An electrifying event at Lambeth Town Hall tonight, the first public meeting of the Campaign for Justice for Smiley Culture. By 7 o'clock, when the meeting started, the hall was packed. The 300+ seats were all filled, and the sides and back full of people standing. Many more people were outside the hall unable to get in - no idea of the crowd size but it was more than 500. As it was only last week that the great reggae MC died during a police search of his house, the turn out was particularly impressive. The meeting was chaired by Lee Jasper, joined on the platform by the speakers and members of Smiley Culture/David Emmanuel's family, including his brother, son and daughter. After a minute's silence Bishop John Francis of Ruach Ministries launched the proceedings with the statement that 'Smiley's blood is crying out for justice' (incidentally Francis is a man with a musical history himself, as a member of the Inspirational Choir which sang on Madness's Wings of a Dove among many other things). Mike Franklin of the Independent Police Complaints Commission, who is overseeing the investigation, outlined the current state of play. He confirmed that the only witnesses were four Metropolitan Police Officers with no independent witnesses at all. His claim that the most sophisticated resources would be available for the investigation was met with a cry of 'Lie detector' from the floor, which got a huge cheer. Franklin has some local credibility as a former black community activist, so was received politely if not with enthusiasm. Later a speaker from the United Friends and Families Campaign, which has supported other families of people who have died in custody, denounced the IPCC for helping the police cover up. Merlin Emmanuel, Smiley Culture's nephew, gave a powerful speech. Without speculating on exactly what happened last week, he was clear that David Emmanuel would be alive today if police hadn't searched his house, and if, having raided the house they had followed their own guidelines of keeping the person secure while they carried out the search. Like most of the speakers, he was clear that this wasn't an isolated incident but formed part of a pattern of racism and injustice. He mentioned the Brixton uprising and the New Cross Fire of thirty years ago, and described his own family's experience of moving from Brixton to Thamesmead at the time of the murders in that part of London of Rolan Adams (in 1991) and Stephen Lawrence. He offered his condolences to the family of Iain Tomlinson, killed by police on the G20 protest in 2009 - 'The people of South London and the wider community stand with you in solidarity' - and mentioned that around 400 people have died in police custody in last 10 years. He confirmed that a demonstration was planned on April 16th from Wandsworth Rd (where David Emmanuel grew up in Stockwell) to Scotland Yard police headquarters and proclaimed that 'Unity is free and by far the most potent weapon we have at our disposal'. Asher Senator, Smiley Culture's orginal lyrics partner and like him a Saxon Sound System MC, recalled that their first photo interview, with Black Echoes magazine, had actually taken place in the very building where the meeting was held tonight. He mentioned that a couple of Smiley Culture tribute tracks were already being recorded, one a song written by Maxi Priest with possible guest singers, the other a track called Smiley Culture's Character Reference which he recorded last night at Commander B's studio. He performed some of that tonight and it was amazing, weaving his own lyrics and memories around some of Smiley Culture's lyrics from tracks like Cockney Translation, Police Officer and Slam Bam. It got a desrvedly good response, with people banging the wooden panels of the meeting room. There was an emotional speech from the mother of Wayne Hamilton, found dead in a canal in Sheffield last year after being chased by police. Many other families have suffered like David Emmanuel's family are suffering now, the difference is this time the dead man is known throughout the world. This is one death the police and the IPCC aren't going to be able to sweep under the carpet.
RIP the month in grime/dubstep on Pitchfork (2005-12)
-
It's with sadness that I have to write that my Pitchfork "month in grime/dubstep" column is over. All things come to an end; this one began in 2005 and seven...
Jil Jilala - mystery cassette
-
Jil Jilala were (alongside Nass el Ghiwane and Lemchaheb) one of the
trinity of groups that emerged in the late '60s and early '70s with the
intention of r...
Blood & Roses
-
Blood & Roses have been pigeonholed into the goth punk genre as one of
that labels greatest projects, yet the band didn't even know what the goth
la...
Reggae & Soul Antifa Bootstour
-
Die Bootstour Saison 2012 in Hamburg wird mit einem Benefiz Event für die
Antifa eingeläutet: An Bord der MS Hedi legen am 02. 03. auf: Hei-ko
(Treasure So...
Who will guard the guards?
-
The world greeted the death of generously lunged diva Whitney Houston the
other week with uncharacteristic calmness. Where we have recently been
treated to...
-
Extract from WIP.
*The Car's the Star
*
If the cars of the Seventies are “all too human” the Eighties introduces a
larger-than-life substitute, a “muscle”...
DSG: The Final Interview, plus Frieze essay
-
I was lucky enough to meet the shadowy, secretive collective of 'IKEA
Anarchists', the Deterritorial Support Group, who transformed protest
propaganda in...
The Stockwell Hole - 17-19/02/2012
-
Here is a work in progress from Friday 17-02:
.
unfortunately by the time I walked past it again in daylight it had
already been covered, a shame as it wa...
Alexander Nym: A Call to Arms
-
This was just posted to the ICRN blog (Industrial Culture Research
Network), which normally specialises in sub-academic posturing in defense
of their music...
www.ithinkmusic.com has closed 19-2-2012
-
The irony: Last night I added the new download shop header and the
recent/new Sub/Version releases by Egon Frinz and Grr to our old mp3 shop
and tonight I ...
Joey Brooks: Be With You
-
Apparently this is Mavado’s sister. Not that who your family are matters
too much when you can deliver a track like this. Lush shimmering lusty pop.
Bonu...
-
FEBRUARY TOURstarting February 16th I’m on tour, with events in Norway (Bergen Kunsthall; Oslo’s By:Larm festival), England (Critical Beats in London; Off th...
Datacide Fundraising!
-
The next issue of datacide is in preparation – and again we need to finance
printing and mail-outs. The last issue was mainly financed with the parties
at...
Consequences
-
*Consequences* is the latest edition of YHO, and can *be downloaded here as
a pdf* – free for all. This issue is all about The Go-Betweens’ first three
L...
Meeting Gene Sharp
-
I just had the extraordinary luck and privilege to go to a Q & A with the
almost mythical Gene Sharp at Curzon Cinema to celebrate a new film made
about hi...
Come here and I’ll point you elsewhere
-
Two recent posts on the decadal blogs in lieu of genuine activity here. The most recent ">looks at social trends, general drinkin’ and druggin’ and surprisin...
Hip Hop Teaching Resources
-
I have been searching for hip-hop teaching resources, as well as academic
journals outside of the ethno realm that an article on hip-hop would slide
into. ...
2011 in review
-
The WordPress.com stats helper monkeys prepared a 2011 annual report for
this blog. Here’s an excerpt: The concert hall at the Sydney Opera House
holds 2,7...
Anarcho-hippy-punk art
-
Original art work by Wilf for The Mob's Let the Tribe Increase.
Wonderful review of Wilf's art show from Maximum Rock n Roll.
Read the full text here.
...
Saturday: 3 crews inna clash called CHAMPION SOUND
-
Really looking forward to conquering the January blues with this great
event next weekend. The skint people of London can reach early for a 3 quid
deal, ...
retirement
-
This year has been extraordinary, with such a vicious roll between high
points and low (and way too many of the latter) that it threatened to come
unstuc...
Misc.
-
*a lot to get through...*
Wire #335*How about that cover design uh?***
The 2011 Rewind issue of The Wire is out. James Ferraro's Far Side Virtualis its Numb...
Ignorant reflects on the final Last Supper
-
On his Southern blog Steve Ignorant has posted his first comments on the
final date of The Last Supper tour (London, 19 November) In a detailed and
reveali...
Post punk mix now up
-
Here:
http://www.grievousangel.net/GAMixes/Post_Punk_Mix_Grievous_Angel.mp3 the
stooges: down on the street / 1969 killing joke: requiem / 1980 siouxsie ...
Pull the Units Down
-
Despite earlier gripes I'm going to be giving several talks about *Uncommon
*over the next month or so; one at the Architectural Association in London
(o...
AN OPEN LETTER TO ALL BABIES BORN YESTERDAY
-
*Dear Shithawks,
Congratulations! Not only have you arrived pissing and screaming on Planet
Earth, wriggling around like peeled slugs in a bag of salt - yo...
Here's what Media can be like
-
Speaking of autonomism, and as an example of what post-populist media can
achieve .... here's Federico Campagna giving an absolutely enthralling
history of...
'People have always come together to move to music. In the process communities have been created, social divisions challenged, pleasure exalted over work and a billion relationships have blossomed. At the same time dancing bodies have often been subject to regulation – rules about when, where and how they can move, rules about who is allowed to dance with who, rules about what dancers can wear and put inside their bodies… That, in essence, is the 'politics of dancing'.
Musicking
'musicking... is an activity in which all those present are involved and for whose nature and quality, success or failure, everyone present bears some responsibility. It is not just a matter of composers, or even performers, actively doing something to, or for, passive listeners. Whatever it is we are doing, we are all doing it together—performers, listeners... dancers, ticket collectors, piano movers, roadies, cleaners and all' (Christopher Small).
Dancing Questionnaire
The aim of the 'dancing questionnaire' is to get a sense of the diversity of people's experiences of dancing and musicking. If you want to contribute, please answer the following questions yourself and send to transpontine@btinternet.com.
1. Can you remember your first experience of dancing? / 2.
What’s the most interesting/significant thing that has happened to you while out dancing? / 3. You. Dancing. The best of times… / 4. You. Dancing. The worst of times… / 5.
Can you give a quick tour of the different dancing scenes/times/places you’ve frequented? / 6. When and where did you last dance? / 7. You’re on your death bed. What piece of music would make your leap up for one final dance? (Previous Questionnaires)
Photo policy
I spend a lot of time trying to find evocative images to go with some of the text on this site. I always fully credit and link to where photos were sourced from. If though I have used one of your images in a way you are not happy with, email me and I will remove it.
0 comments:
Post a Comment