Ultimate Leisure Workers Club

The Ultimate Leisure Workers Club is an interesting project based in Vilnius in Lithuania focused around the radical politics of clubs and parties:

'Insurgent workers’ minds and bodies turned u on dance-floors long ago, anticipating their liberation from the factory's mechanistic discipline. Clubs were sites that integrated political education and entertainment; social recovery and antagonistic social articulation. Then arrived the weekend, ripe with evening temptations, as both a working class victory and a bargain with capital for an ever more dutiful submission to the pains of the working week. Whether mere toxic retreats into a world of purchased pleasures serviced by instrumentalized hospitality workers; or as maddening aspirations toward collective self-abolition in the crushing beat of capitalist ruins, spaces of nightly leisure are energized by a social desire for what Kristin Ross calls communal luxury: a communistic drive for collective prosperity that capitalism recuperates and exploits.

The Ultimate Leisure Workers' Club hopes to draw from these political potentials, linking up with groups and individuals involved in the struggle to open new terrains for social liberation and communal joy in the night and beyond'.

They are holding an online assembly next week, and as part of it me and Christoph will be giving a talk:

The Club is the Centre of the Invention of New Needs: Dead by Dawn, 30 Nov 2020, 19h (UTC+2)

'Neil Transpontine and Christoph Fringeli will discuss the seminal Dead by Dawn parties held between (1994-1996) at the squatted 121 Centre at Railton Road Brixton. Crossing self-publishing, visual and sonic experimentation, exploratory theory, social spaces, new communications technologies and the emergence of ludic and networked politics, the Dead by Dawn parties were a catalyst for exploring a leisure time clawed back from the social compulsion to labour.

Christoph is the founder of Praxis Records and the editor of Datacide magazine for noise and politics. He was part of the collective responsible for Dead by Dawn. Neil Transpontine attended Dead by Dawn and has written about it for his blog History is Made at Night. He is a regular contributor to Datacide magazine'

Other speakers include Annie Goh, Kristin Ross, Agne Bagdzunaite, Mattin, Noah Bremer, Arnoldas Stramskas and Valda Stepanovaite. Full details here

For previous posts about Dead by Dawn see:

Dead by Dawn, Brixton 1994-6

More Dead by Dawn

Datacide #18 Launch Event

 

This Friday 21 February sees the London launch event for Datacide magazine, issue number 18. The event at Ridley Road Social Club E8 starts at 7 pm with some talks including one from me on the anti-poll tax movement (see poll tax posts here for a flavour of this). Afterwards Praxis and Hekate present DJ and live sets. £5 entry.  Full line up -

Talks:

Datacide Introduction by Christoph Fringeli

Flint Michigan: Electronic Disturbance Zone

Neil Transpontine: The Poll Tax Rebellion – 30 Years On.

Music:

Psychic Defence

Vera Spektor

Dan Hekate

Luke Hekate

FZV.

Noise, Industrial, IDM.

The new issue of Datacide, the magazine for noise and politics is out now and includes my article on Trump and occultism. Full contents:

Editorial

Christoph Fringeli: Revolution and Counterrevolution in Germany 1919

Ross Wolfe: Marxism Contra Justice – A Critique of Egalitarian Ideology

Joke Lanz: Ghosts & Handbags – A short Travel Report from the Japanese Underworld

Matthew Hyland: Masterless Mouths

Three poems by Howard Slater

fiction by Dan Hekate

News roundup by Nemeton

record reviews by Low Entropy, Saxenhammer, Prole Sector, Controlled Weirdness, Christoph Fringeli

book reviews:

Neil Transpontine: A Fascist Tulpa in the White House? – Right-wing ‘Meme Magic’ and the Rise of Trump

Frankenstein, or the 8-Bit Prometheus – Micro-literature, hyper-mashup, Sonic Belligeranza records 17th anniversary by Riccardo Balli

Dale Street: Lions Led by Jackals – Stalinism in the International Brigade, by Christoph Fringeli

Christoph Fringeli: No borders, no fatherland! France – What’s New for the Left?

Activities since last issue

Lives and Times of Bloor Schleppy

graphics and illustrations by dybbuk, lesekill, Darkam, Sansculotte

The physical zine is a fine thing - you can order it here or come along on Friday and buy one!

Dead by Dawn: partying on the 'kinetic-sensory-pharmacological-sonic frontiers'

Friday night's Praxis Records party on the MS Stubnitz in London docklands was great, may write a bit more about it, but for now here's something about the label's early history and more specifically the mid-1990s Dead by Dawn parties at the 121 squat centre in Brixon (as discussed at this site before). These extracts are from 'Bread and (Rock) Circuses: sites of sonic conflict in London' by Alexei Monroe, published in 'Imagined Londons' edited by Pamela K. Gilbert (SUNY Press, 2002).

'Gabber and associated variants (stormcore, nordcore, hartcore, speedcore) all represent not just aesthetic extremism but a frantic search for an un-colonised sonic space that will prove resistant to commodification and appropriation. All are based on the testing and surpassing of kinetic-sensory-pharmacological-sonic frontiers and a reaction against ideological, economic, and stylistic taboos. At the center of this stylistic mayhem lay the Dead by Dawn nights at the 121 and the associated micro-scene centered on the Praxis label and the Alien Underground and Datacide magazines - the most comprehensive documentation of both local events and the international networks of underground parties and producers in France, Germany, the Netherlands, the Czech Republic, and beyond. The magazines are no less politicised than the information held at 121, reporting not just on the specific repression against illegal raves but on wider civil liberties issues and threats to freedom, discussing issues such as electronic surveillance, and the CIA's links to drug importation. Datacide in particular stresses solidarity against repression and has a loosely defined ideology based on communal values and the thought of Rosa Luxemburg and the Italian and German autonomist/squatter movements. Though not pessimistic and stressing the importance of cultural and political resistance, the tone of the reportage can be as apocalyptic as the sounds discussed on the extensive review pages. The works of Deleuze and Guattari, Hakim Bey, and others are a conspicuous presence, and the emphasis on theoretical activity and practical action stands in contrast to happy hardcore's pure escapism and distrust of complexity and innovation. The conceptual sophistication and political awareness of the writers, producers and those attending the events does not contradict so much as complement the music's emphasis on brutal sensuality that to the outsider seems nothing more than a soundtrack to the temporary obliteration of the self.

The 121 and the Dead by Dawn parties symbolize a twin process of stylistic and musical ghettoization, some of the most extreme sounds to have been heard in London playing to an audience of one or two hundred in an almost stereotypically bleak basement space. Though at one level it was indeed a ghetto space, anyone who attended an event at 121 will remember its unique atmosphere. In the small hours, for listeners slumped in armchairs on the ground floor surrounded by the blast of dystopic noise emerging from the basement space, the 121 could seem as hyperreal as anywhere, even without chemical enhancement. The incongruity of the location could actually feel the intensity, the awareness of being in a parallel space that was at least symbolically beyond the reach of daily commodification and oppression. The space served as a nexus of extreme sensory experience and had a unique atmposphere'.

Flyer from collection at Smash the Records

Praxis Records 20th Anniversary Party

Looking forward to next Friday's Praxis records party in London, all aboard the MS Stubnitz boat (facebook events details here) .

Praxis released its first records in November 1992, and twenty years later is still going strong. Started by Christoph Fringeli in South London, and associated in the mid-1990s with the famous Brixton Dead by Dawn parties, it is now based in Berlin. It has stayed true to its mission of putting out sounds from the noisier, faster, more experimental, but still very much partyable end of electronic music. There's a great line up next week, with various people associated with Praxis and related projects at various times:

- Bambule - http://soundcloud.com/touchedraw
- Base Force One - http://soundcloud.com/praxisrecords/
- Controlled Weirdness - http://soundcloud.com/dj-controlled-weirdness
- Dan Hekate - http://hekate.co.uk/
- DJ Stacey - http://soundcloud.com/noyeahno
- DJ Scud (Ambush/Sub/Version)
- Eiterherd - http://widerstand.org/
- FZV - http://soundcloud.com/fzv
- Kovert - http://soundcloud.com/kovert
- Somatic Responses - http://soundcloud.com/somatics
- Warlock - http://soundcloud.com/warlock

VJ: Sansculotte

The boat is located at King George V Dock, Gallions Reach (DLR-Station), Royal Docks, London - it is a stationary boat, so you can get on and off when you like!


Doors open 11pm on Friday 2nd November, music starts midnight and goes until 6.

Tickets on the night: GBP 10.00.  Guest list: GBP 5.00 (email to praxis(at)c8.com for guest list with subject header “stubnitz guest list”)

The venue itself will be worth the effort. The MS Stubnitz is a former East German deep-sea fishing vessel, converted in 1992 to a floating cultural space. It came over to London earlier this year for the ill-fated Bloc festival. In fact, as chaos and overcrowding ensued on shore, leading to the cancellation of the festival, the party on the Stubnitz went fine by all accounts, with DJ Controlled Weirdness and others holding it together.