In the past few weeks many 'Stop Starving Gaza' pots and pans protests called by the Palestine Solidarity Campaign have been held around the UK:
'Palestinians in the Gaza Strip are starving to death due to Israel’s blockade – a blockade designed specifically to use starvation as a weapon of war and of genocide. We’ve all seen the haunting images of Palestinian adults and children reduced to skeletons, the exhausted people holding empty pots and pans waiting for any small amount of food aid available, and cruelly, often meeting their deaths this way. Nearly 1,000 Palestinians have been shot to death by Israeli soldiers whilst queuing for food' (PSC)
I took part in one in Lewisham, South London where a 200+ people turned out and banged pans in solidarity with Gaza. On the same day (1 August 2025), Georgina Cook took part in a similar event in Hastings, and at her substack she has reflected on this kind of public gathering:
'It sounds the alarm. Turn’s pots and pans, the very tools that should prepare nourishment, into instruments of protest against weaponised hunger. It alerts our neighbours and community that plenty of people oppose this weaponisation of hunger, as they do the wider genocide that it's part of, despite the involvement and/or complicity of our governments and media [...]
'The simple act of showing up with a saucepan might not stop a genocide, but it reminds us that we're not as alone or as powerless as so many of us feel. It creates a moment where the silence around atrocity gets punctured by the clatter of kitchen utensils'
As Georgina mentions, historian Matthew Kerry has written of the radical history of this practice which in its modern form he traces back to 1970s Chile:
'Pots and pans are some of the least offensive objects in the kitchen, yet their very mundanity and the ease with which they can be employed by anyone to contribute to a deafening wall of noise make them a media-friendly, uncomfortable reminder of the collective conscience and a challenge to the voice of the state. Pot-banging is malleable to different political contexts, from dictatorships to democracies, as well as spatial performances, including refuge or confinement in the home [...] Despite attempts to quash noisy protests, the history of pot-banging and its radical mundanity suggests the clanging discordant beat of pots and pans will echo on. (Radical Objects: the Pot and Pan, History Workshop, 2024)
Banging pots has also been a feature of protests in Myanmar against the military government that took power in a coup in 2021 where punks formed a collective named Cacerolazo after the Spanish name for this kind of protest (the name derived from Spanish word for “casserole”). As a form of protest it is particularly associated with women in Latin America and women. A 2002 manifesto of the Housewives Union in Argentina (Sindicato de Amas de Casa de Santa Fe) argued at a time of economic crisis and austerity:
'Although women have always been involved in the popular struggle, from the Indigenous and slave rebellions at the time of the Conquest, to the movement of the mothers during the dictatorship, to today's "cacerolazo," we have not been listened to and our demands have been postponed in the name of "more urgent" needs. Other women in Latin America and in the world are banging their pots not only in support of the Argentinian people but on their own behalf, because beyond national realities, we women have needs and demands which bring us together as sisters'.
Commenting on this manifesto, Krista Lynes remarks 'The cacerolazo is thus a special drumbeat—a beat that announces through the mundane materiality of kitchen tools the publicity of the private in the face of the privatization of the public sphere' (quoted in Feminist Manifestos: a Global Documentary Reader, edited by Penny A. Weiss, 2018). In the case of Palestine today today though we have to raise noise against something more - the extinction of both the private and the public sphere through starvation, slaughter and destruction.
(photos from Stop Starving Gaza protest at Lewisham Clock Tower, 1 August 2025)
