Showing posts with label 1990s. Show all posts
Showing posts with label 1990s. Show all posts

Wednesday, March 10, 2021

'And I Dance with Somebody' - Diamonds are Forever & the Yokohama AIDS Conference 1994

In 'And I Dance with Somebody: Queer History in a Japanese Nightclub' (History Workshop Journal, Autumn 2020), Mark Pendleton  reflects on queer spaces, drag and HIV activism (among other things) through the prism of  'a drag-based club night called Diamonds are Forever' which was launched in Kyoto in 1989 and is still going. Pendleton frequented the club while living there in 1998-9 and returned to it recently.

The club was started by the 'artist and activist Furuhashi Teiji, also known by his drag persona Glorias' who while living in 1980s New York  became part of 'the East Village’s burgeoning drag and gay scene centred on the Pyramid Club'. Back in Japan he started the club in Kyoto as well as being involved in 'the radical performance art collective Dumb Type, which challenged social norms around gender, sexuality and identity'.

Pendleton honours the club founders but also warns against 'a narrow focus on creation.. A scene is created, sure, and that act of creation is fundamentally important, but what is created is also experienced by participants, who may or may not be known to the creators themselves and who make those spaces their own through their acts of resistance, or their dance moves'.

In Japan and elsewhere, Pendleton argues, queer spaces can be 'A retreat from the heteronormative world outside. A place to grow into cultures and histories marginalized from that world. That flash of bliss that gives a sense of a future beyond those dull places that fettered us. And a damn fun night of dancing, as a political act in and of itself'.

The 1994 International AIDS Conference in Yokohama

Pendleton highlights the significance of the Tenth International AIDS Conference held in Yokohama in August 1994, a decade into the AIDS crisis and the first event of its kind held outside of Europe or North America. The conference was attended by 10,000 people from 140 countries, with researchers, clinicians, policy makers, community workers, activists and others gathered under the slogan ‘The 
global challenge of AIDS: together for the future’.

Pendleton is critical of a framing of this conference as a culture clash between 'the conservative Japanese society and the western activists' (International AIDS Society), noting that it 'also featured Japanese artists and activists joining with those from elsewhere to remind scientists and policymakers that HIV positive people continued to live their lives through the crisis'. Specifically, Furuhashi and others involved with Dumb Type and Diamonds are Forever  intervened at the conference 'hanging red banners and hosting a party to reflect this insistence and the mechanism through which they understood that life could continue to be realized – collective acts of dancing and love. The AIDS acronym was stripped of its association with illness, stigma and death to become 'And I Dance with Somebody, accompanied by the slogans LOVE POSITIVE in English'.

Yokohama 1994 - image from Mori Art Museum

I attended the Yokohama conference and the party mentioned here so it was great to see this documented, and I thought I would contribute my fading memories of this event and my small collection of documents related to it (I wish I'd taken more photos now of course - I did take some of Yokohama street art which I've featured here before)

'Love Positive' with its slogan 'And I Dance with Somebody' was a series of cultural events, including a Symposium involving the US art critic and ACT UP activist Douglas Crimp. The Love Ball was an evening event taking place in the Plaza in front of the Pacifico Yokohama International Convention Center, the main conference venue. The Ball was described as 'A party to conference participants and the general public' with 'appearances by Diamonds are Forever's drag queens from the Kyoto club scene'. 

'And I Dance with Somebody' - postcard from AIDS Poster Project, Japan

More details are included on this fyler which lists DJ Lala and performers including Ms Glorias (Furuhashi), Simone Fukayuki, Maria Le Reina, OK Girls, Blue Day Girls and others:



As I recall there were a few hundred people there. It wasn't the wildest party, starting as it did in daylight in the humid outdoors, but it was a striking departure from the conference format of endless presentations. The drag acts would certainly have disabused anybody with misconceptions about Japan being a homogenously conservative nation! Of course I was familiar with drag, but I guess the mainstream UK conception of it at the time was of men dressing up as versions of women. If I had to describe it now I would say in Yokohama it was people (who may have defined themselves as men, women or neither) dressing up in outrageous costumes that were beyond anything usually worn by anybody and in a sense beyond gender.

There was a kind of utopian energy, captured in the slogan on this postcard featuring OK Girls, one of the acts participating in the Love Ball: 'O Developed Nations of Desire! O Superpowers of Fantasy' . As described by Pendleton, Japanese slogans on the banners 'imagined a dissolution of binary divisions, whether HIV+/-, man/woman or citizen/foreigner: "I have a dream that my status disappears. I have a dream that my sex disappears. I have a dream that my nationality disappears"'.


 After the performances everyone was invited up on the stage where we danced to disco.

The Plaza venue for the Love Ball (though this photo is of another event at the conference)

My encounter with the Kyoto crew was fleeting but it cheered me up, the conference itself was (understandably) a sober affair. At that point the World Health Organisation was estimating that 6000 people were being infected with HIV every day and that at least 17 million people had acquired HIV world-wide. Medical treatments had not progressed much beyond AZT, which had first been licensed in 1987. There was some positive news at the conference, such as a study that showed AZT could prevent babies being born with HIV to HIV+ mothers. But even the limited treatments available were out of reach of many in Sub Saharan Africa where the  majority of people living with HIV resided.  In her speech at the closing ceremony, 'Noerine Kaleeba from Uganda said that many young women there were asking why, if AZT was effective in reducing mother-to-child transmission, did they not have access to it' (quoted in Orr, Children, Families and HIV: The Global Picture, 1994).

It sometimes felt that such issues were as at risk of being sidelined in the increasingly professionalised AIDS industry of doctors, drugs companies and NGOs. Of course many of these people were doing good work and I was in the latter category myself. But there was a need for a strong activist challenge to put the lived experience of people with HIV at the forefront, and to maintain a sense of urgency.

There were some people in Yokohama from direct action group ACT UP, and they staged a protest at the closing ceremony focused on immigration restrictions on people living with HIV. New York activists reported that  'ten ACT UP members from New York, eight from Paris, and more than 100 members of Tokyo's OCCUR spearheaded several events during the week, including an unprecedented AIDS/coming out march in Yokohama on the opening day of the conference' (The Advocate, 15 November 1994)

ACT UP New York Press Release for Yokohama
(full publication here)


OCCUR (Association for the Lesbian and Gay Movement, based in Tokyo) had established  'The Executive Committee for Learn from PWA and Minorities' in May 1994 and had spent the months leading up to the conference lobbying against immigration restrictions on people with AIDS, sex workers and drug users that would have prevented many people from attending the conference. While some flexibility seems to have applied for the conference, the Committee continued to argue against discriminatory immigration laws and that 'The fight against AIDS has no border and so efforts must be made to assure all PWA/H's [People with AIDS/HIV] freedom of international mobility and to encourage solidarity through global networking, cooperation and actions of community-based organisations'. 

Newsletter published by 'The Executive Committee for Learn from PWA and Minorities'/OCCUR for Yokohama conference (full text of document here)


As well as discrimination against people with HIV, another big issue in Japan at the time was the blood products scandal. At least 1,000 haemophiliacs had been infected with HIV through blood products and those affected were taking legal action against the Government and drug companies for failing to take action when the risk was known. Japan did not switch to heat-treated blood products until more than two years after the US had taken this action.

With language barriers and time constraints I didn't engage with Japanese activists other than picking up their literature and attending the Love Ball. But with the visible presence of OCCUR, Love Positive and the large numbers of young people who acted as volunteers to help conference attendees, there was no sense that Japan was in need of enlightenment from outside. The issue of discrimination, including in relation to immigration, was one faced in most parts of the world.

I didn't do that much networking and socialising on my all too brief visit, I diligently spent my time in conference sessions as I was writing a report on it. I did meet some interesting people though, including hanging out with some folks involved in a HIV prevention project with young women sex workers on the German/Czech border (we went on a trip to see the Amida Buddha statue in Kamakura). With so many people present there must have been many connections made, some with lasting significance. For instance, a meeting in Yokohama led to the foundation of the Asian Pacific Network of Sex Workers.

[Mark Pendleton, a historian of Japan, is conducting research on the Yokohama conference, so I am sure would be interested in any memories or reflections - you can find him on twitter]

Commemorative stamp from Yokohama conference 1994


Friday, December 04, 2020

Everybody is a Star! - Disconaut Association of Autonomous Astronauts (numbers one and two)

Once upon a time I was Neil Disconaut, with my partner Juleigh Disconaut we constituted the Disconaut node of the Association of Autonomous Astronauts (1995-2000). The premise of the AAA was a global network committed to the state and corporate monopoly of space through the development of community-based space exploration programmes. Activities included music (raves in space), three sided football, talks, writing, protests and some actual engagement with space researchers. There were groups in England, Scotland, Wales, France, Italy, Holland, Austria, Canada, USA, New Zealand among other places, each with their own particular interests. Within this network, Disconaut AAA focused on dance music as a vehicle for space exploration. 

Everybody is a Star! was the newsletter of Disconaut AAA, of which four photocopied issues were produced between 1996 and 1999. Here's issues One and Two.

Everybody is a Star! Number One, Winter 1996/97


Disconauts are go! 

Forget Apollo, NASA and the Space Shuttle... the most exciting explorations of space in the last 30 years have been carried out through music.

Emerging on the radical fringes of jazz in the 1950s, Sun Ra (1914-1993) and his Intergalactic Research Arkestra  (as his band was later known) set the space vibe in motion with interstellar explorations like “Space Jazz Reverie”, “Love in Outer Space”,  “Disco 3000" and the film “Space is the place” .

Described by one critic as a “comic strip version of Sun Ra”, George Clinton developed his own funky cosmic Afronaut mythology in the 1970s through his work with Funkadelic and Parliament. For instance the album “Mothership Connection” (1975) is based around the concept of aliens visiting earth to take the funk back to their own planet.

Sun Ra and Clinton’s work can be read as a sort of sci-fi take on Marcus Garvey. While Garvey dreamt of Black Star Liners shipping black people from slavery across the ocean to an African utopia, they leave the planet behind altogether.

Space continued to be a preoccupation during the 1970s disco boom. Derided by rock critics for its lack of serious content, disco had a distinct utopian element. In disco, the intensity of pleasure on the dancefloor was reimagined as an ideal for living rather than just a Saturday night release.  The implicit fantasy was of a “Boogie Wonderland” where music, dancing and sex were organising principles, rather than work and the economy. “Lost in music, feel so alive, I quit my nine to five” as Sister Sledge put it.

In the unpromising social climate of the 1970s, this wonderland was sometimes projected into space. Earth, Wind and Fire (who recorded Boogie Wonderland) combined elements of Egyptology and sci-fi with albums like “Head for the Sky” (1973) and All n All (1977) with its cover pic of a rocket taking off from a pyramid. In the late 1970s there was a rash of space themed disco hits like  Sheila B. Devotion’s “Spacer” and Slick’s “(Everybody goes to the) Space base” (1979), the latter imagining the space base as disco and social centre rather than military-industrial installation.

Some of these space records can be viewed as simple cash-ins on the popularity of Star Wars and similar films of this period, but was there something deeper going on? While the sale of disco records reaped big profits for the record companies, the logic of the dancefloor was potentially at odds with the society of domination. On the floor, pleasure was elevated above the puritan work ethic and hierarchies of class, race, gender and sexuality were (sometimes) dissolved.

Discos (like today’s dance spaces) could have been the launchpad for explorations of different worlds on earth and beyond, powered by the Dance Disco Heat energy generated on the floor.  In this light the disco icon par excellence, the glittering mirror ball, has to be re-evaluated. Detailed archaeological investigations of the alignment of these spheres of light suspended high above the dancefloor will doubtless reveal that they were installed to equip dancers with a rudimentary astronomical knowledge to help them find their way around the universe.

 

They never reached the moon!

The Apollo ‘moon landings’ between 1969 and 1972 are presented by NASA as the highest point of the space programme, and as a model for all future adventures. In reality nothing better demonstrates why it is unfit to explore anything more exciting than the inside of the Science Museum.

A favourite question for conspiracy theorists worldwide is whether the moon landings actually happened or whether the whole thing was faked in a TV studio like in the film Capricorn One. If we give NASA the benefit of the doubt and allow that it may have sent a rocket somewhere it is clear that they never reached the moon, or at least not the moon as it has been known through the ages.

This was not the moon of heretics, pagans, lovers or night-time revellers. The moon of tides, madness, goddesses, rituals of drink, drugs and dancing. Neil Armstrong and his mates did not have the imagination for the kind of space travel needed to reach this moon. All they were able to reach was a lump of rock somewhere - possibly in orbit, possibly in New Mexico somewhere.

How did they mark the momentous occasion of the first landing on July 21 1969? The first thing they did was plant an American flag like it was just another piece of imperial real estate. By 1969 there were very few places left in the world where it was safe to do so. Losing the war in Vietnam and with flags burning everywhere else, perhaps the whole space programme was an attempt to find a place where the Stars and Stripes could fly unmolested.

The Apollo 14 ‘moonlanding’ in 1971 witnessed another amazing leap of fantasy and imagination when Alan Shepard became the world’s first lunar golfer. Billions of pounds and years of effort culminated in the staging of the first lunar open. All over the world, people are being uprooted and ecosystems bulldozed to build golf courses, sanitised homogenous outdoor playgrounds for the rich. Judging by the Apollo programme a similar fate awaits the whole universe if NASA have their way.

The Apollo programme shows that no matter how many miles NASAnauts may travel they will never get anywhere because in their heads they will still be in the suburbs of white middle class america, travelling across the universe opening golf courses and fly-through Macdonalds.

 


My day in Space

“I wanted to dance as I had never yet danced: I wanted to dance beyond all heavens” (Nietzsche, Thus Spake Zarathustra)

In the summer of 1995 I had the pleasure of spending a day in Space. Thousands of people from all over the world have journeyed to Space in recent years. This legendary dance club in Ibiza provides an excellent illustration of the possibilities and limitations of dance cultures as a means of leaving this world behind.

Clubs in Britain tend to be confined indoors at night. Space turns this on its head, opening in the day and with an outside dancefloor. We turned up at about 11 am after a very pleasant breakfast of coffee, croissants and speed. Some people had come straight from a hard night’s dancing elsewhere, many of them crashed out on cushions in the corner or on wicker chairs on the outside terrace. Much of Ibiza is Brit-dominated, but here there was a better mix of nationalities and sexualities than on the Starship Enterprise.

The ceiling inside the dark interior of the club is decorated with stars - a map of our destination? Further evidence of the club’s potential is found on the edge of the outside dancefloor, where there are several giant propellers. People danced in front of them to keep cool, but there is little doubt that as well functioning as air conditioning fans these machines could be used as starting motors to help propel Space into space.

The music was wall to wall anthems, like Todd Terry’s Weekend and, the Hardfloor remix of Mory Kante’s Yeke Yeke. The atmosphere never reached fever pitch, but there was an intimation of that feeling - the disordering of the senses, waves of noise and light flowing over and through the body... That feeling in the centre of the floor, where the outside world has already been left behind and it is easy to believe that the whole place could take off and never come back.

In view of this potential it is not surprizing that the state takes various measures to contain dancing and prevent us reaching the stars.

In many countries only approved businessmen get permission to run clubs. The high prices they charge - some clubs in Ibiza charge £30 a ticket, with small bottles of water costing £3 a bottle in Space - effectively rations dancing, limiting the amount of time people spend dancing, and the amount of people dancing at any one time. The hours people can dance are confined, by rules which state that clubs have to shut at particular times. Within the clubs enemy agents patrol to sabotage preparations for flight - in Space the security wore police style uniforms and patrolled with truncheons.

Above all great efforts have been expended to prevent people dancing under the stars themselves, the ideal conditions for spaceflight. In the UK It is virtually impossible to get official permission to dance outside at night, and non-commercial parties have been targeted by legislation such as the Criminal Justice Act.

Ibiza is different to Britain in that people can and do dance all day and all night (if they can afford it) , and the normal relations of night, day, work and play are suspended. But this is confined as a temporary holiday experience, which most people only experience for a week or two.

All this prevents the energy generated on the dancefloor from reaching the critical mass necessary for space flight, as well as preventing a terminal drain of the energy needed to sustain the global system of profit, production and domination.

It was for this reason that on this occasion Space failed to take off and on leaving the club we found ourselves wandering down a beautiful beach in the sun rather than walking on the moon. Still it definitely beat the Holloway Road at 4 am...

Disconaut AAA

AAA was launched in April 1995 as a non-hierarchical network of local, community-based space exploration programmes. Here Comes Everybody!, the first annual report of the AAA, details some of the activities of the many AAA groups worldwide (available for £2.50 from Inner City AAA, BM Jed, London WC1N 3XX).

Disconaut AAA (c/o Practical History, 121 Railton Road, London SE24) will be focusing on developing the potential of dance cultures for the exploration of space.  Everybody is a star! is named after a 1979 track by Sylvester (1946-1988), also responsible for such otherworld explorations as "Dance Disco Heat", "Do you wanna funk" and "You make me feel mighty real".

[original printed on white paper, 4 pages A5. Just to be clear, we never subscribed to the conspiracy theory that the moon landings were faked - the article 'They never reached the moon' was a play on Leonard Cohen's 'they'll never ever reach the moon, At least not the one that we're after'. The physical moon was reached but not the one of imagination]

Everybody is a Star! Number Two, Summer 1997


Take a dancing flight

Exactly 30 years after NASA launched the Apollo space programme, Disconaut AAA  has unveiled its own Dionysus Programme.

When Apollo One caught fire on the launch pad in 1967 it marked the start of  the US government's biggest ever space effort. But why Apollo? If pagan deities was the name of the game there were plenty of others to choose from. To answer this we have to turn to Fred Nietzsche, 19th century German philosopher and dance enthusiast.

In the Birth of Tragedy, Nietzsche identified two antagonistic cultural tendencies with the Greek gods Apollo and Dionysus. Apollo was associated with restraint, control, order and rationality. The rituals of Dionysus on the other hand involved music, passion, wine, intoxication, and the dissolving of boundaries.

As part of the military industrial complex, seeking to extend the control of the imperial order through the conquest of space, NASA’s programme could only be the Apollonian. The Dionysus Programme has been launched in direct opposition to Apollo and its successors, to put into practice Disconaut AAA's mission to explore the potential of dance cultures for the exploration of space.

The starting point for the Dionysus Programme is Nietzsche’s description of “the glowing life of the Dionysian revellers”: "In song and in dance man [sic] expresses himself as a member of a higher community; he has forgotten how to walk and speak; he is about to take a dancing flight into the air... He feels himself a god, he himself now walks about enchanted, in ecstasy... He is no longer an artist, he has become a work of art". Phew, all this without MDMA.

Disconaut AAA are attempting to apply this insight into the links between dance, ecstasy and flight as we leave the twentieth century. For some years experiments have been carried out in a global network of underground laboratories of pleasure. We can now report some of our preliminary findings:

The Dionysus Programme has accumulated extensive evidence of near-flight experiences on the dancefloor. Participants typically report sensations of 'rushing', of accelerating velocity, of the body tracing a line of flight and of leaving behind 'the real world' and establishing a direct connection with the wider universe. There are clear parallels here with the effects on the body and the euphoric feelings of escaping gravity associated with 'lift off' by more traditional means.

In the Dionysus Programme we have tried to break the tyranny of liquid-fuel rocket propulsion and to identify alternative fuel sources and means of transport. In the process we have experimented with a range of easily ingested chemicals, some of them derived from plants, others artificially manufactured. These substances have contributed some invaluable insights and certainly have a role, particularly in maintaining the stamina needed for long flights.  However we have to report that several of our experimental human probes which were successfully blasted beyond the atmosphere with chemical propulsion quickly crashed down to earth and vanished without trace, while others are now drifting aimlessly in space circumscribing ever decreasing circles around their own navels.

The Dionysus Programme has conducted a whole range of tests with extremely high tempo electronic sounds. Our hypothesis was that a continual acceleration in beats per minute would enable us to reach earth's escape velocity and take off. Unfortunately after prolonged uninterrupted exposure to these tests the ship began to break up and several participants showed signs of exhaustion and in some cases nausea.  Future experiments will attempt to reduce the risk of side effects by introducing greater variety and rhythmic complexity.

Ill-fitting space suits have been an ongoing problem in the Dionysus Programme. A major difficulty has been the rigid masculine character armour which even some potential astronauts seem unable to discard. Dance cultures provide a space where it is possible to escape the confines of a fixed identity and explore a range of subjectivities and possibilities. Sadly a lot of men in particular seem afraid to appear as anything other than cool, serious and controlled. Clearly this is incompatible with the flexibility required in space. Disconaut AAA are developing fun fur and sequin space suits to help overcome this.

The present efforts of the Dionysus Programme are geared towards the Dreamtime project, through which AAA groups around the world are imagining what life will be like in autonomous communities in space. Dance settings provide a unique opportunity for collective dreaming, not the passive dreams of sleep but the visions of the lived body in perfect motion.

Here we are not only able to think about life in space, but to feel what it will be like to live in an autonomous community. Nietzsche described this sensation: “Under the charm of the Dionysian not only is the union between man and man [and woman]  reaffirmed, but Nature which has become estranged, hostile, or subjugated, celebrates once more her reconciliation with her prodigal son, man.... Now the slave is free; now all the stubborn, hostile barriers, which necessity, caprice or ‘shameless fashion’ have erected between man and man, are broken down… Each one feels himself not only united, reconciled, blended with his neighbour, but all as one with him".

By creating autonomous zones in our own parties on earth we can create conditions that prefigure autonomous communities in space. To do this we have to neutralize the negative effects of various black holes which suck energy out of dance cultures, such as commercial promoters and the police. This will be the focus of the next stage of the Dionysus Programme.





Spice in space

“When you go and see a careers officer,” ponders Mel C, “and you sit down and say, “I want to be a spaceman”, instead of responding ‘Go study astrophysics’, they go. ‘Yeah, but what do you really want to do?’ That is so wrong” (Spice Girls, Guardian, May 1997)

Stay up forever

In 'Voyage to the Moon' (1649), Savinien de Cyrano de Bergerac described an attempt to reach the Moon by tying bottles of dew to the body. The idea was that when the Sun came out, the dew would rise, taking the body with it. On the face of it, this looks unlikely but the nocturnal nature of the Dionysus Programme should make it comparatively easy to test. We will need:

- a large green open space for dew maximisation;

- proximity to a site of astro-magical significance at a summer solstice (when the sun's energy is at its height);

- several thousand people prepared to stay up all night and still have the energy to fly at dawn;

- at least one sound system.

 After a night of dancing, participants will roll in the long grass, covering their bodies in a fine suit of dew. They will then join hands and dance in a circle as the sun rises, waiting to take off.

Stonehenge on June 21st has been chosen as the ideal location. Unfortunately there are indications that the state will attempt to sabotage the Dionysus Programme by seeking to prevent this experiment, so all potential astronauts are warned to be ready to defend themselves.

Disconaut AAA

The Association of Autonomous Astronauts is a non-hierarchical network of local, community-based space exploration programmes. Dreamtime is upon us, the second annual report of the AAA is available for £3.00 from Inner City AAA, BM Jed, London WC1N 3XX.

Everybody is a star! is the newsletter of Disconaut AAA (c/o Practical History, 121 Railton Rd, London SE24). Issue one is still available with articles on Disco, Ibiza and the Moon. If you want a copy send an SAE. 

In issue No.1 we outlined the links between dance music, radical utopianism and space exploration. We have since become aware of other publications interested in these connections.

· Ego magazine (80a St Augustines Road, London NW1 9RP) includes an article Space is the Place which considers funky futurism in the work of Herbie Hancock, Juan Atkins, the Jedi Knights and many others.

· Rickey Vincent’s excellent history Funk: the music, the people and the rhythm of the one (New York, 1996) devotes a whole section to George Clinton and “The metaphysics of P: the Mothership Connection”

[original printed on green paper, 4 pages A5]

'Disconauts are go!' was later reprinted in 'Dreamtime is Upon Us! The Second Annual Report of the Association of Autonomous Astronauts' (1997).


Previous AAA posts:

Mission accomplished but the beat goes on: the Fantastic Voyage of the Association of Autonomous Astronauts

Summer Solstice 1999: AAA on Parliament Hill

Military out of space - AAA at J18 Carnival Against Capital 1999

AAA at Brixton Reclaim the Streets 1998

Skinheads as Independent Travellers in Space

We were brought up on the space race, now they expect us to clean toilets


Other AAA archive material:

AAA Archive (ex-Parasol AAA)

Uncarved AAA archive 



Saturday, November 28, 2020

Reclaim the Streets: Bristol and Oxford 1997

A couple of reports from Mixmag magazine of Reclaim the Streets parties  in 1997-

'Police Seize Desert Storm Truck After Reclaim the Streets Party' (Mixmag. August 1997)

'A truck and equipment belonging to the Desert Storm sound system was seized and two of its occupants charged with conspiracy to cause a public nuisance after a Reclaim the Streets party in Bristol on June 21st. An exuberant-yet-peaceful march from Castle Park was followed by a four hour rave on a major dual carriageway with two sound system playing techno and jungle to between 400 (police estimate) and 1500 (RTS estimate) people... 

...trouble flared when mounted officers and dog handlers dispersed the remaining crowd. In the ensuing scuffles, 22 people were arrested for public order offences, criminal damage and assault... The Desert Storm truck was seized the following day, and the sound system is currently planning a series of benefit parties to replace its loss'.


'Reclaim the Streets party strikes in Oxford' (Mixmag, January 1998)

'Police have failed to stop an Oxford Reclaim the Streets party despite ugly clashes... protestors outflanked police and occupied the busy Cowley Road area on November 1st [1997]. A series of clashes arose as police attempted to seize a van containing the KSN sound system, but eventually police had to admit defeat and let the party continue. A five mile exclusion zone had been declared under 1994's Criminal Justice Act. Inspector David Whittaker said that his original intention had been to "prevent an obstruction of the road" but they had "obviously failed". According to RTS estimates, more than 1,000 people danced at the peak of the party. Three men were arrested for possession of cannabis... In Sydney, Australia, police adopted a more laidback approach as Enmore Road was blocked - and between 2,000 and 3,000 enjoyed a trouble-free day' 

See also:

Brixton Reclaim the Streets, June 1998

J18 Carnival Against Capital, Reclaim the Streets 1999

 

Sunday, February 16, 2020

Poll Tax Archive (4): Prisoners Support Conference, Birmingham 1991

This flyer is for a poll-tax prisoners national solidarity conference held in Birmingham in October 1991, with the stated aims being: to launch a national poll-tax prisoners support network; to fight for an amnesty for all poll-tax prisoners and non-payers; and to win the support of the labour movement for poll-tax prisoners.

The conference was called by Birmingham Prisoners Support Group and supported by the Trafalgar Square Defendants Campaign, North West anti-poll tax forum, Avon Defence Campaign, and Nottingham Defence Fund. These were all groups involved in supporting poll tax prisoners, I was involved with TSDC Prisoners Support Group which met at Brixton Law Centre.

By this point more than 100 people had been jailed for up to 4 years following the poll tax riots in London and other demonstrations (for instance eight people were jailed as a result of a poll tax demo in Colchester, Essex in March 1990). In addition another 70 people has been sent to prison for not paying the poll tax – theoretically any of the many millions of non-payers could have suffered a similar fate, though in practice the poll tax was on its last legs. Following the departure of Margaret Thatcher as Prime Minister, incoming Tory leader John Major had accounced the scrapping of the poll tax in March 1991, though it was not until April 1993 that the new Council Tax was brought in to replace it.

One difficulty was that with its aim more or less achieved, the organised poll tax movement lost momentum and began to go into decline. But people were still being dragged through the courts and prisoners still needed support. The Labour Party and even the Militant-dominated All Britain Anti-Poll Tax Federation had been unsupportive to say the least, the latter initially denouncing people arrested in the March 1990 'Battle of Trafalgar Square'. Hence the emphasis in this leaflet on achieving an amnesty for poll tax protestors and non-payers and building support in the labour movement (though some of us thought that the latter was a hopeless task as least as far as the Labour Party and trade union leaderships were concerned).



'Every single victory again achieved by working people in this country has been fought for. Often the law has been used to intimidate, divide and criminalise our struggle. The authorities are trying to smash the anti-poll tax movement, attacking our demonstrations and jailing non-payers.

Following the mass protests last year in Trafalgar Square, Brixton and elsewhere, hundreds were sent to prison – many for terms as long as for four years. A high price to pay for defending themselves and our movement against police attacks. The Prisoners Support Group of the Trafalgar Square Defendants Campaign, and other solidarity groups up and down the country have stood by these brave men and women [...]

We can defeat this intimidation by supporting those of us who have been jailed or or who face jail by building a mass national campaign  for an amnesty for all anti poll-tax debts and for prisoners – non-payers and protesters are like. As the number of poll tax prisoners grows, prisoner support groups (PSGs) are being set up all over the country, and local anti-poll tax groups are taking up the work of supporting those in jail. The Trafalgar Square Defendants Campaign has called a national demonstration to demand an amnesty.

At this conference, we aim to launch a national network of PSGs and to build the fight for an amnesty. We need to share our experience of supporting prisoners and make sure that such support work is at the top of the anti-poll tax  and labour movement’s agenda'.







I am going to be giving a talk on the 'Poll Tax Rebellion - 30 years on' as part of the Datacide #18 magazine launch event on Friday 21 February 2020 at Ridley Road Social Club, 89 Ridley Road. London E8 2NH (with followed by music courtesy of  Praxis and Hekate - details here)

Saturday, February 15, 2020

Poll Tax Archive (3): Community Resistance Against the Poll Tax

'Pay no poll tax' posters like this one graced many a window during the anti-poll tax movement.  This particular one was produced in March 1990 by Community Resistance Against the Poll Tax,  a group based in the South London borough of Lambeth. The address given on the poster is 121 Railton Road SE24 - home of the 121 anarchist centre and, as discussed here previously, the Dead by Dawn parties. 






There were many political tendencies within the movement, with debates and disagreements about the way forward. In Lambeth there were actually three borough wide groups - Lambeth Against the Poll Tax (Labour left and Socialist Workers Party); Lambeth Anti Poll Tax Union (dominated by 'Militant', now the Socialist Party) and Community Resistance Against the Poll Tax (which included  anarchists and assorted non-party activists).  The key political difference was the first two (LAPT and LAPTU) placed a great emphasis on lobbying the local Labour council not to implement the poll tax, which Community Resistance dismissed as naive. At the time this leaflet came out the Council had in fact just agreed to set the poll tax amount for Lambeth despite a riotous demonstration outside the Town Hall. 




Here's the text from back of the leaflet:

Fight the poll tax

The demonstrations at town halls in March have shown just how much anger there is against the poll tax. It’s obvious that, no matter what anyone says, mass non-payment is becoming a reality. The reason is simple – millions simply can’t afford to pay, millions more don’t want to.

But we can’t defeat this horrible new tax without organisation. All over the place you meet people who are saying “I’m not paying, I don’t care what they threaten me with“. This is great, but in a few months time any of these people could have been worn down by the massive campaign of lies that there will be in the media about how many people are paying, by well-publicised threats of court action by councils, by council snoopers hunting for those who haven’t registered, by the feeling that perhaps they will be among the unlucky few that the council has got the resources to chase up. No doubt there will be no shortage of ‘advice’ available from central and local government about how to tighten our belts to pay our poll tax and how to claim the pathetic rebates that are on offer. Any of us could become “waiverers” if we remain isolated.

We can’t expect “friends in high places” such as councillors or MPs to fight the tax for us. It’s up to us. Labour Party leaders call it “Maggie‘s tax“ but the real position on it was recently summed up by the shadow environment secretary, Bryan Gould, who said “we say pay the bill. However difficult and unpleasant and objectionable it may be..". The experience of Scotland, where the tax has been introduced a year earlier, has shown that Labour councils are just as enthusiastic about sending in the bailiffs against non-payers as their Tory friends are. But in Scotland people have resisted, there has still not been a single successful “warrant sale“ of  non-payers possessions. This is because the bailiffs have been physically resisted by large crowds.

Community Resistance against the Poll Tax is a group of people who live in the Brixton/Clapham/Stockwell/Vauxhall area. We are trying to break down isolation and support anybody who refuses to pay. We intend to resist the councils, the bailiffs and the media liars. We don’t want people to be martyrs who suffer for their principles. If we are organised it will be the implementers of the tax who will be sick with worry, not us. Lots of things could happen in the next year or so. They could get rid of Thatcher , they could call a general election… anything to make people think “we don’t have to fight now, things will be OK“. But we can’t feel safe until this evil tax has been made completely unworkable and the government and councils give up trying to implement it. 

We want to:

1. encourage as many people as possible not to pay. We will do this by means of public meetings, street stalls and the distribution of leaflets and newsletters to keep everyone informed. We have already been doing this kind of thing for well over a year. We need as much information as possible about what the councils are up to. If you know anything interesting… Get in touch!

2. encourage the formation of other local anti-poll tax groups. If you know someone who is thinking of setting up a group in another area put them in touch with us. We can help with organising public meetings, getting stuff printed etc

3. organise well-publicised acts of mass defiance against the tax, such as burning payment books

4. Exercise disruptive pressure against offices involved in implementation of the tax by means of demonstrations, pickets and occupations. We would also like to put similar pressure on employers who deduct payments from the wages of employees refusing to pay the tax, as the courts can require them to do.

5. Make links with workers who are in a position to directly disrupt implementation, either through open strike action or just through being “difficult". If you work locally in the workplacess involved in poll-tax implementation (e.g. DSS, council, company supplying services to the council…) and you think there is some potential for resistance or you think you can feed us useful information, come along to one of our meetings. You will be very welcome.

6. Do anything else we can think off to frustrate the tax.

We hold meetings on alternate Wednesdays at Clapham Baths, Clapham Manor Street at 7:30 pm. The next few meetings are on the following dates: 4th April, 18th April, 2nd May, 16 May. We also sometimes have a public meetings at other venues in the area – look out for flyposting.

We are not paying

[as stated here, Community Resistance held meetings in Clapham; they also held regular cafe nights at the community cafe in Bonnington Square, Vauxhall. Original leaflet A4 printed on white paper]

More on the poll tax:

Poll Tax Archive (1): Hospital workers say: 'we're not paying': North Middlesex Hospital anti-poll tax leaflet, 1990


Poll Tax Archive (2): St Valentines Day 1991 - Massacre the poll tax (in Lambeth)

Trafalgar Square Poll Tax Riot Memories

'Mobs riot in the West End': Poll Tax Riot press coverage

I am going to be giving a talk on the 'Poll Tax Rebellion - 30 years on' as part of the Datacide #18 magazine launch event on Friday 21 February 2020 at Ridley Road Social Club, 89 Ridley Road. London E8 2NH (with followed by music courtesy of  Praxis and Hekate - details here)

Friday, February 14, 2020

Poll Tax Archive (2): St Valentines Day 1991 - Massacre the poll tax (in Lambeth)

Next up in the Poll Tax Archive,  a leaflet from early 1991 giving advice to people being taken to court by Lambeth Council for non-payment. By this time millions of  people were behind in their payments or had not paid at all since the poll tax was introduced in April 1990 (in England & Wales, a year earlier in Scotland). People were being taken to court in their thousands for non-payment and the strategy of the anti poll tax movement was to try and delay the process by making court cases last as long as possible.


This St Valentine’s Day – massacre the poll tax!

Lambeth Council are taking poll-tax non-payers to court on this day. When Southwark did the same 1000+ people turned up and court cases were abandoned. Let’s do it again!

February 14th, from 9:30 am Camberwell magistrates court




Stop the courts, stop the poll tax

As well as waiting to see what arrives in the post on February 14th, many of us will have something else to worry about on that day. For by way of a Valentine’s Day present, your caring Lambeth Council has chosen this date to begin dragging poll tax non-payers through the courts. If you are one of the unlucky ones to have been included in the first batch of summonses there is one vital rule: don’t panic – you are not alone!

Lambeth are keeping pretty quiet about how many people have actually paid their poll tax round here. However City Limits magazine recently (January 24) suggested that only 13% of locals have paid up. Nationally up to 14,000,000 still haven’t paid, while in Scotland non-payment rates are rising in the second year of the poll tax there.

If you have been summonsed it is important that you go to court and contest the liability order (the order that the court makes saying you are liable to pay the full amount of the poll tax). When you turn up at court there will probably be council officials trying to persuade you to pay up instead of going through with the court case. Ignore them or waste their time by asking them lots of questions and then still refusing to pay. When you are called to go into court demand a personal hearing – this is your right. You should also ask permission to have somebody with you to give you legal advice and help (your poll tax group should be able to supply one of these “McKenzie’s friends”).

Going into court is an intimidating experience for anybody, but remember this is not a criminal matter. It is just the same as if you get taken to court for other debts (e.g. rent, credit card bills). In court you will not be in the dock as the accused instead you are entitled to ask questions of the council official in court. You could ask such questions as:

– can you prove that I am on the poll tax register? (If your name or address has been spelt wrongly you could ask about that)
– can you prove that I have been billed? Who posted it? When?
– Can you prove I have received a reminder? Etc.
– can you explain why my rebate application has not been dealt with?
- what is a liability order?

It is highly likely that the court will ignore your objections – the rules are made by the rich, just like the poll tax. But we want to make it as difficult as possible for them. If nobody turns up, the court will just rubber stamp liability orders and process thousands of us in one day. If we turn up and demand that our cases be heard individually, cases will have to be adjourned and it will take ages for them to get through. If enough of us turn up we might be able to stop the courts altogether.

In January Southwark Council summonsed 5000 non-payers to appear at Camberwell magistrates on one day. Nearly all these cases had to be adjourned after over 1000 turned up in court. Police were called after these defaulters refused to budge from the court building and fire alarms were set off.

Remember the council can’t start the next stage of collecting the poll tax until it has got a liability order against you. Once a liability order has been made out against you the court will write to you asking for details of where you work, how much do you earn, etc. After you have filled it in the council decide what to do next. They might try and get your employer to deduct it gradually from your wages, or the social to deduct it from your dole (they cannot deduct it in one lump sum). Whatever they threaten can be resisted however. At North Middlesex Hospital for instance, staff in the wages department have decided to refuse to deduct the poll tax from nurses' wages. And all over the country bailiffs have been sent home empty-handed after being confronted with pickets.

As a last resort, having tried everything else, the council can try and get you put in prison (this has only happened in one or two cases so far). If you’re not prepared to go to prison, you can always back down at the last minute. In fact at any stage if you feel too threatened you can pay up (if you can afford to) – there is no point of no return. The aim of the anti poll tax movement is to make collecting the tax as difficult as possible – not to create martyrs.

Even if you haven’t been summonsed yet, you still turn up on the 14th and show your support for those who have. You will be able to see what’s involved and be better prepared when your time comes.

Lambeth Anarchist Group c/o 121 Railton Road SE24 (071 274 6655)

Lambeth against the poll tax hotline 0716715318

(I remember giving this leaflet out at Brixton tube station. Can't recall source of the film noir image - anybody recognise the actor/film?)

The leaflet mentions the crowd at Camberwell Magistrates Court summonsed for non-payment by Southwark Council on 14 January 1991. Here's a report of this from Socialist Organiser (23 January 1991) by a member of Nunhead Anti Poll Tax Union:


More on the poll tax:










Thursday, February 13, 2020

Poll Tax Archive (1): North Middlesex Hospital Anti-Poll Tax News 1990

It is now 30 years since the high point of the movement against the poll tax. The 'community charge', as it was officially called, was introduced in Scotland in April 1989 and in England and Wales in April 1990 (it was never introduced in Northern Ireland). This was a movement that saw protests and groups being formed in all parts of Britain, mass refusal to pay and the biggest riot in central London for at least 100 years. It ultimately led to the downfall of Margaret Thatcher as Prime Minister and the scrapping of her flagship policy. 

What was all the fuss about? Was it just about a minor detail of local government finance? The poll tax was designed to replace the rates system as a way of funding local councils. Under the rates system local taxes were based on property values so that the owner of an expensive house would pay more than somebody living in a small flat. The basic premise of the poll tax was that almost everybody would pay the same flat rate. On the whole this meant that the less well off would pay more than they had before and the wealthy pay less- Robin Hood in reverse as it was sometimes described (robbing the poor to give to the rich). Over the next couple of weeks I’m going to post some archive material from that time - or to put it in less grandiose terms to scan some of those many leaflets and cuttings that have been sitting in a cupboard for a quarter of a century. 

The first one is a leaflet I helped put together when I was working at the North Middlesex Hospital in north London (at that time part of Haringey Health Authority). It is an illustration of how the movement against the poll tax emerged in numerous workplaces and local neighbourhoods in this p period. 





'No Poll Tax - Hospital workers say we're not paying!'
[image of nurses in front of banner saying 'we shall pay nothing' - I think the photo may have been of a protest by nurses from London's Charing Cross Hospital]



North Middlesex anti poll tax news - June/July 1990:
Health workers organise

As low-paid group of workers, hospital workers are being hit particularly hard by the poll tax. For many of us our poll tax bills amount to a month’s take-home pay or even more. That is why hospital workers all around the country have been getting together to fight the tax.

For instance at Charing Cross Hospital student nurses successfully persuaded Riverside health authority not to deduct the poll tax direct from their pay after occupying its finance office. They have also staged a massive bill burning and picketed the Department of the environment. Anti-poll tax groups have been set up in hospitals in London, Manchester, Leeds, Sheffield and many other places. Over 100 residents of the Florence Nightingale nurses home at the Edinburgh Royal infirmary have formed ‘Flo’ Home against the poll tax’ and are still refusing to pay despite being served with warrants.

Of course it isn’t just our living standards that will suffer. As the ‘community charge’ pushes councils to make cuts, health care in the community is bound to suffer especially as responsibility for community care is soon to be put into the hands of local government.

At the North Middlesex hospital student nurses and many others are committed to joining the millions of non-payers. If we organise at work and in the community we can defeat the poll-tax!

(The leaflet includes an advert for a protest on Friday 6th 1990 to lobby the Minister for the poll tax and local MP for Enfield & Southgate, Michael Portillo. The protest was organised by Enfield Against the Poll Tax and was set to take place at 814 Green Lanes, Winchmore Hill N21. Original leaflet A4 photocopied on red paper).

More on the Poll Tax:







I am going to be giving a talk on the 'Poll Tax Rebellion - 30 years on' as part of the Datacide #18 magazine launch event on Friday 21 February 2020 at Ridley Road Social Club, 89 Ridley Road. London E8 2NH (with followed by music courtesy of  Praxis and Hekate - details here)