Sunday, May 31, 2026

France: resistance steps up to criminalisation of free parties

Protests are taking place throughout France against a proposed new law targeting free parties. Thousands took part in a demonstration in Montpellier yesterday (30 May 2026, pictured here) and more are planned over the next two weeks.




The law is known as RIPOST - 'Réponses immédiates aux phénomènes troublant l’ordre public, la sécurité et la tranquillité de nos concitoyens' (Immediate Responses to Phenomena Disturbing Public Order, Security and Tranquility of Our Fellow Citizens) and also includes measures against 'motorized assemblies' (gatherings of motorbikes and vehicles), nitrous oxide and for more video surveillance.

In terms of unauthorised free parties, the law requires events of more than 250 people to be authorised by local authorities (as opposed to 500 people as at present).  Organisers of parties could be jailed for up to six months, with a very broad definition of an organiser:

'the following constitute participation in the organization of said gathering: setting up the system for disseminating practical information relating to this gathering, participating in the construction of the sound system, transporting sound equipment to or from the site of the gathering, setting up a rest and social area on the occupied land or setting up a food truck there'.

The free party movement has set out a statement/petition against the law

'At a time when a large portion of young people have limited purchasing power, and therefore limited social life and access to culture, free parties allow them access to free and unrestricted spaces for socialization...

Furthermore, the free party represents a space for artistic and social experimentation, primarily based on sharing and inclusion. It is a creative refuge that attempts to mitigate the impact of capitalism on our lives. Different techniques and art forms are combined, and skills are pooled: circus arts, sound and lighting technicians, crafts, electronic music, and video projections, among others. It is through these activities and creations that artists, the public, and all other participants can experiment, perform, learn, and develop professionally. This richness must be protected, lest it disappear with the free party movement, without any other scene to re-emerge in.

It is therefore important today to mobilize to defend our movement, our culture, and our values. Free culture defends freedom, sharing, mutual aid, and solidarity'.

The statement has been signed by an impressive range of collectives and sound systems

Collectifs: Collectif Tekno Antirep;  Coordination Nationale des Sons; Collectif IDF;Coordination Rhône-Alpes des Sons; Coordination Occitanie des Sons; -Art et Culture 29

Sounds-systems: Maraudeur.euse, Collectif Eclypsis, Oblyk-Dfroké La Chafouinerie, Déchetterie, KrâneKC, Highnoon Soundsystem, k’rabass, BTPutes, Cabatek, Sonokracie, Hobbitek, skro, gptk, foxakif, Mafia, Dissonant Orchestra , Cptk6tm, insolent.e.s, D-TRA-TEK, Diablo'Core, ZQR, GÉNEZ1S, Amplithorynques, Neuroatypik, Lobotonik, Larsen Actif, Collectif Courtoisie, Armatek, RAR Family, ITF, Sub’Nambule, Adekwatt, Dystopyk Circus, Bondatak, free confits, ABDK, SKS, Otarcik, Fanfarons, Tribal Skankers, Inadekwatt, frénésie sonore, deci’bass 29, BDK, System K, Collectif des Insoumis, SA Free System, ECLE7IK, Dechniller, 46tem, 12H, Baba Punk Monster, MBS, MLK, Tekmanta, Infraktus, collectif MiniBeats, Tikitek, ORB²EAT, albertotek, Guinguette Grooverz, Defazotek, Arketyp, les Anonymes, Riboultek, Mirage, ADSR, An'artschitek, Les Affamés, SNT, Tekno Rokette, D-CenTré, Dubeatatif, 1-SURGÉ, Paradoxeteck, 1konform, OTC, Sonot’Ohm, Signal Sonore, TouTanTeK, Soul6Tem, Arrêt Kardiak, Les Insolents, Hpss, S23, DTR, Raveoltek, Meck.401, 1Trakable, Bivouac Tekno Partisans, RBT, D.A. Vagabond, Acid6'trik, BlackBass, No Limit's, Beausniaq, Symbiotek, AKF, Mushroom-CUBN6, NVC, KMTK

Of course there are similarities here with the 1990s Criminal Justice Act in Britain, and indeed in introducing their Bill, politicians made explicit reference to this: 'These rave parties also affect many other European countries , with varying legal responses. British police can fine organizers of illegal gatherings of more than 30 people, compared to 500 in France, with fines reaching up to €11,600. Since 2022 in Italy, organizing and participating in an illegal rave party constitutes a specific offense, carrying prison sentences ranging from three to six years for organizers and one to four years for participants. A fixed fine is also imposed, along with the confiscation of sound equipment. If our European neighbors manage to toughen their legislation regarding these illegal gatherings, France could do the same'.




'Save a party! Eat the prefecture, capital, the fascists, the system. Nobody likes the smell of gas in the early morning.  Free party in danger. Stomp your feet to fight back!'

Earlier this month, up to 40,000 people attended the unauthorised Teknival on an old military firing range in Cornusse, near Bourges (central France). 

Follow @teknoantirep on insta for updates

See also

Revolt of the Ravers – The Movement against the Criminal Justice Act in Britain 1993-95


Saturday, May 23, 2026

'Anarchy, Peace, Tea and Two Sugars' - Roseberry Avenue Squat, 1983

From NME, 1 October 1983, a report of anarchist squat centres in London including Kafe Kollapse in West Hampstead, the Burn it Down Ballroom in Finchley and the Peace Centre at 99-119 Roseberry Avenue, London N1


Sunday, May 10, 2026

Luton Jazz Boom (1958-63)

My mum mentioned to me recently that she went to a jazz club in Luton at the TUC Hall in Church Street around 1960, which got me searching the archive. Its seems that the town, like many other parts of the country, experienced a jazz boom in the late 1950s with several weekly clubs running.

In 1958 the New Orleans Jazz Club was running a Sunday night 'Jazz at the Dome' at the Cresta Dome Ballroom in Alma Street, while the New Luton Jazz Club was happening every Thursday at the TUC Hall.

 

Over the course of that year some of the big names on the trad jazz circuit played in Luton, including Mick Mulligan, George Melly and Acker Bilk at the New Luton Jazz Club, and Cy Laurie. The latter's gig at the Cresta was promoted by the Delta Jazz Club - not sure if this was the New Orleans Jazz Club renamed  or a different faction in the fractious jazz scene of the time. There was a promise of 'non-stop jiving'.

There were local bands too including the Leaside Seven (sometime Leaside Six), the Wayfarers and Savannah City. 



The Luton News reported in April 1958 that 1,730 people had attended three Luton jazz sessions in one week - 380 to a Cy Laurie gig, 450 at the New Luton Jazz Club (with Bruce Turner and Teddy Layton) and 900 'to listen and dance' to Ted Heath's big band at the Cresta Ballroom.


This was a time of the split in the jazz scene between 'mod' and 'trad' jazz fans, with the modernists catered for by the Luton Modern Jazz Club at the Connaught Rooms. Rather snottily they promised 'no skiffle', unlike the New Luton Jazz Club which did feature the likes of the  'Midland City Vampires Skiffle Group' and 'Highfliers Skiffle Group' alongside jazz performances.


The serious minded could even attend jazz record recitals and talks at Farmers Record shop, featuring jazz writers including Alun Morgan and Sinclair Traill.


If 1958 was the peak, by 1962 it was being noted that  'the popularity boom of traditional jazz is settling down. A smaller crowd that than the peak audience of a year ago gathers at the [New Luton Jazz] club'. A club spokesperson bemoaned  'Audiences are falling away all over the country, but these are only the people who were never really keen on jazz, dropping away now that the Twist is the rage' (Luton News, 20 December 1962).

In April of the following year the Luton News reported that 'Trad died in Luton last week, on the closure of the six year old New Luton Jazz Club', the 'only jazz haunt left in Luton'. Promoters 'Tony Lovell and Ray Elliot can take heart in the fact that they lasted longer than many other clubs'. Blame was attributed to fire safety regulations that had restricted numbers, but the fact is that jazz was waning as the popular dance music of choice for young people. Later that year The Beatles played in Luton at the start of a new pop era, while in 1965 the Tamla Motown review hit town.

(title 'Luton Trad is Dead now, Dad' refers to a 1962 film 'It's Trad, Dad!')

See also