'Freedom of Movement': Anti Fascist Action on the dancefloor 1993

One way or another music was at the heart of the movement against racism and the far right in the UK in the early 1990s. Some of the heaviest confrontations, notably the fighting at Waterloo station in 1992, arose out of mobilisations against planned gigs by bands in the neo-nazi 'Blood and Honour' music scene. Meanwhile Anti Fascist Action (AFA), the most militant of the opposing groups, had its own Cable Street Beat musical arm and put on gigs and festivals.

A rare explicit intervention into dance music was 'Freedom of Movement', launched in 1993 by Manchester AFA and sympathetic DJs associated with Manchester clubs.

The aim was 'to raise awareness of fascism and encourage people at least to identify with the anti-fascist cause and get active'. The title 'arose out of the idea that the largely unpolitical dance club scene is one where black and white, and gay and straight people mix and enjoy themselves together... Under the divisive hate politics of fascism, such a vibrant and multiracial scene could not exist'.

Freedom of Movement put on a number of benefit club nights, including at Home in Manchester and the Venue, Edinburgh in December 1993, with sets from Justin Robertson, Norman Jay, Luvdup and, Flesh DJs.

Report on Freedom of Movement from Fighting Talk (Anti Fascist Action), no.7, 1994

A write up of Freedom of Movement in i-D magazine, December 1993

Norman Jay in anti-fascist t-shirt

Rosaleen Norton: Dance of Life

Getting in the Halloween zone, I watched 'The Witch of Kings Cross' (2020)- a fascinating documentary about New Zealand born artist and occultist Rosaleen Norton (1917-1979) who scandalised Australia in the 1950s. Her erotic/esoteric paintings led to prosecution and the destruction of some of her work, and newspapers published sensationalist accounts of her supposed involvement in 'black magic and sex orgies'.

I'm always amazed by figures like this who bravely lived a 'counter-cultural' life decades before there was such thing as mass counter culture. Pursuing a life of queer sex, magic and drugs in the face of overwhelming repressive conformity was dangerous - no wonder they felt they needed to invoke the powers of gods like Pan against the world that confronted them.  This was an age in which social ruin awaited 'deviants', as for instance the composer and conductor  of the Sydney Symphony Orchestra Eugène Goossens (1893-1962) found when his bisexual relationship with Norton and the poet Gavin Greenlees was exposed.  50 years later, hundreds of thousands of people were parading every year down the same streets in the Sydney Gay and Lesbian Mardi Gras- but maybe in their own ways it was people like Norton's circle who helped open a space for this.

'Individuation' by Rosaleen Norton

 'In the spiral horns of the Ram,

In the deep ascent of midnight,

In the dance of atoms weaving the planes of matter is Life.

Life spins on the dream of a planet,

Life leaps in the lithe precision of the cat,

Life flames in the thousandth Name,

Life laughs in the thing that is ‘I’.

I live in the green blood of the forest,

I live in the white fire of Powers,

I live in the scarlet blossom of Magic,

I live'

(Dance of Life by Roslaeen Norton)

In this case the accused was asked why 'despite police warnings she was still consorting with homosexuals'. She was said to have been to a Black Mass conducted by Rosaleen Norton, and to have explained to court that 'although she had some other clothes she preferred to wear black - "the sign of the witch cult"'. She was sent to jail for 2 months for vagrancy  with 'recommended psychiatric treatment'' (full article here)