasty" around 2am when police arrived in riot gear. They claimed 100 young people were penned in by officers, in Main Avenue, and were charged by officers in a bid to force them along. Many of them fled into a nearby housing estate and down side roads with small groups lingering in the area until 4am. A total of 12 people were arrested for public disorder, three people were arrested on suspicion of criminal damage and a sound system was seized'.
Was the police operation pay back for the recent high profile Holborn Halloween party, which the police were criticised for failing to stop? Both were organised by SkumTek, and in the days leading up to the Enfield party, police raided the homes of people they believed to be involved, seizing computers, phones and other equipment. On this occasion, the police seemed to have got the upper hand, although many people made it on to another squat party that night in Hackney Wick (Smeed Road) afterwards.
Lots of discussion about all this at Party Vibe and Facebook. Much of it the usual armchair moaning - 'they shouldn't have organised a party in Central London last time'/'they shouldn't have organised a party so far out of Central London'; 'They shouldn't have put it on Facebook'/'Why can't I find out what's going on?'; 'You kids should have been there when the parties were much better in 2000/1995/1988/1066' etc. etc. Putting on parties like this is a risky business, nobody can guarantee that it will always work out and maybe some of the moaners should try putting one on themselves.
On the other hand it is important to acknowledge that there are some real problems that the scene has to deal with - mostly not the fault of party organisers - such as people being mugged at parties and other stupid behaviour. Somebody reported that on the bus back from the Enfield party they narrowly missed being injured by a brick coming through the window thrown by another disgruntled would be party goer. Still if the Enfield party had been allowed to go ahead, maybe there wouldn't have been any trouble.
Here's some footage of last Saturday night, with the crowd beginning to face off to police behind makeshift barricades. Funny how the Holborn events were front page news but something like this happening just a few miles north is more or less ignored by the media:
Thursday, December 09, 2010
Panic on the Streets of London
For now just going to post a few photos and report what I saw. At lunchtime crowds came down the Strand and into Trafalgar Square then on to Parliament Square.
As this sound system came into Trafalgar Square it was playing Damian Marley's Welcome to Jamrock and Tribe called Quest 's 'Can I kick it?'. People were bouncing up and down. Then I heard it playing Benga and Coki's Night.
Interestingly the BBC's Paul Mason has written today of the 'Dubstep rebellion':
'The man in charge of the sound system was from an eco-farm, he told me, and had been trying to play "politically right on reggae"; however a crowd in which the oldest person was maybe seventeen took over the crucial jack plug, inserted it into aBlackberry, (iPhones are out for this demographic) and pumped out the dubstep.
Young men, mainly black, grabbed each other around the head and formed a surging dance to the digital beat lit, as the light failed, by the distinctly analog light of a bench they had set on fire. Any idea that you are dealing with Lacan-reading hipsters from Spitalfields on this demo is mistaken.
While a good half of the march was undergraduates from the most militant college occupations - UCL, SOAS, Leeds, Sussex - the really stunning phenomenon, politically, was the presence of youth: bainlieue-style youth from Croydon, Peckham, the council estates of Islington' .
(though while there was certainly dubstep being played, as Dan Hancox notes on Twitter, the sounds of grime, rap and bashment were also prominent: 'they banned grime from the clubs, now THERE ARE 300 KIDS RAVING TO POW IN PARLIAMENT SQUARE' (Lethal Bizzle's Pow).
I also heard another sound system entering Trafalgar Square playing John Lennon's Working Class Hero!
There was the usual percussion...
... and the not so usual bagpipes:Later in the evening on the Victoria Embankment there was what seemed to me to be an attempt to use music to pacify the crowd with a National Union of Students bus playing music and then telling people to disperse. Bizarrely they had hired private stewards (SFM) who were blocking the road to stop demonstrators heading down to the House of Commons where a line of riot police were guarding the entrance to Parliament Square near to Westminster Bridge. People pushed past the stewards who got very aggressive - two of them shoved me as I walked through afterwards.
I went round to Trafalgar Square having heard that there was an occupation going on at the National Gallery. Then around half past seven a crowd surged across Trafalgar Square and there was an attempt to set alight to the big Christmas Tree - no doubt inspired by the burning of the tree in Athens during the December 2008 riots.
Although by now police had formed across the road, they didn't seem to know what to do. Oxford Street on a Thursday night before Christmas is full of shoppers and tourists and it wasn't easy to tell who was standing around excitedly watching and taking photos and who was a protester. Every so often the police would surge forward and shoppers, tourists and protesters would scatter, then another stand off started.
Wednesday, December 08, 2010
More on Occupations and Dance Offs
What has been impressive is the innovation and the rapid circulation of struggles. A group of school students from Camden School for Girls visited the occupation at University College London - today 100 young women have occupied Camden School for Girls. As far as I know this is the first occupation of a school in London for more than 30 years! (anyone know differently let me know).
A 1977 Occupation
The most recent school occupation I have come across was from 1977: ''Sixth formers at Wanstead High School, east London, occupied their common room and front hall yesterday in protest against education cuts. 'We have a lot of support in other schools and our teachers are sympathetic' Richard Boyes, aged 17, a reprsentative at the school of the National Union of School Students, said". The occupation followed a 12 day occupation at the University of Essex "against Government increases in tuition fees" (Times, March 19 1977).
Sheffield Occupation dance off
Reported previously on the occupation dance offs in Oxford and UCL. Here's another one from the occupation at Sheffield University:
Next chapter tomorrow, with the call to Shut Down London on the day Parliament votes on student fees.
Monday, December 06, 2010
Classic Party Scenes (6): Warriors, 1979
Musically my favourite scenes are those featuring the radio DJ who broadcasts a coded commentary on the gang battles with lines like 'All right now for all you boppers out there in the big city, all you street people with an ear for the action' before playing Nowhere to Run as a threat to the Warriors.
Then there's the scene where the Warriors are enticed into the club house of The Lizzies, an all-women gang who promise 'Let's party a little, get something going'. You don't need a PhD in queer studies to work out that Lizzies suggests 'Lezzies', with women dancing together to "Love Is A Fire" by Genya Ravan. Of course the welcome is a trap and as the women pull out their weapons a hapless warrior shouts 'The chicks are packed'. The film is loosely based on an ancient Greek story, so The Lizzies also stand for the Sirens.
Update: As mentioned in the comments, a sample from the film features in the mid-1990s house track Can You Dig It by Mark the 909 King (sample kicks in at about four minutes):
The Can You Dig It sample comes from a speech by gangleader Cyrus early in the film, where he calls for the gangs of New York to unite and take over the city:
This speech is also sampled in Can U Dig It? by Pop Will Eat Itself
Thursday, December 02, 2010
Fight the Imperial Forces
On Tuesday things were moving so fast that when I turned up at London's Trafalgar Square the whole demonstration had moved on unexpectedly through the snowy streets of the West End. On the previous Wednesday in Trafalgar Square there was an amazingly lively crowd, with lots of school students and others climbing all over Nelson's Column. We headed off down Whitehall and within half an hour most of the crowd were surrounded by police where many remained 'kettled' until late in the evening. But not deterred, less than a week later a few thousand were braving the freezing cold to demonstrate again. Interesting times.
Plenty of time to ponder this significance of this later on, for now just a few more notes on the musical aspects. There were a couple of small 12v sound systems on the 24th November London demo including this one, which was playing hip hop when I saw it - to be precise Modern Day Slavery by Joell Ortiz/Immortal Technique.
Lots of other music and dancing going on. Here's students dancing during the occupation of University College London (UCL):
And here's students dancing in the occupied Radcliffe Camera Library at Oxford University:
The ultimately successful fight of the Jedi against the Empire is now an established myth for rebels everywhere. The Fight the Imperial Forces image below comes from Alec Empire's 1994 album Generation Star Wars.
Wednesday, December 01, 2010
World AIDS Day: Piccadilly Palare 1991
Today is World AIDS Day, a day for everyone to reflect on the ongoing global health disaster that is HIV/AIDS. For me personally, a time to remember my time in the 'AIDS Wars' as a HIV worker and sometime activist in the early 1990s, when prejudice was at its height and medical treatments were in their early stages. A time too to remember those who haven't made it through, like 'Jane', one of the founders of Positively Women who I met at a World AIDS Day event I helped organise and died not long after.
On World AIDS Day 1991 (or to be precise, the Saturday before - November 30th), I took part in a demonstration at Piccadilly Circus. It was quite small - probably only about 100 people - but fairly lively, featuring the famous Sisters of Perpetual Indulgence radical drag nuns. People sat down in the road and chanted, among other things, 'we're here, we're queer, we're not going shopping' before the police piled in.
'On November 30th I went along to a peaceful demonstration in central London marking this year’s World AIDS Day. Organised by the London AIDS Coalition to Unleash Power (ACT-UP), the London Bisexual Women’s Group and the National Union of Students, the demo aimed to draw attention to the scandalous lack of information surrounding treatment, healthcare and safer sex/ drug use in this country. The action was interrupted by a violent and brutal attack by the police - more of this later...
Anyway, it was good to gather together in Piccadilly, around the statue of Eros. the Greek god of love, and inject a bit of sanity and reality into the chaos of Christmas consumerism. Quite a few passers-by hung around to read our leaflets. Wildly warpainted Sisters of Perpetual Indulgence from Britain and the US looked brilliant and kept everyone buoyant as a number of people spoke to the crowd about the need to fight back against ignorance, hatred, censorship and intolerance. What stuck in my mind was an American activist forcefully reminding us that we have to take drastic direct action, targeting the institutions which control our access to information and new treatments. Alison Thomas of the London Bisexual Women’s Group told how the media went to Moral Town after the death of Freddie Mercury: as you probably know, Freddie was accused of being a ‘vigorous bisexual’ (!), of living a depraved lifestyle - because he loved men and blamed for his own illness and death. She demanded that the government ensures we are given proper information about safer sex so that we can make our own choices. The number and gender of our partners is irrelevant when it comes to HIV prevention, so long as we take care not to exchange blood, semen and vaginal fluids.
After the speeches the crowd decided we needed to make a bit more impact and so we started an impromptu march down Haymarket, determined to make as much noise as possible about the fact that we and our friends and lovers are being sentenced to death by poor healthcare and education. I was about to plunge into the centre of the crowd, which had stopped the traffic by sitting in the road, when I was suddenly shoved aside by a flying policeman. Reeling against the railings, I watched in amazement as uniformed bully-boys charged in droves, their faces contorted by fear and hate, down to where the protestors chanted ‘People with AIDS under attack -fight back!” Motor vehicles, filled no doubt with good citizens devoting themselves to the sacred ritual of shopping, beeped and shuffled forward. One bus drove inexorably into the crowd, acting as a convenient battering-ram for the police. People were snatching their loved ones out of the way. Like a drowning woman I saw my life flash before me and I recalled my part in supporting transport workers’ actions against low pay and poor safety standards. Where is that solidarity now? Is AIDS not a working class issue? Six police vans had by now screeched on to the scene at breakneck speed.
Now we all knew that the police were out to break up the demo without so much as a moment’s dialogue. Things moved very fast. Officers began shoving marchers on to the pavement. Many people were grabbed and wrenched from their friends and thrown violently into the back of the vans. A woman came towards me crying. She had just watched as a man was handcuffed from behind, thrown face down on to the road screaming and his head repeatedly smashed on to the tarmac. I and others stood helplessly and horrified by the side of the road, terrified to move as officers barged about arresting people brutally and sadistically. One man was arrested for a1legedly swearing at a vanload of police. As he was thrown like a sack of potatoes into the van, five or six policemen hurled themselves on top of him. We stood crying out as the door slammed shut and the van sped away. I myself was too scared to take photographs, fearing violence. I wish I had been brave enough; I wish we as a community knew how to fight back.
Twelve protestors were arrested, others assaulted, many more were hurt and bruised and everyone was terrorised. The attack was nothing more than a legal exercise in bashing the ‘queers’. At a time when murders of lesbians and gay men are reaching persecution proportions, it makes you wonder whether violence against lesbians and gays, Black people, drug users and people with HIV and AIDS will ever be treated seriously as crime. It’s particularly ironic that this event took place whilst ‘leaders’ of the lesbian and gay communities are trying to meet with the Metropolitan Police to appeal to them to protect us.
But the police arrest us for showing love and affection in public, for standing up for our rights, for trying to show people what we are suffering, and for trying to warn the public about the dangers of HIV infection. They shut us up, no questions asked. So when I read that we should explain to the police what we are going through, and ask for their help, I say: Who’s fucking listening?'
(top two images from 1991 flyer; bottom two from Mainliners January 1992 - click on images to enlarge)
Monday, November 29, 2010
Reclaim the Night, London 2010
In her remarkable piece The Night and Danger, orginally written as a speech for a Take Back the Night march, Andrea Dworkin wrote:
'We women are especially supposed to be afraid of the night. The night promises harm to women. For a woman to walk on the street at night is not only to risk abuse, but also--according to the values of male domination--to ask for it. The woman who transgresses the boundaries of night is an outlaw who breaks an elementary rule of civilized behavior: a decent woman does not go out- certainly not alone, certainly not only with other women--at night. A woman out in the night, not on a leash, is thought to be a slut or an uppity bitch who does not know her place. The policemen of the night - rapists and other prowling men -have the right to enforce the laws of the night: to stalk the female and to punish her. We have all been chased, and many of us have been caught... We must use our collective strength and passion and endurance to take back this night and every night so that life will be worth living and so that human dignity will be a reality'
Since the mid-1970s, women in different parts of the world have staged Reclaim the Night/Take Back the Night demonstrations against violence against women - not simply protests but an assertion of the right to be safely on the streets after dark. London Feminist Network have been organising larger and larger annual marches since 2004, and in in central London last Saturday night around 2000 women took part in the Reclaim the Night march. There's a report at Women's Views on News.
Thursday, November 18, 2010
1995: Police close down Bank Holiday Raves
'Police Shut-Down Free Parties (Squall, Summer 1995)
Police shut down two Bank Holiday raves at the beginning of May, without resorting to the Criminal Justice Act.
Attracting more than 3,000 people over the VE day Bank Holiday weekend, one of the raves featured sound systems Virus, Vox Populai, Jiba, Oops and Cheeba City. United Systems (US) organised the party at a disused RAF base near Woodbridge in Suffolk. Jim, a spokesperson from US, was at the event when police arrived: “I heard one of the poiice officers say, ‘We’re sorry we’ve got to do this but we’ve got orders from above’. The previous night they’d come on site to ask us to turn the noise down and we adhered to that and struck a deal where they were going to leave us alone and we agreed we’d pack up Monday evening. We were miles from anywhere and weren’t in anyone’s way at all. But at two ‘o clock on Monday afternoon they arrived on site to shut us down.”
The police confiscated tens of thousands of pounds worth of equipment from all the sound systems present including Cheeba City’s 6K rig and their vehicles. However, as the CJA can only be used at night, the officers on site had to satisfy themselves with Public Order legislation to enforce the shutdown. Arguments between officers and several of the organisers ensued and four arrests were made.
US contacted Peter Silver, the solicitor who successfully defended the 23 people arrested at Castlemorton Common in 1992. Within two weeks all confiscated equipment had been returned
An event happening near Bangor the same weekend, featuring sound systems Transient and Babel, suffered exactly the same fate. Again in the middle of nowhere, the event was attended by up to 1,000 people over the weekend. Just after midday on Monday officers arrived to close the party down. Again organisers allege that the pollee said they were happy for the event to go ahead but they’d had orders from above. No arrests were made at the Bangor gig and although sound equipment was confiscated it was returned shortly afterwards.
A growing number of people on the free-party scene do not view these events as coincidental. There is a belief that, even where no public nuisance has occurred, local police officers are coming under increased pressure from the Home Office to eradicate unauthorised events'.
Wednesday, November 17, 2010
Funk the Royal Wedding, 1981
Funk the Wedding
I was at school in Luton at the time and on the day of the Royal wedding went with my sister to the Funk the Wedding carnival in Clissold Park in North London, an anti-royalist event organised by Stoke Newington Rock Against Racism. From what I recall it was unexciting but hey it was some kind of statement, with a good few thousand people there. Headliners Tribesman were a UK reggae band, who incidentally made a record about another London green space - Finsbury Park. Joshua Hi -Fi was a north east London reggae sound system. Don't know anything about Movement or Monkey Business who also played that day.
Advert for event from Leveller no.61:
Funk the Wedding, Clissold Park (my photo):Tuesday, November 16, 2010
Saturday Night and Sunday Morning
'For it was Saturday night, the best and bingiest glad-time of the week, one of the fifty-two holidays in the slow-turning Big Wheel of the year, a violent preamble to a prostrate Sabbath. Piled-up passions were exploded on Saturday night, and the effect of a week's monotonous graft in the factory was swilled out of your system in a burst of goodwill...'
'Once a rebel, always a rebel. You can't help being one. You can't deny that. And it's best to be a rebel so as to show 'em it don't pay to try to do you down. Factories and labour exchanges and insurance offices keep us alive and kicking - so they say - but they're booby-traps and will suck you under like sinking-sands if you aren't careful. Factories sweat you to death, labour exchanges talk you to death, insurance and income tax offices milk money from your wage packets and rob you to death. And if you're still left with a tiny bit of life in your guts after all this boggering about, the army calls you up and you get shot to death ... Ay, by God, it's a hard life if you don't weaken, if you don't stop that bastard government from grinding your face in the muck, though there ain't much you can do about it unless you start making dynamite to blow their four-eyed clocks to bits'.
Sillitoe also wrote the screenplay of the film (released in 1960):
'I'm a fighting pit prop that wants a pint of beer, that's me. But if any knowing bastard says that's me I'll tell them I'm a dynamite dealer waiting to blow the factory to kingdom come. Whatever people say I am, that's what I'm not because they don't know a bloody thing about me! God knows what I am'
'I'm out for a good time - all the rest is propaganda!'
The book and film have been endlessly mined in popular culture ever since. The Arctic Monkeys famously quoted the 'Whatever people say I am, that's what I'm not' film line as the title of their debut album. The film line 'I want to go where there's life and there's people' inspired The Smiths' 'There Is A Light That Never Goes Out' (although the film's star Albert Finney - pictured above - refused his permission to be featured on the cover of 'Heaven Knows I'm Miserable Now'). The Specials recorded their own take, 'Friday Night and Saturday Morning': 'When my feet go through the door, I know what my right arm is for, Buy a drink and pull a chair, Up to the edge of the dance floor, Bouncers bouncing through the night, Trying to stop or start a fight,I sit and watch the flashing lights, Moving legs in footless tights'.
Sunday, November 14, 2010
The Battle of Millbank
So far more than 50 people have been arrested, with newspapers including the Daily Mail and the Telegraph running photos of protesters and urging people to shop them to the police. I hope some of the Facebook generation don't have to learn the hard way that there are times when filming every moment and sharing it with the world can put people at serious risk. No doubt in future protests too the police will be back to cracking heads Iain Tomlinson-style, now that they have 'shown' what happens when they are expected to show restraint. Today's Observer quotes a 'senior police figure' as saying 'In the past we've been criticised for being too provocative. During the next demo no one can say a word'. You reckon? A swifter and more brutal response at Millbank might have saved a few windows, but seriously injuring students would inflame the protest movement across the whole country.
So potentially dangerous as well as exciting times ahead, but it does feel like a turning point has been reached. Two years after the 'credit crunch', and months of phony war about austerity, the reality of cuts is beginning to be felt and the opposition to them is beginning to get serious. Nobody should dismiss this week's demonstration as just a bunch of students protesting as usual - in the history of the education system in the UK there has never been a student protest of this scale or militancy.
An article in the Evening Standard by the pro-cuts Chris Blackhurst on the day after the demonstration warned: 'The temperature is rising all the time. Already, we've had strikes from the Tube drivers and firefighters, and now students are taking to the streets. More groups are likely to follow suit... Disturbingly, the scene is set for more yesterdays. The police will undoubtedly be better prepared. But that is not to say there won't be trouble or that the rage is going to disappear ('Expect more rage if the rich and poor divide gets bigger', 11 November 2011).
The Government is clearly hoping that the diffuse nature of the cuts, with different groups affected in different ways over a long period, will prevent a united movement. They are trying their best to inflame division and resentment between those bearing the brunt of the cuts. For instance claiming that attacking benefits claimants is good for ordinary workers because it is 'unfair' that some people earn more from signing on than others do for working - easily remedied by increasing wages, rather than cutting benefits which will actually tend to put downward pressure on wage levels as a whole.
In relation to the students protests, we are told that they are being selfish and that they will be the privileged of the future. Some of them may be, but many of them will be 'lucky' to find a job when they leave college. Many of those protesting this week, including some of those arrested, were actually working class 16 & 17 year olds facing the axing of the Education Maintenance Allowance, the small payment to young people from the lowest income families to help them stay on at school or college.
In any event, the current generation of students will not be affected by the planned rise in fees as they are likely to be phased in for new students. So their motives cannot be dismissed as simply narrow-self interest (not that there's anything wrong with that). As Nina Power argued this week: 'The protest as a whole was extremely important, not just because of the large numbers it attracted, and shouldn't be understood simply in economic terms as a complaint against fees. It also represented the serious anger many feel about cuts to universities as they currently stand, and the ideological devastation of the education system if the coalition gets its way. It was a protest against the narrowing of horizons; a protest against Lib Dem hypocrisy; a protest against the increasingly utilitarian approach to human life that sees degrees as nothing but "investments" by individuals, and denies any link between education and the broader social good'.
Dancing in the streets
Anyway I was at home sick during the demonstration, so had to make do with watching on TV. Like at the G20 protests in London last year, the endless looping of the image of the windows breaking was used to convey a sense of an ongoing orgy of destruction. Clearly a time limited episode of smashing things up was part of what was going on, but there was also celebration. At one point on Sky TV they showed footage of people dancing to some wobbly bass and the presenter announced 'drum and bass is playing, and the beer is open'. Yes a cycle-powered sound system was on hand, according to a participant account at The Commune: 'A sound system started playing dubstep leading to a Reclaim The Streets carnival atmosphere'
Some good footage here of people dancing, with a megaphone-wielding MC:
This film provides a good overview of the whole event - clearly the main demonstration was carnivalesque, not just the Millbank protest, with people climbing on bus shelters etc:
* Advice for those at risk of being arrested at the November 10th Defence Campaign
Updated 16 November:
* Rouge's Foam has a good post on the demo, including some reflections on the music used:
'That day music stepped out of the record collection paradigm and played a role in raising morale, coordinating chants, and most importantly cohering and drawing attention to ourselves as an organised collective. Just south of Trafalgar Square as the march was starting I was near the back and still stationary, tightly packed in and shivering with hundreds of strangers from dozens of different universities. Eventually a sound system started up and boomed out Cee Lo Green’s ‘Fuck You’, a powerfully catchy, upbeat song and a perfect choice at that moment.
Recognising the sentiment we all turned, smiled, and started dancing and singing along, our eyes meeting with a strong and implicit sense of mutual understanding and agreement. There were performers on instruments too. The music of drummers and samba bands contributed to the sense of a shared mood. Outside the Houses of Parliament a student brass band were playing a characteristically old-fashioned and very English sort of music, and yet it only enhanced the atmosphere of diverse voices contributing in every unique way to one cause. By the time I arrived at the Millbank buildings, sound-systems were playing techno, dub, and if I’m not mistaken, Aphex Twin’s ‘Come to Daddy’. Together with our reasons for being there, the sense of collectivity that music instilled that day was ten times as strong as that whipped up at the very best of raves, and I’ll never forget it'.
* Beyond the Implode has done a very funny riff on the line 'drum and bass is playing and the beer is open'. Wish I'd recorded that Sky broadcast, would be a great sample.