Bobby Farrell of Boney M died yesterday at the age of 61. Born Alfonso Farrell in Aruba, off the north coast of Venezuela, he left home at the age of 15 to become a sailor. He lived in Norway and the Netherlands and then Germany where he worked as a DJ before he was recruited by German singer/songwriter Frank Farian for Boney M. Farian now says that he actually sang on most of Boney M's songs, and that Farrell just mimed to them on stage. But clearly Farrell was the male face of Boney M, and they wouldn't have been Boney M without him.
In 1978, Boney M released a bona fide Disconaut classic, Night Flight to Venus:
RIP the month in grime/dubstep on Pitchfork (2005-12)
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It's with sadness that I have to write that my Pitchfork "month in grime/dubstep" column is over. All things come to an end; this one began in 2005 and seven...
Jil Jilala - mystery cassette
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Jil Jilala were (alongside Nass el Ghiwane and Lemchaheb) one of the
trinity of groups that emerged in the late '60s and early '70s with the
intention of r...
Blood & Roses
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Blood & Roses have been pigeonholed into the goth punk genre as one of
that labels greatest projects, yet the band didn't even know what the goth
la...
Reggae & Soul Antifa Bootstour
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Die Bootstour Saison 2012 in Hamburg wird mit einem Benefiz Event für die
Antifa eingeläutet: An Bord der MS Hedi legen am 02. 03. auf: Hei-ko
(Treasure So...
Who will guard the guards?
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The world greeted the death of generously lunged diva Whitney Houston the
other week with uncharacteristic calmness. Where we have recently been
treated to...
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Extract from WIP.
*The Car's the Star
*
If the cars of the Seventies are “all too human” the Eighties introduces a
larger-than-life substitute, a “muscle”...
DSG: The Final Interview, plus Frieze essay
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I was lucky enough to meet the shadowy, secretive collective of 'IKEA
Anarchists', the Deterritorial Support Group, who transformed protest
propaganda in...
The Stockwell Hole - 17-19/02/2012
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Here is a work in progress from Friday 17-02:
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unfortunately by the time I walked past it again in daylight it had
already been covered, a shame as it wa...
Alexander Nym: A Call to Arms
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This was just posted to the ICRN blog (Industrial Culture Research
Network), which normally specialises in sub-academic posturing in defense
of their music...
www.ithinkmusic.com has closed 19-2-2012
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The irony: Last night I added the new download shop header and the
recent/new Sub/Version releases by Egon Frinz and Grr to our old mp3 shop
and tonight I ...
Joey Brooks: Be With You
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Apparently this is Mavado’s sister. Not that who your family are matters
too much when you can deliver a track like this. Lush shimmering lusty pop.
Bonu...
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FEBRUARY TOURstarting February 16th I’m on tour, with events in Norway (Bergen Kunsthall; Oslo’s By:Larm festival), England (Critical Beats in London; Off th...
Datacide Fundraising!
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The next issue of datacide is in preparation – and again we need to finance
printing and mail-outs. The last issue was mainly financed with the parties
at...
Consequences
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*Consequences* is the latest edition of YHO, and can *be downloaded here as
a pdf* – free for all. This issue is all about The Go-Betweens’ first three
L...
Meeting Gene Sharp
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I just had the extraordinary luck and privilege to go to a Q & A with the
almost mythical Gene Sharp at Curzon Cinema to celebrate a new film made
about hi...
Come here and I’ll point you elsewhere
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Two recent posts on the decadal blogs in lieu of genuine activity here. The most recent ">looks at social trends, general drinkin’ and druggin’ and surprisin...
Hip Hop Teaching Resources
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I have been searching for hip-hop teaching resources, as well as academic
journals outside of the ethno realm that an article on hip-hop would slide
into. ...
2011 in review
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The WordPress.com stats helper monkeys prepared a 2011 annual report for
this blog. Here’s an excerpt: The concert hall at the Sydney Opera House
holds 2,7...
Anarcho-hippy-punk art
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Original art work by Wilf for The Mob's Let the Tribe Increase.
Wonderful review of Wilf's art show from Maximum Rock n Roll.
Read the full text here.
...
Saturday: 3 crews inna clash called CHAMPION SOUND
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Really looking forward to conquering the January blues with this great
event next weekend. The skint people of London can reach early for a 3 quid
deal, ...
retirement
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This year has been extraordinary, with such a vicious roll between high
points and low (and way too many of the latter) that it threatened to come
unstuc...
Misc.
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*a lot to get through...*
Wire #335*How about that cover design uh?***
The 2011 Rewind issue of The Wire is out. James Ferraro's Far Side Virtualis its Numb...
Ignorant reflects on the final Last Supper
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On his Southern blog Steve Ignorant has posted his first comments on the
final date of The Last Supper tour (London, 19 November) In a detailed and
reveali...
Post punk mix now up
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Here:
http://www.grievousangel.net/GAMixes/Post_Punk_Mix_Grievous_Angel.mp3 the
stooges: down on the street / 1969 killing joke: requiem / 1980 siouxsie ...
Pull the Units Down
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Despite earlier gripes I'm going to be giving several talks about *Uncommon
*over the next month or so; one at the Architectural Association in London
(o...
AN OPEN LETTER TO ALL BABIES BORN YESTERDAY
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*Dear Shithawks,
Congratulations! Not only have you arrived pissing and screaming on Planet
Earth, wriggling around like peeled slugs in a bag of salt - yo...
Here's what Media can be like
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Speaking of autonomism, and as an example of what post-populist media can
achieve .... here's Federico Campagna giving an absolutely enthralling
history of...
'People have always come together to move to music. In the process communities have been created, social divisions challenged, pleasure exalted over work and a billion relationships have blossomed. At the same time dancing bodies have often been subject to regulation – rules about when, where and how they can move, rules about who is allowed to dance with who, rules about what dancers can wear and put inside their bodies… That, in essence, is the 'politics of dancing'.
Musicking
'musicking... is an activity in which all those present are involved and for whose nature and quality, success or failure, everyone present bears some responsibility. It is not just a matter of composers, or even performers, actively doing something to, or for, passive listeners. Whatever it is we are doing, we are all doing it together—performers, listeners... dancers, ticket collectors, piano movers, roadies, cleaners and all' (Christopher Small).
Dancing Questionnaire
The aim of the 'dancing questionnaire' is to get a sense of the diversity of people's experiences of dancing and musicking. If you want to contribute, please answer the following questions yourself and send to transpontine@btinternet.com.
1. Can you remember your first experience of dancing? / 2.
What’s the most interesting/significant thing that has happened to you while out dancing? / 3. You. Dancing. The best of times… / 4. You. Dancing. The worst of times… / 5.
Can you give a quick tour of the different dancing scenes/times/places you’ve frequented? / 6. When and where did you last dance? / 7. You’re on your death bed. What piece of music would make your leap up for one final dance? (Previous Questionnaires)
Photo policy
I spend a lot of time trying to find evocative images to go with some of the text on this site. I always fully credit and link to where photos were sourced from. If though I have used one of your images in a way you are not happy with, email me and I will remove it.
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