The Beat the Blues Festival was a one day event at the Alexandra Palace in north London on 15 June 1980, held to mark the 50th birthday of the Morning Star - the daily paper associated with the Communist Party of Great Britain (technically the Morning Star had only been so named since 1966 but its predecessor, The Daily Worker, was founded in 1930).
I was still at school at Luton Sixth Form and went down to London on a coach which I presume was put on by the local branch of the Young Communist League. I had been to a couple of their meetings and done some fly posting against cruise missiles with them in the underpass near their Crawley Green Road HQ in Luton though I never joined up. They only had a handful of active members in the town but they pulled more of a crowd down to the Ally Pally on account of the fantastic line up.
Looking now I can see that I could have checked out folk acts including Dick Gaughan and Leon Rosselson not to mention jazz from Humphrey Littleton and others, and even 'fire defying motorcycle stuntmen'. But for me at the time it was all about the great post punk line up featuring some of the best acts of that time - The Au Pairs, Raincoats, The Slits, The Pop Group, Essential Logic and John Cooper Clarke. It blew me away, The Slits and The Pop Group in particular had an amazing funky energy- drummer Bruce Smith played with both bands that day, while The Pop Group played with two bassists! I was lucky enough to see the Raincoats, the Au Pairs and The Pop Group again in that period, as well as other great post punk heavyweights including The Gang of Four and Delta 5 but for me this day will always stand out as the pinnacle of that scene and one of the musical highlights of my life. Somebody else who was there recallled: 'I'd just turned 15, Metal Box had just come out and was playing over the PA between bands at this outdoor festival- I guess this was the post-punk Woodstock for me!'. All of this for £2.50. The only thing that could have improved it for me would have been if Scritti Politti had played too, sadly not though I remember standing behind their drummer Tom Morley in the crowd.
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| A ticket for the day signed by John Cooper Clarke (from ivaninblack) |
The politics of it were a little contradictory, the CPGB was generally quite staid and sympathetic to the regimes of Eastern Europe where autonomous music scenes were often the target of state repression. In his NME review of the gig, Graham Lock mentions Czechoslovakia 'where musicians from the bands DG307 and The Plastic People of the Universe have been jailed for playing rock'n'roll without a state licence'. While the cream of innovative English bands played on the stage elsewhere there was an 'International City' - 'about ten tents filled with travel brochures for Eastern Europe'. I think there were also brass bands from that part of the world, and lots of stalls indoors from various left groups.
The Pop Group, with their more independent radical left perspective called these contradictions out on the day, 'dedicating 'Forces of Oppression' to "all the Stalinists in the audience" and "For How Much Longer do we Tolerate Mass Murder' to Leonid Brezhnev' (Lock). In fact I recall a thrilling moment when Mark Stewart smashed up a portrait of then Soviet leader Brezhnev on the stage.
Lock describes the festival, or at least the main stage music as 'the result of a tentative alliance between Rough Trade - freewheeling, anti-biz collectivists [...] and the Morning Star'. Elsewhere Dick O'Dell - who I think managed The Slits and The Pop Group at the time, as well as founding Y records which released their stuff - has said that he organised it with Shirley O’Loughlin, manager of The Raincoats and who worked at Rough Trade setting up their booking agency.
There were many iconic photos taken that day, perhaps most famously David Corio's picture of The Slits' Viv Albertine;
I really like these colour ones snapped by Bruce Crawford which he shared on twitter a while back.
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| The Pop Group |
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| The Slits |
The gig was reviewed in issue number 6 of Vague zine:
'June 15 Morning Star 50th anniversary festival at Alexandra Palace, featuring the Slits, the Pop Group, the Raincoats, Essential Logic, the Au-Pairs and John Cooper-Clarke: Alexandra Palace is full of communist propaganda. The punters are a mixture of Rastas, biker types, punks and old age pensioners. I spent 4 hours walking round the stalls, which was fairly interesting because there were stalls selling souvenirs from Russia, Greece, etc. I won’t go into details though because even the Pop Group aren’t into politics like this. Whether left or right it amounts to the same thing, an authoritarian state that subjugates the weak, poor and minorities...
Anyway most people came to hear the music and this particular music says a lot more than we ever could. The gig was behind the palace and started at 3pm. The Au-pairs came on first and did a very exciting set which got some of the crowd going. The Raincoats came on next and all the crowd were dancing and being friendly with each other. Half way through their set an announcement was made: “Somebody got bottled. So if you want this gig to go on, report anyone who looks as if they might get violent.” Big Brother is watching you. Where have you heard remarks like that before? Even this didn’t do it, after that announcement 2 more people got bottled. John Cooper-Clarke was on next, minus musicians, which I think is much better, because that guy has so much stage presence…
The Pop Group were on next and Mark came on stage with a picture of Brezhnev, shouted “We don’t want communism!” and stamped on the picture. They did all the stuff off the second album which got the crowd shouting and Gareth was doing some brilliant disco-dancing… Apparently the Pop Group stole the show and Iggy didn’t have much (anything?) to say about the Slits, which is a shame, but this is the Pop Group’s piece, feeble as it is. The Pop Group have a highly original style of their own, if you didn’t like them at Ally Pally give them a second chance, they deserve it. They also deserve a better article than this. Their lyrics make Crass seem like failed Cockney Rejects (they are aren’t they?) and their funky dance beat is better than the Crusaders. Sorry we couldn’t do them more justice'.
It was also reviewed in the NME (21 June 1980) by Gavin Lock:
There is some good footage of The Pop Group on the day shot by Don Letts on the stage. If you look carefully you can see a cricket match going on in the background elsewhere in the park.
He also captured The Slits, great clip here of them doing 'Man Next Door' on the day with the young Nenah Cherry on the stage with them (in red beret). I think you can see members of other bands standing around on the edge of stage watching them, including Gina from The Raincoats and maybe Jeannette Lee of Public Image Ltd and later Rough Trade.
The Ally Pally itself was seriously damaged by fire just a month later which broke out during a Capital Radio Jazz Festival there, resulting in it being closed for a number of years.
See also:
(I used to have a poster for this event on my teenage bedroom wall, can't find that particular image online, anybody have a copy?)
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| An advert for Beat the Blues festival from The Leveller magazine, May 1980. At that point looks like only John Cooper Clarke was confirmed of the post-punk acts, the advert highlighting jazz and folk artists as well as mentioning Kent miners brass band and Bulgarian puppet theatre. On the same page of magazine an ad for Gang of Four single and for the great Compendium Bookshop in Camden. |
