Women and subcultures

Johan at Birdseed's Tunedown has posted on 'Feminine Men's Peculiar Misogyny', wondering about contemporary 'feminine' men subcultures in Scandinavia and where the women are in these pretty boy scenes. Hmm, not sure - I know very little about these particular 'subcultures' (if such they are), but a point of reference for this discussion might be Pop Feminist's questioning 'Can Women be part of counterculture?' Her basic point is that while men can play around with being outsiders (for a while), women have this status imposed on them whether or not they join any counter/subculture:

"Youth rebellion is the domain of young men, who tend to become progressively less radical as they age and assume the comforts of patriarchy (the power-structure isn’t so bad after all!). Women, on the other hand, lose sexual viability as they age and for those brave enough to confront the fact that the joke was on them, become rebels. This is where we get the stereotype of the “crazy old lady”—a revolutionary if ever there was one.

Let me suggest a basic foundation for counterculture:
Counterculture: Elective marginalization

Women and other disenfranchised groups, on the other hand, constitute a counterpublic:
Counterpublic: Forced marginalization'.

Nazis and Jazz

The Nazis were hostile to jazz on racist grounds and various restrictions were placed on it. A complete ban was impossible to enforce, partly because it was difficult to define exactly what it was: "Americano nigger kike jungle music... The quote is from Joseph Goebbels, who had banned jazz, along with foxtrots and the tango. Although repulsed by the 'terrible squawk' of jazz, he soon realized that swing between the harangues held listeners. The extent of the ban and the definition of the music had both been vague anyway".

An example of racist anti-jazz propaganda is an article 'Swing and Nigger Music Must Disappear' by 'Buschmann' from the 6 November 1938 edition of a Stettin newspaper: 'Disgusting things are going on, disguised as 'entertainment'. We have no sympathy for fools who want to transplant jungle music to Germany. In Stettin, like other cities, one can see people dancing as though they suffer from stomach pains. They call it 'swing'. This is no joke. I am overcome with anger. These people are mentally retarded. Only niggers in some jungle would stomp like that. Germans have no nigger in them. The pandemonium of swing fever must be stopped… Impresarios who present swing dancing should be put out of business. Swing orchestras that play hot, scream on their instruments, stand up to solo and other cheap devices are going to disappear. Nigger music must disappear'.

The nazi stance was admired by racists elsewhere in Europe. In Denmark Olaf Sobys wrote 'Jazz Versus European Musical Culture' (1935) arguing: 'Jazz was not born in nor has it ever been integrated into European culture. It was introduced from the violent need of a primitive race for rhythmic ecstasy and cannot grow organically here. It repre­sents mankind's lowest bestial instincts. Jungle jazz rhythm is an expression of the primitive Negro's erotic ecstasy... The fact that the white race tolerates this sort of thing indicates our culture's decline. Denmark should follow Germany. When Hitler banned jazz, it was a great idealistic act.'

In countries under Nazi occupation, and indeed Germany, jazz sub-cultures survived in the face of official hostility and persecution. In France, there were the Zazous:

'Zazou boys wore pegged pants with baggy knees, high rolled English collars covered by their hair, which was carefully combed into a two-wave pompadour over their foreheads, long checked jackets several sizes too large, dangling key chains, gloves, stick­pins in wide neckties with tiny knots; dark glasses and Django Reinhardt moustaches were the rage. The girls wore short skirts, baggy sweaters, pointed painted fingernails, hair curled to their shoulders, necklaces around their waists, bright red lipstick... They spent a lot of time in cafes, on the Champs Elysees or in the Latin Quarter... On Sundays they took portable gramophones to little exurban restaurants, played their swing records loud and danced...

The Zazous took nothing seriously. They opposed the regime by ignoring it, which was a political act whether they knew it or not. Wearing long jackets with wide collars and plenty of pleats is a political provocation during a highly publicized campaign for sartorial austerity. From time to time the police would raid a Zazou cafe and take them to the prefecture. They would be questioned and have their papers and addresses checked. Some were sent to the countryside to help with the harvest, after a haircut of course. One newspaper wrote: 'We are of the opinion that when the rest of the continent is fighting and working, the Zazous' laziness is shameful. The young men without their hair or collars now are going to get healthy sweating in the July sun, the girls will soon have thicker ankles, freckles on their sweet noses and calluses on their dainty hands. And then the world will be back to its natural order.'

'Danish "Swing Crazies" wore the same costume and hair-dos as the Zazous, they jitterbugged and were described by one journalist as 'an example of the depraved upper class and the result of too much permissiveness on the part of parents and teachers'.

All quotes from 'La Tristesse de Saint Louis: Swing Under the Nazis' - Mike Zwerin (London: Quartet, 1985). See also: The White Rose and Zazous

Back to the Classics (2): Beowulf

I went to see the new Beowulf movie recently. In 3D at London's Imax cinema it was quite impressive and I do think it captured the feel of an Anglo-Saxon warrior epic, even if it did depart somewhat from the storyline of the poem, composed sometime between the 8th and 11th century - sorry to say the sub-plot of heroes being seduced by an elf-shining Angela Jolie character doesn't feature in the original.

The poem and the film do though both emphasise the centrality of the mead hall, a combination of royal court with drinking, banqueting and music hall. A place of wine, women and song, or mead, maidens and minstrels. We are told that Hrothgar, the king, set his mind on 'a master mead-house, mightier far than ever was seen by the sons of earth'. The hall, 'high, gabled wide' was named Heorot - 'the Hart' or 'Stag', subsequently to be the name of many pubs down to the present day. The monster Grendel was prompted to attack out of jealousy for the pleasures to be had in the mead hall: 'with envy and anger an evil spirit endured the dole in his dark abode, that he heard each day the din of revel high in the hall: there harps rang out, clear song of the singer... So lived the clansmen in cheer and revel a winsome life'. Grendel launches a murderous assault when the Danes after a long night 'outreveled to rest had gone'.

It is probable that an epic like Beowulf was originally recited to music and for the warriors in the poem to pass into the lays of minstrels as heroes was a form of immortality - to be sung about and remembered, as the legendary Beowulf still is over a thousand year of later. But the musicality of Beowulf is not confined to the deeds of harpists and minstrels, but is embedded in its language, especially the kennings - poetic descriptions of the everyday by which, for instance, the sea becomes 'the whale road', 'the swan road' or 'the gannet's bath'. These are the kind of figures that recur in English folk song over the centuries.

Quotes from Francis B. Gummere's translation from the Old English.

Autonomous Spaces

Extracts from a call for transnational days of action for squats and autonomous spaces:

'On Friday the 4th and Saturday the 5th of April 2008, we call for two days of demonstration, direct action, public information, street-party, squatting... in defence of free spaces and for an anti-capitalist popular culture.

Through these two days, we want to help create more visibility of autonomous spaces and squats as a european/global political movement. We want to develop interconnections and solidarity between squats and autonomous spaces. We want to keep linking our spaces with new people and new struggles, and support the creation of autonomous spaces in places where there has not been a history of this kind of action. We want to build, step by step, our ability to overcome the wave of repression falling on us....

For centuries, people have used squats and autonomous spaces, either urban or rural, to take control of their own lives. They are a tool, a tactic, a practice, and a way for people to live out their struggles. For decades, squat movements across Europe and beyond have fought capitalist development, contributing to local struggles against destruction; providing alternatives to profit-making and consumer culture; running social centres and participatory activities outside of the mainstream economy. Demonstrating the possibilities for self-organising without hierarchy; creating international networks of exchange and solidarity. These networks have changed many lives, breaking out of social control and providing free spaces where people can live outside the norm...

All over Europe, repressive agendas are being pushed by governments. They are attacking long-standing autonomous spaces such as the Ungdomshuset in Copenhagen, Koepi and Rigaer Straße in Berlin, EKH in Vienna and Les Tanneries in Dijon, squatted social centres in London and Amsterdam, Ifanet in Thessaloniki, etc. In France, squats have become a priority target for the police after the anti-CPE movement and the wave of actions and riots that happened during the presidential elections period. In Germany, many autonomous spaces have been searched and attacked before the G8 summit. In Geneva and Barcelona, two old and big squatting "fortresses", the authorities have decided to try to put an end to the movement. Whereas it is still possible to occupy empty buildings in some countries, it has already become a crime in some others. In the countryside, access to land is becoming harder and communes face increasing problems from legislation on hygiene, security and gentrification by the bourgeoisie and tourists. All over Europe, independent cultures are being threatened.

Several months ago we saw running battles in the streets of Copenhagen and actions everywhere in Europe in an explosion of anger at the eviction of the Ungdomshuset social centre. Since then, and with a few other big resistance stories that happened over the last months, we've managed to renew the meaning of international solidarity...

We're calling for an international preparation & coordination meeting on November 24th & 25th 2007, in the autonomous space "Les Tanneries", located in Dijon, France. It is a squatted social centre in a post-industrial environment, occupied since 1998. Thanks to years of struggle against the city council owning the buildings, the project has reached a certain degree of stability. It hosts a collective house, a gig room, a hacklab, a free shop, an infoshop, a collective garden, a library... We hope that many of you will be able to join.

Full call here, contact april2008 at squat dot net for further information.

Ungdomshuset Eviction

Thousands of people have taken to the streets of Copenhagen in angry protests against yesterday's police eviction of Ungdomshuset (the 'Youth House'). There has been a Reclaim the Streets party, barricades and tear gas. Solidarity actions have taken place all over Europe.

The occupied house has functioned as the major alternative social centre in the city since 1982. Its role as a free party venue has been important. A recent communique calling for more Youth Houses asserted: "We are fed up with commercial discotheques, stinking with profit greed and discrimination. We want genuineness, honesty and a life we have influence on. We are tired of social events closing when the party is at its peak, because nobody wants to work for free in a club with a boss. We decide when to close and start our parties, where they take place and what's going to happen. We don't have to consider tickets and profit, because we don't care if we make money or not. Our culture is not about money, power and control".