Steve Strange and Camden Palace

Following our earlier post on the Camden Palace from The Face, 1983 here's a couple more courtesy of the excellent Like Punk Never Happened - Brian McCloskey's Smash Hits Archive (click on images to enlarge).

The first article, from July 22 1982 is a review of a live event for Gary Crowley's Tuesday Club Capitol Radio show with live appearances from Culture Club, Bananarama and The Higsons. It includes a great picture of Joe Strummer with Jennie Belle Star, Jerrry Dammers and Chrissy Boy from Madness.

In terms of a regular night out at the Palace, Deborah Steele's article from Smash Hits, 15 August 1983 is more evocative. It is headlined with Steve Strange's description of the Palace (which had opened some 18 months previously) as 'A club for the people created by the people'.

'The Camden Palace... a place full of famous people trying to look ordinary and ordinary people trying to look famous... Many would go so far as to argue that Thursdays represent what British pop is all about - the people, the stars, the music, the fashions  and the attitudes... Steve Strange (of course), The Palace's genial host, signing autographs, having his picture taken and looking very striking in 'Tom Bailey' goggles and blue tea towel wrapped round his head. He tells me his new image is going to be that of an American footballer. Also pretending not to be famous are Edwyn Collins from Orange Juice, Chris Foreman from Madness, Miranda and Jennie Belle Star, a couple of Hoovers and George and Andrew from Wham! Oddly enough, no-one really pays these 'stars' too much attention ("everyone's a star here", says Steve)...

'The quality of the sound is incredible (and loud too) and the light show has to be seen to be believed. Lazers, strobes, neon strips and great shafts of light beaming out of computer-controlled rotating gantries, it's like the famous spaceship scene out of Close Encounters. Add to that a massive video screen which descends every so often to show the latest pop videos and you can understand why so many people do nothing but dance all night... Whether it's the bar proppers, posers, pop-stars upstairs or the dancers on the floor, The Palace is about having a good time'.

The music from DJ Rusty Egan is described as 'largely electro-disco with a few old Roxy Music and Simple Minds evergreens', catering to a crowd in a diversity of styles - an 'assortment of Boy George clones, bleached quiffs, fish-net stockings, expensive suits and sunglasses'. People queuing round the block to pay an 'expensive' £4 to get in and £1.60 a drink.

Steve Strange with Jennie and Stella Barker of the Bellestars
cutting the cake at Camden Palace first birthday party
(Smash Hits, 12 May 1983)

See also:  Posing at the Picture Place, Standard, May 11, 1983 for a reminder of the dole/cash in hand day lives of the night time diy superstars - ''I’m wrecked', Nick announces as he downs his sixth pint of lager at about 2am. “I was so late waking up yesterday I had to take a taxi to the dole to sign on before I went into work.” Nick [not his real name, obviously] looks startling in a hat so huge it has to be seriously trendy, and is well aware of the irony of his remark. He is 19 and clears £80 a week in Vivienne Westwood’s clothes shop which also dresses him for next to nothing, another £15 on Saturday checking coats in a nightclub – oh, and of course £22 social security. “That’s just pin money,” he says. “It pays the rent.”... Mike uses his £25-a-week dole on top of what he earns in Kensington Market to fund his nights out. Among a repertoire of sharp practices people here admit to, fare-dodging is regarded as essential and one 18-year-old charges friends £1 for lifts in his car home to the suburbs'.

See previously: London Nightlife 1983 - Colin Faver on Camden Palace and Heaven

Punk and firefighters' strikes in 1977 and 2002

Good luck to firefighters on strike today in England and Wales in their pensions dispute, and to those in the London fire stations facing closure next week by Boris Johnson's cuts.

There's still a couple of days left on BBC IPlayer to watch 'Never Mind the Baubles: Xmas '77 with the Sex Pistols', Julien Temple's remarkable documentary about the Pistols last gigs in the UK. In 1977, firefighters were on all out strike over pay, walking out on 14 November for a 30% pay claim. The government mobilised the army to operate a strikebreaking fire service, and as Christmas approached firefighters and their families were facing great hardship. The Sex Pistols meanwhile were being banned from venues all over the country.

Huddersfield, December 25 1977

On Christmas Day 1977, the Pistols played two gigs in Ivanhoe's nightclub, Huddersfield. The first was a party for the striking firefighters' families, with the band handing out Xmas presents including t-shirts, albums and skateboards. The gig ended up with a cake fight and kids pogoing in their 'Never Mind the Bollocks' t-shirts. In the evening the band played a regular gig for adults. Temple was there on the day and filmed both sets, their last on British soil before heading off to the USA where they split up in January 1978.

The Pistols weren't the only band to play a benefit gig. The picture below is of popular pub rock band The Pirates at Hammersmith Fire Station in 1977, who also played for the strikers. Drummer Frank Farley's dad had been station officer at Hammersmith.

picture by 'Mick' at flickr

25 years later in November 2002, firefighters staged a series of strikes in another pay dispute. Another old punk, Joe Strummer, played a benefit gig for them at Acton Town Hall and was joined on stage by ex-Clash guitarist Mick Jones - the first  and only time they had played together since Jones left The Clash in 1983. The following month Strummer died.

Strange how these iconic moments in the history of punk and its aftermath coincided with these waves of firefighters' struggles.