Runnymede by the River Thames was the site of the signing of the Magna Carta*, a step towards limiting the power of monarchy (though still some way to go towards its abolition!) and enshrining the principle of trial by a jury of peers.
A recent art work there by Hew Locke, The Jurors, consists of 12 chairs decorated with images relating to struggles for justice and equality.
The front of one chair features the Egyptian goddess Ma'at on the front and the slave ship The Zong on the back.
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| 'Ancient Egyptian scales are topped with the head of Ma’at, the goddess of truth, justice and balance. A dead person’s heart is weighed against a feather to see if the owner is worthy to enter paradise. Ma’at’s symbolism is still apparent in the western personification of Lady Justice' |
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| 'In 1781, 133 slaves were thrown overboard from this ship, The Zong. The owners made an insurance claim for the loss of their human cargo and the resulting legal case caused public outcry. On the sails, the West African symbol Epa represents captivity, law and justice'. |
Another features a refugee boat:
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| 'A boat carrying refugees inscribed with the names of boats connected to legal cases that marked changes to maritime law, the responsibilities of nations towards refugees, and maritime search-and-rescue protocols' |
All sadly relevant as refugees continue to die crossing the maritime deathscapes of the Mediterranean and the Channel, and the British government schemes to deport asylum seekers to Rwanda.
(all quotes from The Jurors leaflet, National Trust, 2019)
* I recommend The Magna Carta Manifesto by Peter Linebaugh for a broader understanding of the significance of this historical moment.
