Luton punk squat party 1985: 'Revolution is the Festival of the Oppressed'

In November 1985 there was a squat gig in Luton with local punk bands. Unusually for that time some people actually took photos of it which have popped up on facebook and other places over the years (including I think the old  UK Decay website). So we have a lovely snapshot of the some of the beautiful people of my home town and I still have the flyer, which promised a lot:

'On Saturday 16th November an attempt will be made to put on a squat gig in Luton featuring local bands Karma Sutra, Penumbra Sigh and Party Girls. The reasons for doing a squat gig are many and varied. The bureaucratic organisations of the political elite do nothing but spout dead dogma and empty rhetoric about the young and what they think we need. All these schemes do nothing except reinforce our feelings of powerlessness. This attempt to reclaim disused property and put it to constructive use is an attempt to put into practice our own feelings of power and humanity and to do things for ourselves when all around us we are offered nothing except misery and destruction. Here is a constructive attempt to create something of real importance in an atmosphere of love and cooperation as an alternative to what we see around us... we cannot do it alone but we can do it together, come along and participate'

 

The venue was the TUC Centre for the Unemployed, or rather the building that they had been using at 17 Dunstable Road, Luton, but which they had recently moved out of. Most of the Luton punks were on the dole at the time and many of us had been helped out with our claims and housing issues by the advice workers there - though earlier in the year we had fallen out with the Centre's management when our rowdy protests became too much for them (see previous post on Dole Days in Luton). I think the perception was that the centre was being closed down to punish our ingratitude but actually it reopened later in a different location.

It was a great gig/party, the place decorated with banners, loads of people turning up and three fine bands. Luton's two main anarcho-punk bands from the time, Karma Sutra and Penumbra Sigh (the latter sadly never recorded), plus Party Girls who I guess were a bit more what was becoming known as goth.

Karma Sutra - Graeme, Dave and Neil in shot

Penumbra Sigh - the late Karen Tharsby, Steve, Pete and Mark

Party Girls Dan and Pete

All the bands played in front of a banner declaring 'Revolution is the Festival of the Oppressed'. Looking through photos I can also see 'Alternative Luton', 'Revolution is Every Day Life' and 'Where does the enemy hide?'. The latter question comes from London situationist punk funk band Slave Dance, whose song of that name features the answer '...if not in our everyday lives?'. Yes we'd all been digesting the Situationists, mostly via Spectacular Times booklets. I can also spot a couple of Karma Sutra banners: 'Here lies the world destroyed by greed, profit and envy' and a chained up figure inside a globe cage, plus a red and black flag.

I can also see a poster declaring 'Wickham 19 are innocent'. The gig was actually a benefit for this defendants campaign supporting those arrested in a series of South East Animal Liberation League raids on vivisection related companies in Hampshire. One of our Luton crew was among those arrested, hence the graffiti saying 'hello the Wickham One!'

I don't remember all the names of the people below, but not going to name the ones I do remember (you can out yourselves in the comments if you want). Hope nobody minds though being included in the photo gallery I think it's very evocative of a time and place that seems both recent and a million years ago. Obviously if anybody does object to use of pictures let me know and I will edit accordingly,

I was recently in touch with Dave G. who helped put on the party who has kindly contributed his recollections:

'It took place a very short time after the building was emptied. A group of us went down there one evening (in the dark) to gain access. We knew that breaking and entering would be a criminal offence but entering through a window without causing any damage was “merely” trespass and a civil matter. That said, we also knew that the police usually made mincemeat of these distinctions. I think we knew the building and how to get in via a dodgy window then open the doors from inside. 

I remember being very surprised and impressed that someone – I think from Karma – knew about electricity and fuse boxes. I seem to recall that fuses were missing or something had been done to remove power but that this had easily been rectified.

We worked out that entrance to the gig should be via the back of the building to avoid attracting attention with the front available as a fire exit.  You’d pass through a kitchen where food had been made and upstairs there were two rooms – one where all the instruments of the bands were kept and another where people could sit and chat.

I remember bits of the evening itself and that at a certain point the police tried to get in but were blocked.  They claimed it was about health and safety then said, “don’t blame us if you all burn to death” and disappeared.  

I think the event was considered a “success” and there were initial plans to do more.  For example, the big old Co-op building opposite St George’s Square had been empty for years and some of us went in via the back one Sunday afternoon and talked about repeating it there – perhaps on Carnival Day - but it never happened. I think one reason is that the momentum of doing something like the squat gig the first time had now gone. I definitely wanted it to happen at the Co-op and went back a couple of times alone to check things out but it was probably just as well it didn’t happen because the Co-op would have been too high profile to pull off successfully without more people involved and better organisation. I also think that the first squat gig popularity was because the centre had done so much to help people in practical terms and that closing it down was regarded as a spiteful injustice. The people who organised the gig and others who turned up – so many of them had received support and the closure felt more personal and something to be challenged - the gig seemed like “having a go back”. Perhaps, having done it once, people didn’t think it had been worth all the effort.  Certainly, if you are involved in something and it comes off, there’s a degree of wanting to repeat and scale up the same experience, whereas if you weren’t central to it, you are less invested. I don’t know…

To me, the idea of squat gigs/events felt like we were “reclaiming” space, highlighting the waste of resources during a housing crisis and creating our own cultural spaces as an alternative to “confected entertainment” but there were many weaknesses with those theories… [soon] there were other things to be getting on with like Anti-Apartheid, Section 28, the Alton Bill, pickets at Wapping, local strike action at Vauxhall…'

If you have any memories, photos, flyers related to this or similar nights get in touch

Other Luton writings:

How it all began (for me): a School Kid against the Nazis in Luton 1979/80

Blinded by the Light - memories of racism and job cuts in 1980s Luton (including the Luton Youth Movement)

Luton Nuclear Disarmament Campaign go to Greenham Common 1980

The Luton Riots of 1981 - 'Brixton comes to Bedfordshire'

The Hunger Strike, the Irish War and an English Town

Karma Sutra, Luton anarcho-punk and hunt sabbing

Dole Days in Luton: Unemployed protests in Luton 1985

Clubbing in Luton 1984

We are Luton - opposing the English Defence League in 2012

'Angry White People' book review (at Datacide magazine)

 

Dole Days in Luton: unemployed protests 1985

In the turbulent mid-1980s - 1984 to 1986 to be precise - I was unemployed like most of my punky friends in Luton. My 1985 diary has the same entry on almost every Thursday – ‘Sign on, Switch’. The weekly ‘Giro Thursday’ routine consisted on signing on at the dole office, cashing in our ‘Personal Issue’ cheque at the post office, buying in our vegan supplies for the week, and 'then going home to crimp our hair before heading to the pub and then The Switch Club, the town’s only regular alternative night. There to drink and dance to songs like Spear of Destiny’s Liberator, Baby Turns Blue by the Virgin Prunes, the Sisters of Mercy’s Alice, Dark Entries by Bauhaus and The Cult’s Spiritwalker. In a departure from the general gothdom the last record was usually 'Tequila' by The Champs' (see more here on Luton nightlife at this time).

Many of us were living in bedsits in the town’s London Road area owned by the late Gerry Cremin, a generally amiable Irish landlord who nevertheless thought it necessary to collect the rent accompanied by an Alsatian, a baseball bat and his burly sons (my dad had coached some of them at St Joseph's football club). The deal was that in return for providing a nominal breakfast which hardly anyone got out of bed for, the landlord was able to charge the Government's Department of Health and Social Security (DHSS) a higher rent, and the tenants got a little bit more on their dole – so we took home a massive £39 a week. It wasn’t exactly paradise, but it was too good to last.

‘In Luton hundreds of unemployed people under the age of 26 are being made homeless by new government rules on Bed and Breakfast accommodation. The government and their friends in the media claim that these new regulations are to stop people taking free holidays at the taxpayers’ expense. The reality is that most people live in B&B because they have nowhere else to go. Who’d take a holiday in Luton?’ (Luton Bed and Breakfast Claimants Action Group leaflet, June 1985)

In 1985, the Government decided to change the rules so that young people under 26 could only stay in board and lodging for four weeks before their rent and benefits were cut – for those of us living in the Costa del Cremin this threatened homelessness. Actually it was no joke – the Luton News reported that Michael Ball, a 24 year old from Marsh Farm, hanged himself when he was forced to move by the new regulations.

In June 1985, a Bed and Breakfast Claimants Action Group was set up at a meeting at the TUC Centre for the Unemployed (17 Dunstable Road, Luton). This was a trade union sponsored centre which offered benefits and other advice, and for which Luton bands including Karma Sutra, Click Click and Party Girls had played a benefit at the local college (now University of Bedfordshire). I wish I still had my ticket for that, as they were hand printed by Elizabeth Price who went on to be in indie pop band Tallulah Gosh and then to win the 2012 Turner Prize for her video art. 

The Centre was one of around 200 similar projects around the country in this period set up with the support of the Trades Union Congress and local unions. An oral history of this movement has recently (2023) been written by Paul Griffin (Unemployed Workers Centres: politicising unemployment through trade unions and communities). There was a political tension in these centres - were they top down, even paternalistic, welfare service for the unemployed, or were they centres for agitation and organising by the unemployed? That tension certainly played out in Luton, as we shall see.

Flyer for the first meeting on 10 June 1985

 A campaign of action followed on quickly from that first meeting. Over the next few weeks, we occupied Luton DHSS and the Anglia TV office in the town, and disrupted council meetings (Luton had a Conservative Council at the time). Between 20 and 50 people took part, mostly drawn from our punk circles but not just the usual anarcho activists. When Prince Charles visited the town's Youth House we occupied the Radio Bedfordshire office in Chapel Street, while Karen Tharsby (singer with Luton punk band Penumbra Sigh, who sadly died in 2013) was arrested for sticking her fingers up at the heir to the throne. The clip below includes short Radio Beds reports of one of the town hall protests and an interview with Pete K. about the Prince Charles visit.

 

Transcript of BBC Radio Bedfordshire clip: 'There was a demonstration outside Youth House where Prince Charles was on a tour. The demonstration was by young unemployed people from Luton protesting about the government's new board and lodging rules which they claim have made them homeless. One person was arrested. One of the protesters explained why they  tried to disrupt the Royal day: 'to show we're angry about people being thrown out of their homes, made homeless while people like Prince Charles can visit Luton and like £50,000 be spent out on someone like him to visit Luton. People like myself, people in bed and breakfast accommodation all over Luton are being made homeless. I don't see how can they can justify spending all this money on him'. [and how would you prefer the money be spent?] Well for a start I think it should be spent giving people houses, renovating houses, Council houses whatever… hospitals, kidney machines, things like that things that, things that are worthwhile'

 Plans were also laid for squatting – a list of empty properties was put together at the Centre for the Unemployed and circulated in the name of ‘Luton Squatters Advisory Service’ (‘Jobless Encouraged to become Squatters’, Luton News, 27 June 1985). 

Things came to a head in July 1985 when during a protest at another council meeting in the Town Hall there was a scuffle with councillors. Gerard Benton – an advice worker at the Centre for the Unemployed  - was arrested and later jailed for six months for ‘actual body harm’. Gerry was definitely innocent of the charge of hitting a councillor, he had just stayed around after others had left and been the one there to be picked up. After he was convicted, some of Gerry’s friends repaid the councilor who they believed had given deliberately misleading evidence against him with a number of pranks, including placing an advert in a local paper offering prison uniforms for sale, with their phone number. On his release, Gerry continued in advice work until his untimely death in 2005 at the age of 47.

It was all too much for the respectable Labour Party types who ran the Centre for the Unemployed. We were banned from meeting there anymore, and even before Gerry was jailed he was told by the management not to associate with us. One of the contradictions of the unemployed centre movement was that staff were often paid with funding from the Manpower Services Commission - a kind of Government job creation scheme - so there was always a limit to how far they could go in opposing the state. Not long afterwards the Centre moved buildings - leaving the original one to be squatted for one night for a  great Luton punk gig (see post here). 

‘Jobless Protestors Occupy DHSS Office - A demonstration at Luton’s DHSS office against new Government rules for the unemployed ended when police were called in to break it up. Around 40 unemployed people occupied the Guildford Street office on Thursday… They occupied the offices for two hours and hung up banners in windows until police were called by the manager’ (Luton News, 20 June 1985)

‘furious councilors and demonstrators jostled and argued when a protest got out of hand during a committee meeting at Luton Town Hall last week. Around 30 punk-style protestors objecting to the new bed and breakfast laws were ejected by police. One arrest was made after coffee cups were broken during the row’ (Herald, 11 July 1985)

 I believe that the Centre for the Unemployed continued elsewhere in Luton until 1999, and then changed its name to  Rights - this advice service  is still going 40 years later. Looking back I can see that we were sometimes quite obnoxious to  some of the no doubt well meaning people running the Centre for the Unemployed, but equally we felt justified in our anger at their failure to support actual unemployed young people fighting back against cuts to our benefits.

Another leaflet advertising the first meeting on 10th June 1985:

Report on the campaign from Black Flag magazine:

'Youth Dole Sit-in Demo' - Luton and Dunstable Chronicle & Echo, 14 June 1985

A bit more here about Gerard Benton.  A definite Luton character,  I first met him when I was at school and had joined the Labour Party Young Socialists for a while. Gerry arranged a coach trip to the Welsh seaside resort of Llandudno for the LPYS conference, with us all being put up in a hotel. A lot of people came along for the ride, some of whom never even stepped foot inside the conference, with no questions asked about ability to pay. We got to see Steel Pulse too. It was only when we got back that we found out that Gerard had simply arranged for the hotel bill to be sent to Luton Labour Party, who weren't very happy but paid up anyway.

Footnote: a Tory landlord and an imaginary strike in Luton

Another Luton landlord at the time was Mr Mason, a Tory councillor with shabby accommodation in Stockwood Crescent and elsewhere. Some of his tenants took to painting graffiti or otherwise vandalising his office on the way back from the pub and a group of them got arrested in the process. A couple of them were members of the Socialist Workers Party and one of their leading members locally, Ged Peck, was believed to have reported them to the SWP's control commission (their internal disciplinary body). Those involved were furious at what they saw at this lack of support and the response was to submit a fake strike report that was unwittingly printed in Socialist Worker in July 1984. The bad employer was a fictional Pecks Publishing in Luton - named for Ged Peck (who incidentally had played guitar at the Isle of Wight Festival). Gerard Benton was named as the shop steward at  this imaginary firm and the person named as the author of the piece had nothing to do with it. Just goes to show you can't believe everything you read in the archive - let future historians note there was no such strike in Luton! I believe those held responsible for this fake news were suspended from the party.

[This is an edited extract, with some additional material, from my article - Neil Transpontine, Hyper-active as the day is long: anarcho-punk activism in an English town, 1984-86 in 'And all around was darkness' edited by Gregory Bull and Mike Dines, Itchy Monkey Press, 2017.  The full article goes on to look at more Luton activism covering animal rights, anti-apartheid, the peace movement, Stop the City, the miners strike and more. The book is an excellent collection of participant accounts of the scene including The Mob, Crass, Flowers in the Dustbin, anarcho-feminism and Greenham Common etc. You can buy copies of it here and recommend you do if you are at all interested in this kind of stuff.

One of the criticisms sometimes levelled at the anarcho-punk scene of that time is that its politics were a kind of militant liberalism in which activists always seemed to be seeking to act on behalf of others – whether animals or people in far off places – rather than confronting their own position as young, mostly working class people in a capitalist society. There is some merit in this, though a counter argument could of course be made that they refused to be confined to their narrow sectional interest and instead tried to embrace a more global critique of oppression and exploitation. But I guess in the above episode at least we were directly self-organising around our own needs in the context of unemployed benefit cuts.

Other Luton writings:

How it all began (for me): a School Kid against the Nazis in Luton 1979/80

Blinded by the Light - memories of racism and job cuts in 1980s Luton (including the Luton Youth Movement)

Luton Nuclear Disarmament Campaign go to Greenham Common 1980

The Luton Riots of 1981 - 'Brixton comes to Bedfordshire'

The Hunger Strike, the Irish War and an English Town

Karma Sutra, Luton anarcho-punk and hunt sabbing

Luton punk squat gig 1985

Clubbing in Luton 1984

We are Luton - opposing the English Defence League in 2012

'Angry White People' book review (at Datacide magazine)

Left at the Pier Festival, Brighton 1994

A feature of the 1980s and 1990s in England was officially sponsored free music festivals, usually one day affairs supported by local councils or other organisations such as trade unions.  One such event was the Left at the Pier Festival held on the seafront at Brighton as a 'festival to celebrate public services' and sponsored by Southern and Eastern Regions of the Trades Union Congress and the Workers Beer Company.

The bands playing at this festival would have been familiar at many summer festivals in this period, including Dreadzone, Tribal Drift, Bhundu Boys, the Oyster Band,  Co-Creators and Transglobal Underground. I remember seeing the latter two on a hot afternoon, with a big screen showing action from the World Cup then taking place in the USA. I was staying in Brighton at the time taking part in an international  conference (AIDS Impact: Biopsychosocial aspects of HIV Infection).

My London musical/radical soundscape 2023

Reading other people's end of year lists is like listening to people talking about their dreams - occasionally interesting but mostly very much not. So this round up of musicking and political activity from (mostly) London 2023 is really for my own benefit and to document a few things which might otherwise vanish from the historical record or at least my memory.

Best gig of the year for me was Kneecap at the Electric Ballroom in Camden, a giant mosh pit in a sold out gig for Belfast Irish language rappers. Just up the road at the Roundhouse in December, Lankum were also excellent. Irish hegemony in my music tastes for the first time since the 1990s. Love the Roundhouse (also saw Big Moon there in May  and a couple of years ago Laura Marling), not so keen on the cavernous Ally Pally where I saw Sleaford Mods with John Grant, but a good gig.

On a jazzier tip, loved Ezra Collective at Hammersmith Apollo in February, and Laura Misch's mellow cloud bath performance at the Peckham Old Waiting Room. Nearby at the Ivy House pub SE15, The Goose is Out continued to curate some excellent folk nights including Martin Carthy and Stick in the Wheel. They also put on a monthly singaround session where people take it in turns to stand and sing one song at a time; I sang there earlier in the year and also at Archie Shuttler's Open Mic at the Old Nun's Head. Strummed the banjo and mandolin a bit.

In terms of my own music making the highlight was taking part in the Wavelength Orchestra event on the beach in Gravesend in June, an improvisational performance where assorted musicians sustained notes based on the duration of waves (although it was low tide and they were more like ripples). I took along my old Wasp synth, my dad's bagpipe chanter and my grandad's harmonica to add to the mix.

 

Went out for my birthday to a Mungo's Hi Fi night at the Fox & Firkin in Lewisham, checked out my local Planet Wax record shop and bar in New Cross. Enjoyed giving a Peckham anti fascist history walk for around 30 people in October, and chatting about my own history on Controlled Weirdness' 'Tales from a disappearing city' podcast.

I always appreciate the unexpected random encounters with music in the city, like coming across an Italian hip hop collective (Hip Hopera Foundation) performing in Beckenham Place Park or bumping into morris dancers by my local pub. Loved dodging the rising tide on the Thames shore for a dark 'Noise TAZ' in the summer.

Politically I am not a super activist at the moment but do try and get myself out there in times of emergency - and with climate change, war, anti-migrant racism and transphobic 'culture wars' it feels like that is most of the time at present. Or as Benjamin put it, 'The tradition of the oppressed teaches us that the ‘state of emergency’ in which we live is not the exception but the rule'.

The year started with ongoing strikes from NHS, rail workers and teachers, I popped down to various picket lines and protests. It has been hard to keep track of the endless state onslaught against refugees, including the 'Illegal Migration Act' which criminalised seeking asylum. Protest too becoming increasingly criminalised with climate emergency activists being locked up for months or even years just for walking in the road or doing a banner drop.  My most sustained activity was turning up regularly to defend a drag event at the Honor Oak pub in South London from far right opposition (which I wrote about at Datacide). I got increasingly fed up with anti-trans nonsense from fellow old lefties  and said so. The end of the year dominated by the massacre of October 7th and the seemingly never ending massacre in Gaza ever since - highlighted by both Kneecap and Lankum at their gigs.

Perhaps it remains true, as Frederic Jameson said, that 'it is easier to imagine the end of the world than to imagine the end of capitalism', but the neo-liberal capitalist utopia of a world united and pacified by globalised markets has vanished too. It is not hard to imagine a kind of end of capitalism as we know it, at least as a global system, replaced by endless ethno-nationalist violence and conflict for shrinking resources like water and arable land. Harder sometimes to hold onto a politics of hope for a better world, but what is the alternative?

'South London Loves Trans People' - at the Honor Oak pub in May

Stop the Migration Bill protest at Westminster with speakers on Fire Brigades Union fire engine (13 March 2023)

Refugee solidarity on London anti-racist demo, 18 March 2023

Gaza ceasefire demo blockades Carnaby Street, 23 December 2023

Anyway here's a slice of London's musical/radical soundscape as experienced by me in 2023:

Seen and heard in film above:

1. Striking Lewisham teachers, January 2023.

2. Ezra Collective perform Space is the Place, Hammersmith Apollo, February 2023.

3./4./5. Extinction Rebellion demo in London, April 22 2023.

6. Martin Carthy singing High Germany at Goose is Out folk club at the Ivy House SE15, April 2023

7. Wavelength Orchestra in Gravesend (OK not actually London) on beach next to St Andrews Art Centre, June 2023

8./9. Dancing in the streets in Honor Oak, defending drag event from far right opposition, 24 June 2023

10. Stick in the Wheel at at Goose is Out folk club at the Ivy House SE15, June 2023

11. Torquon on Thames Beach, Noise TAZ, 19 August 2023 

12. Khabat Abas, Thames Beach Noise TAZ, 19 August 2023 (Kurdish experimental cellist)

13 Leslie, Hilly fields, September 2023 (pop up electronic performance in the park)

14. Blanc Sceol,  Deptford Creekside Discovery Centre, September 2023 (acid sounds on self made acoustic instruments as part of 'Thorness and Green Man' autumn equinox performance with artist Victoria Rance)

15 Cyka Psyko - Sardinian rapper with Hip Hopera Foundation, Beckenham Place Park, 24 September 2023

16. Laura Misch in Peckham 21 October 2023

17. Palestine demo, Battersea, 11 November 2023

18. Kneecap, Electric Ballroom, 29 November 2023

19. Sleaford Mods cover West End Girls at Ally Pally 2 December 3034

20. Lankum singing The Pogues' Old Main Drag to remember Shane MacGowan at the Roundhouse, 13 December 2023.

21. Palestine demo, Carnaby Street, 23 December 2023

'Do not play acid' - London club listings October 1988

London Club Listings from a local paper in October 1988 (Westminster and Pimlico News) in the midst of the acid house upheaval. KISS FM crew 'know how to make a rave swing' at Second Base at Dingwalls 'but steer well away from acid'. Meanwhile at Memphis/Legends DJs Rajan and Tim Archer 'do not play acid' but do mix in some Chicago House with their P-funk and r'n'b. Cafe de Paris offers 'salsa, soul and Balearic beats for a packed dancefloor of sloanes, trendies and those who know the doormen'. ACID! very definitely promised though at Asylum at the Harp Club (later the Venue) in New Cross with 'total mayhem, surprises and visuals'. Not sure of the exact music policy  at The Rok at Brixton's Fridge but there's 'delecatable deejays' and 'dishy dancers'.

('Top Twenty' chart here is just a pop listing from HMV, not representative of club sounds from the time).

See also other listings posts:

London Gay Disco 1972

NME Guide to Rock & Roll London (1978): Disco

NME Guide to Rock & Roll London (1978): Gay clubs

NME Guide to Rock & Roll London (1978): Reggae

London Club Listings 1982 - Time Out

Clubbing in London i-D listings, 1984

Clubbing in Sheffield i-D listings, 1984

Clubbing in Manchester listings, 1984

Clubbing in Luton, 1984

1987: Dancing in Brixton and beyond

The Face London Club listings, March 1989

Speed and other London clubs, i-D 1995

Muzik Magazine 1995 club listings

More 1995 London Clubs

 

'How to produce a feminist magazine': Bad Attitude - radical women's newspaper (1992-97)

Bad Attitude was a London-based radical women's newspaper that ran from 1992 to 1997. It was put together by a group of women (mostly friends of mine) operating for much of this time from an office in the anarchist squat centre at 121 Railton Road, Brixton. The paper was an ambitious project, aiming for high production values and international coverage while having no funding and no paid staff. Unsurprisingly it eventually ran out of steam but not before many great interviews, news stories and other articles.

The story of Bad Attitude is told in some documents in the 56a infoshop archive, which also has a collection of the paper. The first document is a letter promoting Bad Attitude to potential sellers (bookshops etc). It promises that it will be 'wicked, witty and wild' and 'will inherit and expand the success of Shocking Pink and Feminaxe - members of the collective worked on both these publications... with a mission to overthrow civilisation as we know it Bad Attitude will put blander publications in the shade'. Distribution was handled by Central Books, originally set up in the 1930s to distribute Communist Party publications.

Five years and eight issues later the collective issued a 'Bye Bye Bad Attitude' letter to subscribers. 

 'BA brought a class struggle, anti-state approach to feminism that is scarce in any nationally distributed publication, and we managed to have few laughs along the way. It was  something worth fighting for! But life is change and the core of BA members have moved on in different ways — in  some cases, out of London. Lack of enough money and lack of energy have re-inforced each other, though our low overheads have enabled us to carry on longer than others. 

Most imporant, we're feeling the knock-on effect of changes in the benefits system. It's no   easy to sign on, keep going with the odd earner on the side and devote yourself virtually full-time to a project like BA. With wage cuts, pressure on low-rent housing and squatting and all the other survival hassles, it's also become more difficult to live on  part-time employment. This has made it difficult to find new collective members who can make the commitment to a regular publication on the scale of BA... Still for the overthrow of civilisation as we know it'

The group hoped that others would pick up the torch and with this in mind they 'How to produce a feminist magazine or how we did BA' with various practical points and 'advice from burnt-out baddies':  'Don't be over-ambitious. When we started as a bi-monthly. we roughly kept to schedule for a year. We also got ill! In retrospect. this sense of burn-out hung over the rest of the time we published. even as we went to quarterly. to bi-annual. to....non-existent.  It's better to start off with a publishing schedule you know you can stick to without giving up the rest of your life. 

At the same time, photocopies won't get the word out. Printing an attractive. well-produced publication makes it more accessible to those who don't already have a determined mission to read extremist tracts. And remember partially-sighted women will be interested too in what you've got to say. Try and get as many people as possible involved from the very beginning. We started off as a group of five or six, with the idea of involving more women when we published. But women coming in often didn't feel quite the same commitment. even though we tried to work out ways of including new volunteers. When we were overstretched we got stuck. We didn't have enough women to work regularly and train new volunteers which made it difficult for new women to get involved. which meant we didn't enough of us to  open the office. put out the paper and train volunteers...and so on'.

Bad Attitude benefit party during Hackney Anarchy Week 1996, held at the Factory Squat in Stoke Newington (more details of the Week at Radical History of Hackney)

Bad Attitude stall at Pride, Brockwell Park, 1993 - with Rosanne Rabinowitz (left) and Katy Watson

Sparrow's Nest Archive have scanned some copies of Bad Attitude

See previously:

Remembering Katy Watson (Bad Attitude collective member)

Bad Attitude Music Reviews

London queercore 1995: Vaseline, Up to the Elbow, Sick of it All

Muzik magazine issue One: 1995 club listings and Drexciya

Muzik magazine was launched with this June 1995 issue by IPC magazines, the publishers of NME and many other established publications. The mainstream music press had been caught hopping by the massive dance music explosion of this period, outflanked by magazines like Mixmag, DJ and Jockey Slut. Muzik was IPC's attempt to get a slice of the pie, and to me it felt a bit of a step backward. Or what I no doubt ranted about at the time as a musical counter revolution applying usual culture industry techniques of elevating cover star music makers out of the relatively anonymous masses of DJs, dancers and producers. It was all about 'proper' musicians (even if electronic ones), making proper albums filed neatly into product categories of techno, garage, house or even, as in this issue, hardbag. Of course Muzik didn't start the 'superstar DJ' trend but I think they went further than before in separating out the music from the experience of dancing to it - it was less clubbing focused than say Mixmag.

Still there's extensive record reviews and the club listings are evocative, even if very far from the 'definitive club listings' promised on the cover. Here's an extract for a weekend in May 1995 with some of the many places (the more obvious ones)  I was going to at the time: Leisure Lounge in Holborn, the Cross at Kings Cross, the Mars Bar,  Ministry etc.

The Techno reviews section does at least include a critique of the state of music from the late James Stinson of Drexciya:

'Too many people focus on what label a record comes out on, rather than what the track actually sounds like. To me, that means there's something wrong. I remember the days when nobody cared if you were on Warner Brothers or Booty Up, just so long as what you were doing was good. When you throw a party, what are you spinning? Are you spinning the middle of a record where all the writing is at or are you spinning the wax? You know what I'm saying? When a group comes to perform, who's up on the stage? Is it the business people punching their little computers or is it the artists themselves? 

Drexciya won't be putting records out for a while now. We'll still be making music, but not records. We won't allow this form of music to just stop where it's at, but we're not even satisfied with the quality that we are producing. And I have to say that I really wish people wouldn't follow us. Be inspired, sure, but please don't follow. The minute we hear footsteps following us, we switch our style. We'll totally abandon what we're doing. We won't release any records or perform anywhere until things change'

I believe the magazine continued until 2003, and having fiddled around taking photos of my one surviving copy I see that Dance Music Archive have scanned in the lot. So if you want to read more go there!

See also other listings posts:

London Gay Disco 1972

NME Guide to Rock & Roll London (1978): Disco

NME Guide to Rock & Roll London (1978): Gay clubs

NME Guide to Rock & Roll London (1978): Reggae

London Club Listings 1982 - Time Out

Clubbing in London i-D listings, 1984

Clubbing in Sheffield i-D listings, 1984

Clubbing in Manchester listings, 1984

Clubbing in Luton, 1984

1987: Dancing in Brixton and beyond

1988 London club listings: 'do not play acid'

The Face London Club listings, March 1989

Speed and other London clubs, i-D 1995

More 1995 London Clubs

 

100 years of anti-fascism in Britain

Mussolini's ascent to power in Italy in 1922 was the start of a terrible period in European history, followed by similar far right dictatorships in Germany, Spain, Romania, Hungary and other places - leading to war and genocide. Mussolini's admirers in Britain set up their first organisation, the British Fascisti, in 1923. There was opposition from the start, so 2023 marks the centenary of  both organised fascism and anti-fascism in Britain.

In his excellent  history of 'Anti Fascism in Britain', Nigel Copsey dates anti-fascism here from efforts to disrupt the founding meeting of the British Fascisti in London's Hyde Park in 1923: 'The roots of Britain's anti-fascist tradition can be traced back to 7 October 1923, when Communists disrupted the inaugural meeting of the British Fascisti (BF). This rally of Britain's first fascist organisation, attended by some 500 people, ended in 'pandemonium'. Two further meetings, both held in November 1923 in London's Hammersmith, were also disrupted'. These early British fascists were a wannabe paramilitary outfit with a main focus on anti-communism and defending King, Country and Empire (with anti-semitism never far behind). 

Their public launch in October 1923 followed several months of secretive organising but it was described in the Daily Herald (8 October 1923) as 'British Fascisti's Comic Show' interrupted by hecklers:

 

There does seem to have been a slightly earlier anti-fascist effort in London associated with the milieu around Sylvia Pankhurst's Women's Dreadnought (later Workers Dreadnought) paper. Sylvia, the most radical of the famous suffragette family, had by this point helped established a Communist Workers Movement independent and critical of the mainstream Bolshevik inspired Communist International.

In March 1923 Sylvia Pankhurst spoke at 'A protest meeting against the fascist reaction in Italy' held at Signor Dondi's Club in Clerkenwell (Eyre Street Hill).  Also on the bill was Pietro Gualducci, a long term anarchist exile in London  who had once been jailed in Italy for singing anarchist songs.The paper also advertised 'Il Comento', an Italian anti-fascist newspaper. 

In May 1923 it was reported that 'An Anti-Fascist Organisation, specially appealing to young people between 15 and 30 has been formed. It proposes to attend demonstrations, carry banners. collect, sell literature, and so on  on. It will organise classes and meetings for the young. A Red Shirt uniform is being discussed. Secretary, Mr H . T. Noble. 157 Church Street, Stoke Newington'. Copsey dates the first anti-fascist organisation to 1924 when the People's Defence Force was established in Soho, but this seems to predate that. How long it lasted is unclear but this does seem to be the first specifically anti-fascist organisation in Britain.

Interesting to see that the Dreadnought crew held a series of jazz dances in this period at Circle Gaulois in Archer Street off Shaftesbury Avenue. The fascists too were dancing, with a Black Shirt Gala Ball  held at the Cecil Hotel in the Strand with Italian fascists and their supporters  in February 1923.

[sorry to have missed Alfio Bernabei’s exhibition “Sylvia and Silvio” is at the Charing Cross Library earlier this year, which covered some of the above - see his article here]