'No western stage performer ever equaled the glamorous Lola Montez in creating an aura of seductive mystery and exquisite scandal around her personality. Whether or not Lola was an actress is debatable - she was more in the class of modern burlesque queens - but the dubious legends of delicious sinfulness which she deliberately spread abroad and carefully nourished have spun down through the years until they are a part of the fabric of western history.
With her sensational spider dance, Lola burst upon San Francisco like a bombshell, making excellent copy for the newspapers with stories of her many marriages and her claim that she was the illegitimate daughter of Lord Byron. Offstage she dressed in the Byronic mode, wearing black jackets and wide rolling collars. Bronze-skinned, blue-eyed, she made a striking appearance strolling along the San Francisco streets, with two greyhounds on a leash and an enormous parrot upon her shoulder. She constantly smoked small cigars, forced her way into gambling saloons forbidden to women, and played tenpins with any male daring enough to take her on.
"A tigress," said one newspaper writer, "the very comet of her sex." Lola's celebrated spider dance shocked and titillated her audiences; the spiders were ingenious contraptions made of rubber, cork, and whalebone. She gave a spectacular benefit for an audience of San Francisco firemen, and they showered the stage with their fancy helmets and almost smothered her with enormous bouquets of flowers'.

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You might enjoy my posts on Tarantism, which also feature Ernesto De Martino's film on the subject.
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