So much to see and think about in the Carolee Schneemann retrospective 'Body Politics' at the Barbican Art Gallery in London. Dance, performance, visual art and more centred around the body, feminism, anti-militarism and a critique of established art practice. A few highlights for me:
Noise Bodies (1965)
Schneemann and collaborator James Tenney created a 'body sound system' attaching metallic objects and other materials to their bodies that were activated as they moved around.
Dialectics of Liberation (1967)