Friday, August 10, 2012

Girl with Cassette Recorder (1975)


This great photograph of a young woman with her cassette recorder was taken in London in 1975 by US photographer Al Vandenberg. It features in the exhibition Another London: International Photographers Capture City Life 1930-1980 , currently on at Tate Britain in London.

Saturday, July 28, 2012

An Underground Dance, Greenwich 1846

Blackheath Cavern, also known as Jack Cade's Cavern, was a  series of caves under Blackheath Hill in Greenwich South East London (presumably still there but no longer accessible). In the mid-19th century it was used for social events, including 'For one night only' on 'Monday November 16th 1846' a 'Grand Bal Masque' -  'The effect of Music in the Cavern is truly wonderful'. The advert promised that the cavern was to be turned into 'A capacious ball room, capable of holding 1500 persons', with a  'powerful quadrille band' providing the music at this 'Carnival in the Bowels of the Earth' (West Kent Guardian, 7 November 1846).


The following month the same promoter, Mr Richard Fyffe, put on another Masquerade at the St Helena Tavern, a pleasure gardens in Lower Road, Rotherhithe. Seemingly the Blackheath event had not gone well due to 'bad ventilation and excessive crowed. At St Helena Tavern, a 'Fashionable Place of Amusement' there was to be 'a complete wardrobe, containing every requisite for those Ladies and Gentlemen who may wish to appear in Costume' (West Kent Guardian, 5 December 1846).



(Subterranean Greenwich blog originally posted these cuttings. Unfortunately that blog is currently down, as discussed here).

Wednesday, July 25, 2012

Summer rave madness


It's getting hot - time to take the fields and beaches people.

Wicklow (Ireland) - Herald.Ie 18 July 2012

Raves are regularly taking place on the outskirts of the capital, it has emerged.The illegal parties in remote rural and wooded areas in Wicklow have become commonplace despite efforts by gardai to stop them.The raves have been held in areas such as Devil's Glen and Mahermore Beach since 2001 and there have been several already this summer according to one organiser, who spoke on condition of anonymity.

Gardai are working with locals to prevent these raves but are "playing catch-up" according to Rathnew councillor John Snell. "What you're trying to deal with now is social media. Word spreads so quickly that in more cases than not the event is over before the gardai get a handle on them."

He described the nature of the parties as "cloak and dagger kind of stuff...There aren't any posters for these events. Unless you're mixing in these circles, the normal public are not aware until some rural cottages hear the music and alert gardai."

One of Cllr Snell's key concerns was the danger of drug-taking in such remote areas. "There's no medical expertise at these raves. It's a recipe for disaster. It's only a matter of time before life is lost."

Rathdrum Councillor O'Shaughnessy wants tougher action against ravers."The Government needs to bring in stricter sanctions, maybe zero tolerance measures like high fines or custodial sentences," he said.

A rave organiser from the Roundhill area defended the events saying that licensing laws "are prehistoric..They go back to the ballroom days. Clubs here have to close at 2.30 or 3am whereas in Europe they are open until 6am. We are forced to take it into our own hands." He says ravers resent the bad name the Phoenix Park debacle has given them. "There has never been any trouble at these parties. The record speaks for itself, there have never been any assaults"


Dartmoor (England) - BBC 3 June 2012



A suspected illegal rave involving hundreds of people has been stopped on Dartmoor, police have said.
Police said more than 1,200 people and up to 500 cars gathered at Bellever Woods, near Postbridge.

Devon and Cornwall Police said they were called to the site, owned by the Forestry Commission, at about 00:30 BST.Police stopped the gathering and set up road bocks to prevent more people from attending.

A Devon and Cornwall Police spokesman said: "The land is owned by the Forestry Commission and no permission has been sought or granted by them to hold this rave."He added: "We're encouraging those there to leave, and we're certainly preventing any other people from attending."



Norfolk (England) - EDP 17 July 2012

Two vans containing audio equipment and mixing decks were also seized after officers were called to farmland off Yarmouth Road at about 12.35am.More than 200 people were found at the rave with about 60 vehicles, as officers worked to disrupt the event which was safely concluded by midday.

Seven men aged between 20 and 24 were arrested at the scene on suspicion of organising an unlicensed music event and were taken to Wymondham police investigation centre for questioning. One of the suspects was also arrested for taking a motor vehicle without the owners’ consent.

Three more people were arrested for offences relating to the incident. A 25-year-old man was arrested on suspicion of being unfit to drive through drugs while officers arrested a 22-year-old man on suspicion of criminal damage after a fence was damaged by a vehicle.

A 20-year-old woman was arrested in connection with assault after a man suffered minor injuries after being involved in a collision with a car.

Tuesday, July 24, 2012

1980s Glasgow Haircuts

Somebody else can write the cultural history of how the punk look was gradually domesticated in mainstream hairdressing during the 1980s - for now I will just say 'great hair'! These examples all from Alan and Linda Stewart's Rainbow Room (and Rainbow Room Education) in Glasgow.

From Hairdressers Journal: '1986 Blonde Cropped

'Its Band Aid for your Easter Bonnet', Anne Simpson, Glasgow Herald, 23 April 1984)

From Hairdressers Journal: '1984 Punk Quiff'

Saturday, July 21, 2012

Music for Pleasure

Last week I had the opportunity to visit a rarely opened archive in South London. The basement of New Cross Learning (the volunteer-run library/community space in New Cross Road) holds the collection of the Lewisham Local History Society, an eclectic assortment of specifically local artifacts and general 'old things' assembled over the years with an aim of one day forming the basis of a museum collection. 

Naturally I was intrigued by some of the musical items, including this metal sign for the old 'Music for Pleasure' label. I spent some of my teenage wages from working in the library and Debenhams (like someone in a Belle & Sebastian song) on these budget LPs, often consisting of early material or live recordings from well known bands.  My favourite was 'Relics', a fantastic compilation of Syd Barrett era Pink Floyd.



The archive also include various bits of semi-obsolete technology stacked up on the shelves. Here's an Alba gramophone:


Most evocative for me was this Regentone valve radio, made in Romford at some point in the early 1950s. I remember as a child going to visit an elderly relative in the Forest of Dean and they had something similar.



I recall that I was fascinated by the dial with its list of exotic sounding places and stations. Looking at it now as an adult it still seems to embody a kind of utopian internationalist dream of the radio, the possibility of sitting in a room somewhere in post-war England and listening in to Marseilles, Bologna, Berlin or the USSR.


Tuesday, July 17, 2012

Soul and Hip-Hop Pirates 1984

Interesting short article on mid-1980s London pirate radio and hip-hop:

Soul pirate on the air waves

By Jaswinder Bancil (South London Press, 13 July 1984)

"Steve Devonne is, by his own admission, one of the major figures in London's hip-hop scene. As a regualr broadcaster on the soul pirate station Invicta, Steve was among the first to introduce scratch and mix sounds over the air waves in the capital.Most of the exposure given to this type of record has largely been confimed to clubs.

But hip-hop is not the only sound the 26-year-old DJ plays. His slot at the Maze club in Soho every Friday night is strictly soul. He explained, 'I'm still a soul and funk man, but I also believe I have a wide enough perspective to cover hip-hop. Already established soul artists like Herbie Hancock and Shannon are showing obvious hip-hop influences on their records. It's going to continue to have an effect on mainstream music'.

Born in Lambeth, but raised in Wandsworth, Steve has been a DJ for nearly ten years. He became involved in pirate radio because 'I was interested in broadcasting black music to London without having having to go through official channels'.

While Invicta is temporarily off the air, Steve will be broadcasting for rival station JFM (102.8 metres FM).

To date pirate stations have been the most abundant source of black music in the city. Having cottoned on to the popularity of these illegal stations among young people, the BBC have recently begun to feature more soul and reggae. But hip-hop remains largely ignored, despite its massive appeal.

Steve admitted, 'I'm one of the few people who have picked up on hip-hop. It is something that goes beyond the music - style, dress, language all count. Hip-hop goes back as far as James Brown in my opinion. It's attitude, a way of life'.

Steve Devonne will be at the Albany Empire on July 28 for our breakdown spectacular".

Radio Invicta was a pirate radio station that broadcast in London from 1970 to 1984, usually on VHF on 92.4 MHz. It slogan was "Soul over London" and it featured soul and disco. It started broadcasting from a bedroom in Mithcam, but is credited with being one of the first pirate stations to use the tops of  tower blocks (more here, including some recordings of old shows)


Here's some clops of Steve Devonne and others on Invicta from 1980:



And here's some J.F.M. from 1984:

Sunday, July 08, 2012

Free Pussy Riot

It's now been four months since Maria Alyokhina, Yekaterina Santsevich and Nadezhda Tolokonnikova were arrested and detained in Russia. Their alleged  'crime' was to perform an anti-Putin song with their punk band Pussy Riot in an unauthorised pop-up performance at a Moscow cathedral.

Nadezhda Tolokonnikova
Last week they started a hunger strike in protest at the authorities threatening to put them on trial at short notice without them having time to view the 'evidence' against them. Back in the Cold War, people locked up for expressing their political views in the USSR were hailed as heroic dissidents by Western leaders.  Now David Cameron sucks up to Putin while the latter locks up his opponents.

Putin is likely to come to London on a 'private visit' during the Olympics. I imagine that anybody trying to demonstrate against him will also find themselves behind bars.




Sunday, July 01, 2012

Punk's Dead

'Punk's Dead' is a book of photographs by Simon Barker (Six), with an exhibition of some of the photos at Divus Temporary, 4 Wilkes Street, London E1 until July 7th.

Jordan

'In 1976, when I moved into the St. James Hotel in London, I bought myself one of the cheapest pocket cameras available. Fully automatic, with no controls or settings, it just required a simple slot-in film cartridge. An idiot could use it - and I did. | I knew I did'nt want to be like other photographers, so I chose never to take a black and white photograph or focus the camera. Subconsciously I concentrated on the women and artists at the heart of what would later be known as 'punk' in London. 

Women such as JORDAN, SIOUXSIE, DEBBIE JUVENILE, TRACIE O'KEEFE, ARI UP, POLY STYRENE and NICO . Artists and writers such as MALCOLM MCLAREN, HELEN WELLINGTON-LLOYD aka HELEN OF TROY, BERTIE MARSHALL aka BERLIN and DEREK JARMAN. The book PUNK'S DEAD is a product of that camera and those times - my family album covering the years 1976 to 78. The photos you see in it were all unplanned, spur of the moment shots taken by myself for myself and, up until now, with never a thought given to publication. In over thirty years, they have only been seen by a handful of close friends. I used to think they weren't good enough to show people. Now I think they are almost too good'

Adam Ant


Derek Jarman with Derek Dunbar

Some great pictures, and also due recognition of some of the queer/arty underground links of that early London punk scene (e.g. Derek Jarman's Butlers Wharf parties), something largely passed over in the recent BBC punk nostalgiafest.

Wednesday, June 20, 2012

The Face Club Listings, March 1989


From The Face, March 1989, an overview of (mainly) London clubland - 'Clubland is coming to life again after the traditional Jan/Feb slump, with over 20 new one-nighters opening in the capital alone'.  Nights featured include: - 

- 'Beautiful Contradictions' - 'a collaboration between dancer Michael Clark, comedian Keith Allen and long-standing club-runner Phil Dirtbox' taking place at Wall St, 14 Bruton Place, W1.

- 'High on Hope' and 'Talking Loud, Saying Something' at Dingwalls, Camden Lock. 

- 'MFI' - garage night at Legends in New Burlington Street, W1. 

- 'Confusion' at Bill Stickers, Greek Street, W1 - 'Sunday night rave for hardcore clubbers'. 

- 'Bangs' at Busbys, 157 Charing Cross Road, WC1 'gay mixed (but mainly male) crowd dancing to an almost Taboo-like mix of pop trash, new imports and disco classics' 

Places outside of London include:  

- 'Abraham Moss All-Nighter' at Abraham Moss Community Centre, Cheatham Hill, Manchester ('bi-monthly rare soul rave'). 

- 'Club Voodoo' at McGonagles, South Anne Street, Dublin. 

- Laurent Garnier's 'Locomotion' in Rue Pigalle, Paris.

 At this point, house music hadn't become the dominant sound in London clubs that it was shortly to become - it was still just one of the flavours. The Dancefloor tracklist from Daddy Gee (Massive Attack) includes Soul II Soul and the Jungle Brothers, among others.


Saturday, June 16, 2012

Bracknell Squat Party 1985

Red Rag was a radical newsletter published in Reading from around 1979 to the mid-1980s.  Somebody is currently doing a great service by gradually scanning in back issues, with a wealth of information not only about the Thames Valley area but also wider radical movements in that period.

Here, from May 26th 1985, is a report of a mainly anarcho-punk squat gig at Bracknell cinema which featured bands including No Defences, Slave Dance, Pro Patria Mori, Barcelona Bus Company and the Magic Mushroom Band.


From the same scene and the same year (I think), a report of a 'free festival benefit gig' at the Paradise Club in Reading, featuring Karma Sutra, Barcelona Bus Company and Cosmetic Plague. Not sure of the source of this report but it is reproduced in the booklet for Karma Sutra's retrospective album 'Be Cruel With Your Past And All Who Seek To Keep You There' 





Wednesday, June 13, 2012

Stewart Home, Tim Cockburn & a Norfolk Rave Poem

Enjoyed the spoken word event at the Hannah Barry Gallery in Peckham last night (actually a warehouse on the Copeland Industrial Estate). Of course Stewart Home stole the show - not many other writers can recite their work without the book in front of them while standing on their head.



Good stuff too from Katrina Palmer and Iphgenia Baal, among others. But on a dancing tip I enjoyed some of Tim Cockburn's poetry from his collection Appearances in the Bentinck Hotel, especially this one:

A Rave in North Norfolk

For Laura

After the rave the steamed-up Peugeots
that, nightlong, blunted the field’s edge
slunk off one by one like a flagging picket,
leaving a stillness of litter-strewn hedges
the waterfowl dared enter back into.
On the lawn tall shadows tucked stickered decks
into retracted back seats, whilst the few
who remained in the lamp-lit mill slept,
not noticing how like kicked up sediment
settling the displaced calm restored
itself around them, or how, beyond the lane,
the shallow-pooled stretches sharpened:
the coloured smudge of ballast and gorse
beside a decelerating train.

Saturday, June 09, 2012

NME Guide to Rock & Roll London (1978): Gay Clubs

From the NME Guide to Rock & Roll London (early 1978), a guide to the Gay Scene starts with a warning: 'a note to all you guys 'n' gals, cuties 'n' chickens, rent boys 'n' muscle men, leather lovers 'n' sock eaters: REMEMBER British Law permits homosexual activity in PRIVATE between two consenting adults of 21 and over. Any sexual contact in public is forbidden'. Places mentioned include:

- Bang Disco, The Sundown, 157 Charing Cross Road 'a good mixture of gays and punks';
- Gateways, 239 Kings Road, SW3  'Women only'
- Louise, 61 Poland Street, W1
- El Sombrero, 142-144 Kensington High Street, W8
- A & B Club, 27 Wardour Street, W1
-  Escort, 89a Pimilico Road, SW1.
- Maunkberry's, 57 Jermyn Street,W1
- Mandy's, 30 Henrietta Atreet, W1
- Napoleon's, 2 Lancashire Court, New Bond Street, W1
- Oscars, 4 Greek Street, W1
- Festival Club, 2 Brydges Place (off St Martin's Lane), WC2



See also:

NME Guide to Rock & Roll London 1978: Disco
NME Guide to Rock & Roll London: Reggae

Sunday, June 03, 2012

This Feast of Flunkeyism - Agitate, Educate & Organise

On the occasion of Queen Elizabeth's Diamond Jubilee, I am reminded of James Connolly's denunciation of Queen Victoria's Diamond Jubilee in 1897:

'“The great appear great to us, only because we are on our knees:  LET US RISE.”

Fellow Workers, The loyal subjects of Victoria, Queen of Great Britain and Ireland, Empress of India, etc., celebrate this year the longest reign on record. Already the air is laden with rumours of preparations for a wholesale manufacture of sham ‘popular rejoicings’ at this glorious (?) commemoration. Home Rule orators and Nationalist Lord Mayors, Whig politicians and Parnellite pressmen, have ere now lent their prestige and influence to the attempt to arouse public interest in the sickening details of this Feast of Flunkeyism...

During this glorious reign Ireland has seen 1,225,000 of her children die of famine, starved to death whilst the produce of her soil and their labour was eaten up by a vulture aristocracy, enforcing their rents by the bayonets of a hired assassin army in the pay of the –best of the English Queens’; the eviction of 3,668,000, a multitude greater than the entire population of Switzerland; and the reluctant emigration of 4,186,000 of our kindred, a greater host than the entire people of Greece. At the present moment 78 percent of our wage-earners receive less than £1 per week, our streets are thronged by starving crowds of the unemployed, cattle graze on our tenantless farms and around the ruins of our battered homesteads, our ports are crowded with departing emigrants, and our poorhouses are full of paupers. Such are the constituent elements out of which we are bade to construct a National Festival of rejoicing!'.

Connolly goes on: 'To you, workers of Ireland, we address ourselves. AGITATE in the workshop, in the field, in the factory, until you arouse your brothers to hatred of the slavery of which we are all the victims. EDUCATE, that the people may no longer be deluded by illusory hopes of prosperity under any system of society of which monarchs or noblemen, capitalists or landlords form an integral part. ORGANISE, that a solid, compact and intelligent force, conscious of your historic mission as a class, you may seize the reins of political power whenever possible and, by intelligent application of the working-class ballot, clear the field of action for the revolutionary forces of the future. Let the ‘canting, fed classes’ bow the knee as they may, be you true to your own manhood, and to the cause of freedom, whose hope is in you, and, pressing unweariedly onward in pursuit of the high destiny to which the Socialist Republic invites you' (full text here).

Agitate, Educate and Organise

I am intrigued by Connolly's use of the Agitate, Educate, Organise meme, a phrase that became common in 20th century radicalism. I wonder about its origins - the earliest reference I have found is from 1882, when the Knights of Labor (a trade union) held what was in effect the first Labor Day parade in New York: 'on Sep 15, 1882, a handful of laborers, organized by Peter McGuire,  began a march uptown through lower Manhattan, carrying signs that read Agitate, Educate, Organize  and  Less Work, More Pay.   Mocked by fashionable New Yorkers they continued their trek as more and more laboring men, women, and children joined them.  By the time they reached what is now called Union Square, there were over 10,000 strong and cheered by thousands more in the Square.  It was the first real Labor Day' (article here).  Irish emigrants played a key role in the formation of the Knights of Labor, and later Connolly himself became involved in US radical politics in the 1900s.

Of course the phrase made its way on to 1980s dancefloors via 'How we gonna make the black nation rise' ('we're gonna agitate, educate and organize') by Brother D with The Collective Effort (1980) - one of the earliest explicitly political rap tracks.



In 1987, Irish band (with American singer) That Petrol Emotion used the phrase in their track 'Big Decision' with its rap section 'What you`ve gotta do In this day and age. You gotta agitate, educate, organize'. The track was no doubt influenced more by Brother D than Connolly, but its references to the use of plastic bullets in Ireland put the band in Connolly's republican tradition.



Saturday, June 02, 2012

NME Guide to Rock & Roll London (1978): Disco

From the 1978 NME Guide to Rock & Roll London, the section on Disco compiled by LeRoy Z. Jefferson, with listings and reflections on the music in London clubs:

'The thing to remember is that Southern Soul is a whole different ball game from the much- publicised Northern brand. In the North, the more obscure '60s foot stompin' scene still dominates, around London it's mainly imported flash funk and deep soul from the likes of Earth, Wind & Fire, The Commodores, Slave, Cameo, Parliament and Pockets, plus a side order of reggae and thankfully just a smattering of android Euro-Disco (Baccara and Amanda Lear) and New York aural soft-porn (Andrea True Commection)'.

The legendary Crackers (201-203 Wardour Street W1) gets a mention. I had no idea that it was the place that hosted the Vortex punk club on Mondays and Tuesdays. Bar prices are given: 50p for lager, 40p for whisky, 27p for coke.

Also mentioned is a forthcoming All Day National Soul Festival on Easter Monday (March 27 1978) at Tiffany's, Brighton Road, Purley (near Croydon), with DJs Chris Hill, Greg Edwards, Robbie Vincent and Chris Brown.


Other places listed include:

- Chelsea Drug Store, 49 Kings Road SW3
- Columbo's, 50 Carnaby Street W1
- Fangs, Praed Street W2
- Fouberts, Fouberts Place W1
- Global Village, Villiers Street WC1 (replaced by gay club Heaven later in 1979)
- Hatchetts, 67a Piccadilly W1
- Hombre, 78 Wells Street W1
- Kareba, 63 Conduit Street W1
- Le Kilt, 60 Greek Street W1
- Saddle Room, Park Lane W!
- Samantha's, 3 New Burlington Street W1
- Speakeasy & Speakearly, Oxford Circus
- Sundown, Charing Cross Road W2
- Thursdays, 36 Kensington High Street W8
- Tiffanys, Shaftesbury Avenue W1
- Upstairs at Ronnie's, Frith Street W1
- La Valbonne, 62 Kingly Street W1

See also:

NME Guide to Rock & Roll London 1978: Gay Clubs
NME Guide to Rock & Roll London: Reggae

Monday, May 28, 2012

NME Guide to Rock & Roll London (1978): Reggae

The New Musical Express Guide to Rock & Roll London was a cut out and keep booklet given away with the NME in ealry 1978 - my copy is not dated, but it advertises a forthcoming event coming up at Easter 1978.


I'm going to scan it and put some of it up over the next few weeks, starting with this guide to reggae venues and shops in the capital at that time. The listed venues include Dougie's Hideaway Club in Archway N18, Club Noreik in Seven Sisters Road N15 and the Bouncing Ball Club (43 Peckham High Street SE15), the latter offering 'Good Bar, plus hot Jamaica patties. Spacious club with congenial atmosphere, featuring top-line JA and UK reggae acts, plus some soul. Admiral Ken Sounds'.


Reggae record shops included Hawkeye in Harlesden, Daddy Kool (Tottenham Court Road), M&D (36a Dalston Lane E8), Greensleeves (Shepherds Bush), Dub Vendor (Clapham Junction market - which survived in the area until last year), Third World Records (113 Stoke Newington Road N16) and Tops Record Shop (120 Acre Lane, SW2) - 'Front Line rock at Tops, the leading South London dub stop stockists of all current reggae releases, plus R&B and doo-wop albums, soul imports, and a fortnightly shipment of JA pre, specialising in Techniques (JA) and Clintones (US) productions'.

See also:

NME Guide to Rock & Roll London 1978: Gay Clubs
NME Guide to Rock & Roll London 1978: Disco

Sunday, May 27, 2012

Carnivals under threat

While huge amounts of  money are being pumped into the top down spectacle of the Olympics, England's long established culture of African-Caribbean led community carnivals is under threat from a mixture of funding cuts and increasingly restrictive policing and licensing constraints.

The St Pauls Carnival in Bristol has taken place every year but one since 1967, with 90,000 taking part last year. But there will be no Carnival in 2012, with the organisers saying that they do not have the funds to organise the event and comply with the regulations.

Now Lee Jasper has highlighted that Notting Hill Carnival, the biggest in Europe, may not happen. The authorities seem happy to allow it to drift into being cancelled with the organisation responsible for it in recent years not functioning and local Councils making little or no effort to encourage any replacement. As Jasper says: 'The history of the Notting Hill Carnival and the reason for its existence are firmly rooted in the ideals of freedom, unity and community empowerment.  Sadly, much of the language and debate from Kensington & Chelsea and Westminster councils and the Police largely focuses on how the event should be ‘contained’.If the authorities, through a combination of stealth, political and economic destabilization, forced resignations and using austerity and the Olympics as their pretext are able to effectively close down Carnival, the nation and London will be the poorer for it'.

Saturday, May 19, 2012

Malcolm X and Lindy Hop

Malcolm X was born Malcolm Little on this day, 19th May 1925.


The Autobiography of Malcolm X, written by him with Alex Haley, was published shortly after his assassination in 1965. Much of the book concerns his involvement with, and later break from the Nation of Islam. But the earlier part of the book contains some fascinating memories of nightlife in Boston and New York in the early 1940s.

In Boston, Malcolm worked as a shoeshine boy at the Roseland Ballroom and was clearly a big fan of the music played there. He talks approvingly of seeing Peggy Lee, Benny Gordman, Duke Ellington, Count Basie and many others, and recalled the fierce dancing competitions:

'"Showtime" people would start hollering about the last hour of the dance. Then a couple of dozen really wild couples would stay on the floor, the girls changing to low-white sneakers. The band now would really be blasting, and all the other dancers would form a clapping, shouting circle to watch that wild competition as it began, covering only a quarter or so of the ballroom floor. The band, the spectators and the dancers would be making the Roseland Ballroom feel like a big rocking ship. The spotlight would be turning, pink, yellow, green, and blue, picking up the couples lindy-hopping as if they had gone mad'.

Before long, he was a zoot suit wearing dancer himself (and indeed had progressed from shining the musicians' shoes to dealing them 'reefers'), and describes with evident relish lindy-hopping to Duke Ellington: 'Laura's feet were flying: I had her in the air, down, sideways, around: backwards, up again, down, whirling... Laura inspired me to drive to new heights. Her hair was all over her face, it was running sweat, and I couldn't believe her strength. The crowd was shouting and stomping'.

Still for all its liberation, nightlife was completely racialized. At the Roseland, some white dancers attended the black dances, but no black people were allowed to dance at the white dances, even if the music was provided by black musicians. Moving to New York, black Harlem had been catering since the 1920s for wealthier whites looking for thrills but not genuine social equality. I was surprised to read the word 'hippies'' dates back to that period: 'A few of the white men around Harlem, younger ones whom we called 'hippies', acted more Negro than Negroes. This particular one talked more 'hip' than we did'.

During the war, resentment against racist treatment grew. 'During World War II, Mayor LaGuardia officially closed the Savoy Ballroom. Harlem said the real reason was to stop Negroes from dancing with white women. Harlem said no one dragged the white women in there'.  In his recent biography, Malcolm X: A Life of Reinvention (2011), Manning Marable provides some background:

'Since its grand opening in 1926, the Savoy, located on Lenox Avenue between 140th and 141st streets, had quickly become the most significant cultural institution of Harlem. The great ballroom contained two large bandstands, richly carpeted lounges, and mirrored walls. During its heyday, about seven hundred thousand customers visited each year... In a period when downtown hotels and dancehalls still remained racially segregated, the Savoy was the centre for interracial dancing and entertainment. On April 22nd 1943, the Savoy was padlocked by the NYPD, on the grounds that servicemen had been solicited by prostitutes there. New York City's Bureau of Social Hygiene cited evidence that, over a nine-month period,  164 individuals has "met the source of their [venereal] diseases at the Savoy Ballroom". These alleged cases all came from armed services or coast guard personnel. Bureau officials offered absolutely no explanation as to how they had determined that the servicemen contracted diseases specifically from Savoy hookers... The Savoy remained closed throughout the summer of 1943' (it reopened in October).

During the period of the closure there there was a major riot in Harlem on 1 August 1943 after a black soldier was shot by a white policeman. 6 people died and 600 were arrested.

Marable reveals an interesting detail that Malcolm does not mention in the Autobiography - that under the stage name Jack Carlton, he performed as a bar entertainer at the Lobster Pond nightclub on 42nd street in 1944, dancing and sometimes playing the drums on stage.

Sadly it was another ballroom, the Audobon in Harlem, where Malcolm was murdered in February 1965 as he rose to speak at a public meeting there.

There's a great recreation of the Lindy Hop scene at the Roseland Ballroom in Spike Lee's film Malcolm X (1992).




Tuesday, May 15, 2012

Lisa Lopes: Ten Years Gone


Just realized that Lisa Lopes is ten years gone, killed in car crash in Honduras on 25 April 2002. That kind of thing makes you feel old. If you don't know about the importance of Lisa and TLC, just go over to youtube and listen. Some bands have to be seen and heard rather than written about to appreciate why they matter. But hey 'B-Girl feminism' (coined by Vibe magazine in a 1994 article about them) was a pretty cool term.

'TLC fires it up. Burning up the charts, burning down the house... TLC's sweet sounds, Day-Glo threads, and condom accessories led the first wave of B-girl feminism' (Vibe magazine, November 1994)




Sunday, May 06, 2012

We are Luton

The racist idiots of the English Defence League held a demonstration in Luton yesterday, on the day they announced that they were joining up with the British Freedom Party - another extreme right wing outfit led by ex-British National Party activists. 

Around 1,000 people joined the anti-EDL 'We are Luton' demonstration from the town's Wardown Park (I didn't see the EDL, but Luton on Sunday reports that they had a around 500).



The police mounted a huge operation to keep the two demonstrations apart, with metal barriers to prevent the 'We are Luton' march getting into the town centre. There was a brief flurry of action here, where the police deployed their horses to stop an attempted break out of the police cordon:



Good to see Leviticus sound system at the start of 'We are Luton', playing some Bob Marley as usual! Leviticus is a successor to the Exodus Collective who famously put on massive free parties and festivals in Luton and surrounding area in the 1990s and early 2000s:  'The Leviticus (formerly Exodus) Collective are a Luton based Sound System and Social Movement who see ‘Leaving Babylon’ as re-building our community on the principles of oneness, sharing and co-operation, instead of those of greed, competition and hoarding which underpin the ‘Babylon System’. So we re-claim disused lands and properties in our town to create our own tribal dances, free festivals, workplaces and homes...building an alternative ‘way of life’ right here in Luton'. 



Luton is generally portrayed in the media as a town dominated by the racist EDL on the one hand, and hardcore islamists on the other, but obviously most people have no time for either of these tiny factions. Leviticus offer a different vision of  'Revo-luton'. I went to one of their dances last year at the Carnival Arts Centre in Luton, with reggae in one room and drum'n'bass in the other - and a crowd with White UK, African-Caribbean and Asian people partying together. Over the years Exodus/Leviticus have mobilised many more people in Luton than the EDL have ever managed.


See Malatesta and Inayat's Corner for report of EDL antics in Luton yesterday.


Sunday, April 29, 2012

1960s Raves

Returning to the historic usages of the term 'rave', here's some examples from the1960s.

At the 'Shoreline Club' in Bognor Regis they were promoting 'All Nite Raves' in 1966. The club described itself as 'The only Beatscene on the South Coast' and had a 'Snuggery open all day free to members' (source: The Untamed)




From Sandown (1964 or '65, presumably on Isle of Wight), 'Rave, big new scene tonight' at 'Sandown Town Hall' (source: The Clique)


1965 'All Nite Rave, Midnight to 6 am' at Club Noreik, Tottenham High Road 
(image from White Fang's Who site):




An advert from 1964 for Leo's Cavern Club at the Olympia Ballroom in Reading. Note that on October 13th they were promoting an 'R & B Rave'.


Source: Anyway, Anyhow, Anywhere: The Complete Chronicle of the Who 1958-1978 by Andrew Neill abd Matthew Kent (The High Numbers mentioned in the advert were The Who in an early incarnation)


Sunday, April 22, 2012

Grayson Perry on punk and performance




Grayson Perry's 'Portrait of the Artist as a Young Girl' (2007) is his memoir of the period before he became a successful artist, as related to his friend Wendy Jones.

Perry recalls growing up in 1960s/70s Essex with a taste for dressing up in women's clothes, before moving on to study art in Portsmouth and early 1980s performance art in London. He's a bit older than me, but like me and many others he was first exposed to punk as a paper boy:

'One Sunday morning I was delivering the newspapers when I saw the front cover of a supplement with a photograph of punks at a Sex Pistols concert. I was amazed by it, I though, 'Fucking Hell" This is good!'. I decided there and then I wanted to be a punk rocker'.

He went to see bands like The Vibrators, Boomtown Rats and Crispy Ambulance in Chelmsford, and attended the infamous debacle of the 1977 punk festival at Chelmsford Football Club, headlined by the Damned. The event was a flop with Perry opining that 'the most punk rock thing of the whole day' was when the scaffolder, furious at not being paid, began dismantling the stage while the bands were still playing.

A punk leather jacket included by Perry in his exhibition
last year at Manchester Art Gallery
(photo from http://ohdearthea.tumblr.com/)

After leaving college in 1982 he moved to London where he was part of the post-New Romantic/Blitz kids scene. He lived in the basement of a squat in Crowndale Road next to the Camden Palace, with Marilyn (soon to be a short-lived popstar) living upstairs. Perry 'used to go to the Taboo nightclub in a black suit with skin-tight Lycra trousers and a jacket two sizes too small... I put sunburn-coloured make-up on my face and left white rings round my eyes, like ski goggle marks... And I had a tail. It was a stiff, furry dog's tail'.

He also got involved with the Neo-Naturists, a performance art troupe who performed naked with paint on their bodies. They played at places like Notre Dame Church Hall (Leicester Square), Heaven, the Camden Palace. the Fridge (Brixton) and an anarchist centre:

'we were booked to do a Neo-Naturist performance in Brixton at the Spanish Anarchists Association, which was similar to a working men's club, an extremely anachronistic place that had become somehow hop because of punk's associations with anarchy. As it was May Fiona though we should do a Communist, May Day-themed cabaret. Cerith [Wyn Evans], Fiona, Jen, Angela and I all had identical Communist uniforms body painted on to us with khaki paint and we decorated oursevles with big red five-pointed stars... There were around a hundred anarchists in the audience as well as some punks and they all hated it, not one of them clapped, the room was dead quiet'.

I think Perry may have got two different places mixed up here - the 121 centre in Brixton opened in 1981, but the Spanish anarchists' place was Centro Iberico (421 Harrow Road), a squatted school where various punk gigs and other events took place (incidentally producer William Orbit started out with a studio here). The Neo-Naturists site mentions them playing a 1982 May Day event at 'Spanish anarchist centre, Harrow Road' so assume this was what Perry remembered (maybe he went to 121 another time).

Photo from the Kill Your Pet Puppy archive


Sunday, April 15, 2012

Festivals Britannia

Finally got round to watching 'Festivals Britannia' a documentary about the history of the British festival scene first broadcast on BBC4 in late 2010. For anyone familiar with this history there were no great revelations as it trod the familiar path from the Isle of Wight 1969 to Glastonbury to Windsor to Stonehenge to Castlemorton 1992.

What lifted it was the film footage of these events and an excellent range of interviewees including many of the key figures in the different phase of the 20th century counter culture. Jazz ravers Acker Bilk and Kenny Ball recalled the 1950s jazz festivals, the later remembering 'you couldn't have a rave up in a dancefall. You had to walk across a floor and ask a girl to have a waltz or something, but if you were in a field you felt free'.

The Beaulieu jazz festival in Hampshire started out in 1956. In 1960, simmering tensions between modern and trad jazz fans sparked off the so-called Battle of Beaulieu with fans impatient to hear some Acker demolishing a BBC TV tower. A contemporary newspaper reported: 'Jazz succumbs to the Hooligans'.  In the same period the annual Aldermaston 'Ban the Bomb' marches became what free festival veteran Sid Rawle termed 'a festival on the march'.

The late 1960s free concerts in London's Hyde Park were described by Roy Harper as the high point of the hippie moment, a time when 'everything seemed to be bright and in the process of awakening' (Roy Harper).  On the Isle of Wight, the 1970 paying festival famously ended up with those outside storming the fence so that it was opened up for free on the final day. Festival organisers and Mick Farren who was on the fence storming side were interviewed, but the best quote was amongst a selection seemingly from a series of Isle of Wight residents engraged by the 'invasion' of the area by 600,000 mostly young people:  'If you have a festival with all the stops pulled out, kids running around naked, fucking in the bushes, and doing every damn thing that they feel inclined to do I don't know that's particularly good for the body politic' (all delivered in an impeccable upper class accent - I assume this was never broadcast at the time)

Windsor 1974 - 'Hippie PC Flees Pop Fury'
(from the excellent UK Rock Festivals site)

In the early 1970s the first Glastonbury festivals were followed by the emergence of the free festival circuit, most notably the Windor Free Festival. Closed down in a major police operation in 1974, the next year the Government offered a disused air force base at Watchfield in Oxfordshire as an alternative - but a state-sponsored 'free' festival with police on site was not quite the same. Among those recalling this period on the film were Nik Turner and Stacia from Hawkwind and Penny Rimbaud from Crass.

The free festival scene was dealt a severe blow with the mid-1980s crackdown on the Stonehenge Festival and the Convoy - everybody should have to watch the bullying gratuitous violence of the police in the so-called Battle of the Beanfield to understand the state of virtual social war in the mid-1980s, with the Government giving its forces free reign to bash miners, travellers and other 'enemies within' with impunity (sometimes feels like we are heading into a similar period).

The outlaw tribes, disenchanted and disenfranchised needed to find other places to gather, and Glastonbury had relaunched in the 1980s as paying festival raising money for the Campaign for Nuclear Disarmament. Farmer and festival organiser Michael Eavis reflected that 'we were just anti-Tory really, we were on a crusade to take on Maggie and to fight the oppression and it was very effective'. Through much of the 1980s it wasn't that hard to sneak into the festival for free, but increasing pressure from the Council and the police required stronger fences and more security.

By the early 1990s the survivors of the free festival scene were joining up with the new sound system culture, as described by Mark Harrison from Spiral Tribe and Rick Down (Digs) from DIY Sound System. The huge 1992 Castlemorton free party/festival prompted the Government to introduce the Criminal Justice Act to clamp down on 'raves'.



The programme ends with the increasing dominance and prevalence of commercial festivals in the noughties. But there is some evidence that this boom has peaked, with the Guardian asking recently 'Have we fallen out of love with the great British music festival?'. I don't think the desire to gather under the skies with thousands of like-minded music lovers has changed, but more and more of us can't really afford to spend the cost of a holiday on a weekend, especially if that weekend has to be spent in a highly corporate fenced-off enclosure.

Sunday, April 08, 2012

Hackney Homeless Festival 1994


In the early/mid 1990s there were some big free festivals in London parks. Not pseudo-free festivals behind big fences with lots of private security, but proper sprawling mildy-chaotic events with sound systems, dance tents and lots of bands. Two of the biggest were the Deptford Urban Free Festival (in Fordham Park, New Cross) and the Hackney Homeless Festival.

The latter in Clissold Park, Stoke Newington in May 1994 aimed to raise awareness of homelessness, as the name suggests. The energy behind it came out of the squatting scene, but they did involve a locla street homeless hostel, McNaughton House. Up to 30,000 people attended with acts including The Levellers, Co-Creators, Spannerman, Back to the Planet and Fun Da-Mental. One of the stages was organised by Club Dog.

The police piled in after the festival outside the Robinson Crusoe pub, arresting 30 people as clashes erupted. According to one person present: 'A line of police in riot gear approached the pub, pushing people, telling them to go. That's when the glasses started flying. I saw one guy, who asked why they were doing this, get jabbed with a baton. I saw a woman in a wheelchair, who was obviously very distressed, being wheeled around roughly by a police policeman. It was completely unprovoked' (NME, 14 May 1994 - full article below)



Some interesting video footage of the festival at Spectacle video archive.

For more on Hackney, see Radical History of Hackney: http://hackneyhistory.wordpress.com/