Protest and Survive- CND reborn, October 1980

The massive October 1980 Campaign for Nuclear Disarmament 'Protest and Survive' demonstration in London represented the rebirth of the 'Ban the Bomb' movement that had been largely dormant since its previous high point in the 1960s. The reason for this revival was that nuclear war was once again seeming a real possibility as the Cold War began to hot up. 

In 1979 Russian forces had entered Afghanistan in support of the beleaguered  pro-soviet government. The ascendancy of the new right to power in Britain and the USA saw a cranking up of anti-Russian rhetoric from Thatcher and Reagan, soon to be followed up with the deployment of a new generation of nuclear missiles in Europe.

The British Government's publication of its 'Protect and Survive' booklet in May 1980 only made the nuclear nightmare more tangible, with its absurd advice for turning your home into a fall out shelter amidst nuclear war. This was parodied by EP Thompson in his 'Protest and Survive' pamphlet published by CND shortly afterwards.

'We must protest if we are to survive. Protest is the only realistic form of civil defence. We must generate an alternative logic, an opposition at every level of society. This opposition must be international and it must win the support of multitudes' (E.P. Thompson, Protest and Survive, 1980)

Photomontage artist Peter Kennard produced a memorable image of a skeleton reading the Government publication as well as designing the leaflet/poster for the demonstration set for 26th October 1980.

I was at sixth form and with a group of friends that year had set up Luton Peace Campaign (soon to be Luton Nuclear Disarmament Campaign) which quickly grew to having over 100 members. Similar groups were springing up all over the country. We organised a couple of coach loads to go to London for the march and were amazed at the turn out, variously estimated as between 50,000 (the police) and 100,000 (Socialist Organiser). For the first time I had a real sense of how the efforts of small groups of people meeting in pubs and kitchens could coalesce into a mass social movement.

As reported in the Daily Mirror (27 October 2020):

'Britain’s ban the bomb movement was reborn yesterday with a massive show of strength. More than 60,000 demonstrators jammed London streets for the biggest nuclear disarmament rally in 17 years. The day started with a huge inflatable mushroom ‘cloud’ being floated above Hyde Park as the demonstrators gathered under a sea of banners. The protesters then brought traffic to a standstill as they marched to Trafalgar Square…

There were hippies, punk rockers, skinheads and supporters of all ages. A girl on rollerskates joined the protest. So did a band of Buddhist monks. 12 people were arrested and charged with minor offences such as threatening behaviour and obstruction. Scuffles broke out as one group tried to march down Whitehall towards Downing Street and Parliament. But a line of policeman headed them off and the rest of the demonstration was peaceful'. 

The NME (1 November 1980) gave the demo a full page report which likewise highlighted the diversity of the crowd:

'There were punks and 'Schoolkids against the Bomb' and nuns and MPs and messages of support from intellectuals in the USA. There were youthful banners bearing slogans like “Grow up or Blow up“ and “Don’t Cruise to Oblivion”... Peggy Seeger sang. The Pop group and Killing Joke played... E.P. Thompson was the smash hit, though, earning a huge ovation with his characteristically stirring words: “I wasn’t sure about this six months ago” he said. “But we can win. I want you to sense and feel your strength".  An NME photo showed 'Buddhist monks from Milton Keynes'  perambulating 'pacifist veterans including Philip Noel Baker and first CND secretary Peggy Duff' in their wheelchairs.

The mushroom cloud inflatable in Hyde Park
(from 'Socialist Organiser', 8 Nov. 1980)

Luton Nuclear Disarmament Campaign banner on demo

'Heavy armour, little brain - died out' - dinosaur on demo

The speakers included MPs Tony Benn and Neil Kinnock, actor Susannah York, EP Thompson and Bruce Kent of CND. I was excited that The Pop Group and Killing Joke were playing in Trafalgar Square at the end of the rally, though it was one of those occasions when the crowd was so big (and the PA so small) that you had to be up front to really experience the music - and I wasn't.  Luckily I got to see The Pop Group at their peak earlier that year at the Beat the Blues Festival at Alexandra Palace.

The Pop Group on stage in Trafalgar Square

Apparently The Specials had also been due to play but this didn't happen due to Department of Environment restrictions about the extent and volume of the music. As the Government department responsible for Trafalgar Square the DoE  'ruled that the event is a rally and not a concert, and therefore the PA must not exceed 2.5 kilowatts' (NME, 25 October 1980).  A poster also mentions Peggy Seeger and Mikey Dread as being on the bill.

A poster from Liverpool advertising the demo

Killing Joke played five tracks including Wardance and Requiem.  The Pop Group set was their last live performance (at least until they reformed in 2010) and included an early version  of 'Jerusalem', a dub retake on Blake's poem which vocalist Mark Stewart would later record.  The  early prototype version played in Trafalgar Square can be heard on 'The Lost Tapes', included as part of the Mute reissue of Stewart's 'Learning To Cope With Cowardice'.

Crass, Poison Girls, UK Decay in Luton, 1979

As I post this it is forty years ago this very night that anarcho-punk pioneers Crass and Poison Girls played in Luton, along with home town punks UK Decay on 14th December 1979. A friend who was there (I wasn't) posted the flyer on facebook. I remember the venue well enough, an old hanger next to Marsh House community centre where I went to summer playschemes as a kid. Apparently there was no power in the building so they ran an extension cable from Marsh House next door - the whole gig from one power point with the inevitable power cut at one point.

The UK Decay website has a picture of the band playing there that night, in front of Crass and Poison Girls banners.

The gig was a benefit for Stevenage-based fanzine Cobalt Hate. The issue the gig funded can be seen here.

Blinded by the Light - memories of 1980s Luton racism and job cuts

I enjoyed 'Blinded by The Light', Gurinder Chadha's movie based on Sarfraz Manzoor’s ‘Greetings from Bury Park: Race, Religion, Rock'n'Roll’ - his book about growing up in a British Pakistani family in Luton in the 1980s and finding solace in the music of Bruce Springsteen. In some ways it’s a feel good jukebox movie with characters bursting into song or reciting Springsteen lyrics at any moment- well if the ABBA oeuvre can be transplanted from Sweden to a Greek Island (Mama Mia) why not Springsteen in Luton? Indeed a key point of the film is that Springsteen’s apparent Americana deals with universal themes and that in Luton like New Jersey people are struggling to find the promised land amidst closing factories, despair and dreams deferred.

Personally it’s impossible to be objective as I too grew up in Luton in this period, albeit a few years older, and when you ‘come from cities you never see on the screen’ (or large industrial towns in this case) there is some excitement at just being represented. So of course I spotted local scenes like George Street (the high street) and the Arndale Centre, including the upstairs cafe where IIRC now-Bristol Labour MP Kerry McCarthy once worked a Saturday job. And I bemoaned the scenes filmed elsewhere: Luton Sixth Form College, which I also attended, is a key location but a school in London was used to stand in for it here- maybe because the actual Sixth Form has been rebuilt since the 80s.

But the film is not just some niche 1980s nostalgia trip - there is darkness on the edge, and indeed in the centre of this town like many others. The personal story of teenage romance, family conflict and fandom is played out against a background of the social tensions of the time - in particular unemployment and racism. In case anyone thinks this is exaggerated, here's some of my own memories and some documentation.

Job cuts at Vauxhall

Luton was synonymous with General Motors at this time, as home to factories making Vauxhall cars and Bedford vans. It wasn't just the major employer, but a big part of community life with its sports grounds and social activities. I remember as a kid going on Vauxhall trips to the pantomime, and learning judo for a while in the sports centre. But this was beginning to change in the 1980s as thousands of workers - like the father in the film - were laid off.  

1981 started with the announcement of mass job losses and short time working at Vauxhall Motors, and a further 2000 redundancies came in July 1981 (Luton News, 16/7/81) followed by 200 more in the engineering department later in the year. The latter prompting a walk out and 1000-strong demonstration to present the managing director with a coffin marked ‘RIP Vauxhall design’ (‘Vauxhall job cuts spark mass demo’, Luton News, 12/11/81).

Jobs continued to go throughout the decade. In a few months in 1986, GM cut more than 4,000 jobs at its plants in Luton, Dunstable and Ellesmere Port in Liverpool, leading to Manzoor's dad being made redundant after working for the firm for 15 years.

'Body Blow to Bedford: shock as GM job toll hits 4150 since June', TASS (union) News and Journal, October 1986 

My dad worked for Vauxhall in Luton too, as a draughtsman in the design and engineering AJ Block. In 1988 GM sold off this part of the company to another firm- David J B Brown. I remember my dad being involved in organising demonstrations like those pictured below against the threat of losing their Vauxhall pensions and other changes to their working conditions.

Demonstration at Vauxhall in Luton against sell off of design and engineering, 1988

Racism in Luton

In his book Manzoor describes the casual racism of some teachers and pupils at his Luton school (Lea Manor) and having to change his route to avoid skinheads hanging out in the subway on Marsh Farm estate. He also refers to the opening of the first purpose built Mosque in Luton, which was marred by racists placing a pig's head on the minaret during the first week (this occurred in 1982).  As a young white man I obviously had a very different experience of racism but I was certainly aware of it and involved in local anti-racist politics. I've written here previously about taking part in anti-National Front protests in Luton in 1979/80, but the heaviest year was 1981. 

Then and now, the area of Luton with the highest concentration of South Asian people was Bury Park, an area of terraced housing clustered around Dunstable Road about half a mile from the town centre.  The area is also home to Luton Town Football Club's Kenilworth Road ground, and on Boxing Day in December 1980 the mighty Hatters beat  Chelsea 2-0. The latter's supporters included a vocal far right element and at 1.30 pm, after the match had finished, 150 - 200 Chelsea fans gathered outside the nearby Mosque in Westbourne Road, where women were praying. The Chelsea fans began kicking at the door, and when Muslim men came outside they were met with a hail of bricks. Four people were injured and £2000 of damage caused to the Mosque. 

The police not only failed to prevent the attack, but went on to downplay its obviously racist nature. Mr Akbar Khan of the Pakistani Welfare Association told the Luton News (31/12/1980): 'The police say they cannot do anything because this was just football hooliganism. But it was nothing to do with football, it was purely a racist attack'. 

On Saturday 3rd January 1981, I took part in a small Anti-Nazi League march to the Mosque where we joined with local Muslims to guard it against any further attack (Luton were again playing at home). The following day 500 people attended a community meeting at Beech Hill School, attended by the Pakistani Ambassador, local councillors and Ivor Clemitson, former Luton Labour MP and chair of the Community Relations Council. The meeting demanded a public enquiry into police conduct on the day of the attack on the mosque.

Over the next few months, racist attacks continued in the town. For instance on 9 April 1981 racist graffiti was painted on Asian shops and property in Leagrave Road and Marsh Road, Luton. Slogans included 'W*gs', 'P*kis go Home' and National Front symbols (Luton News, 3.9.1981)

The Luton Youth Movement

In the spring of 1981 a new organisation was set up by young people to combat racism in the town - the Luton Youth Movement. Partly this arose out of a sense of frustration with the seemingly endless intrigues within the local Labour Party, Community Relations Council and traditional community groups, none of which had proved capable of organising effective action against racist attacks

The inspiration was clearly the militant Asian youth movements that had developed elsewhere in the country from 1976 onwards, notably in Southall and Bradford, to defend communities from attack. Asian young people were a key driving force in setting up Luton Youth Movement, but from the start it also had African Caribbean and white members. I'm not not sure that this was making a particular political point about the politics of black autonomy so much as reflecting the fact that it initially grew out of a mixed friendship group in a small town where allies were thin on the ground. The LYM aims included 'To protect our communities from racial attacks (including police harassment)' and 'To fight immigration controls and racist laws'. The latter point was important as during 1981 a new Nationality Act was going through Parliament imposing further restrictions on immigration. Its effects were seen later when, in January 1983, Luton Pakistan and Kashmir Welfare Society complained that Scotland Yard and local police had raided 60 houses in Luton, with 200 people being questioned at Luton police station in an alleged search for forged passports.

Self defence

The Luton Youth Movement saw organising community self-defence against racist attacks as a key task. A sympathetic article in the local Evening Post at the beginning of July 1981 reported:  'People who live in fear of racial attacks are being successfully protected by a group of young people in Luton'. Mohammed Ikram, 19, the chair of LYM was interviewed and gave a picture of its activities: "It's going very well. We move in with victims to make sure the attackers do not try again. The police have not proved efficient enough. We are prepared to meet force with force if necessary'. The defence work was said to involve young people aged 14 to 24 working three hour shifts, with a team of six people inside the house being protected and six more outside ('Protected by Youngsters', Evening Post, 3.7.81).

In July, the LYM announced plans to set up an emergency telephone system to help people under threat of racist attack. The idea was to mobilise people at short notice to respond to calls to a publicised telephone number. The Luton News reported that 'They decided to set up the defence network after hearing that an Asian family fled from their Luton council house after having excreta and a threatening letter pushed through their letter box' (Luton News, 16.7.81).

My LYM membership card

The Luton Youth Movement March

"In Luton last Boxing Day [December 1980] the Mosque in Westbourne Road was attacked by a group of around 200 racists. Recently, car loads of young racist thugs have been intimidating school students at many of the local schools, there have been numerous other attacks in this area. People can no longer live their lives without the fear of racist abuse and intimidation" (Luton Youth Movement leaflet, May 1981)

On Saturday 16th May 1981 the Luton Youth Movement 'march against racist attacks' took place. About 50 people set off from Kingsway Park in Dunstable Road shortly after noon behind banners saying 'Luton Youth Movement' and 'Black and White Unite and Fight'. Other banners included Luton Socialist Workers Party and Anti-Nazi League.

More joined along the way, including when the march stopped at the Mosque. By the time the march finished with a rally by the Town Hall around  'numbers had swollen to 200, mostly Asian people’ (Herald) to hear speakers from Brixton and Southall as well as local people such as Akbar Khan from the Pakistani Welfare Association.

As the meeting was coming to an end it was charged by about 30 racist skinheads giving Nazi salutes and shouting Sieg Heil. The marchers counter charged and fist fights broke out before the police escorted the racists away. One LYM supporter was quoted in the Luton News as saying: "The word went round that the fascists were out. Other young people surged from the Arndale Centre to help us. There were a few moments when I thought it was going to explode like Brixton. If the police had drawn their truncheons I think it would have done".

"Fascist skinheads brought violence to Luton on Saturday when they attacked a multi-racial meeting outside the Town Hall". There is a very blurry image of me in that top photo! (Luton News 22 May 1981)

Less than an hour later, the same group were involved in a racist attack less than a mile away. An Asian woman and two children in Pomfret Avenue were 'surrounded by about 30 skinheads chanting racist and Nazi slogans' (Luton News). 

That evening there was further trouble at a punk gig at the Bunyan Centre in Bedford. Skinheads stormed the stage while Luton punk band UK Decay were playing. Lead singer Abbo later recalled:  'We'd only played a couple of songs and I remember being pushed off the stage by a bonehead after I said some anti racist comment in reply to their seig heiling/racism chants, and within a minute it seemed the venue was empty aside from the band , crew and heeps of skinheads , the fights seemed to go on forever until the police arrived , and then they got a hiding from the skinheads'. Seven skinheads were later jailed for this. Although Bedford is some miles from Luton, there were strong cross-county connections within different musical and political sub-cultures. It seems very likely that at least some of those involved in attacking the LYM rally were also present at the UK Decay gig. 

The following day a man received facial injuries when he was attacked by three men near Luton Town Football ground after he went to the aid of an Asian youth being beaten up, and there were further racist attacks in the following weeks. On June 13 a group of youths ran on to a cricket pitch and abused and attacked Pakistani players at the Blue Circle Cement Sports Ground, Houghton.  They shouted racist insults and made threats, mentioning the National Front (Luton News/Dunstable Gazette, 10.12.1981). A week later the Carnival Queen at the Marsh Farm Festival had a police guard after threatening racist telephone calls to organisers. Bijal Ruparelia, 16, of Indian-Kenyan descent, had to ride in a closed car rather than the usual open-top vehicle in the carnival procession because of threats that she would be stoned. The Carnival passed off without incident (Luton News, 25.6.1981).

All of this was leading up to the full scale riot that occurred in the town in July 1981 as part of the wave of urban uprisings that swept across the country, a riot that in Luton was sparked by the presence of racist skinheads once again in the town centre. That's a story I will return to in another post. 

Other Luton writings:

How it all began (for me): a School Kid against the Nazis in Luton 1979/80

The Luton Riots of 1981 - 'Brixton comes to Bedfordshire'

The Hunger Strike, the Irish War and an English Town

Karma Sutra, Luton anarcho-punk and hunt sabbing

Clubbing in Luton 1984

Dole Days in Luton: unemployed protests, 1985

We are Luton - opposing the English Defence League in 2012

'Angry White People' book review (in Datacide magazine)

'Skinheads making Nazi salutes threatened anti-racist marchers' (Herald, 21 May 1981)

"Teenagers fight racism" (Evening Post, 18 May 1981)

Luton Leader, May 1981

Luton SWP leaflet from the demo. I was a member around this time, the local branch was youthful and combative and were always on the frontline whatever criticisms I was to have of their politics as I ran away with the anarchists later on! The leaflet refers to meetings at the International Centre in Old Bedford Road, a venue for a number of radical meetings in this period including the Luton Youth Movement and Irish solidarity events (the Irish Hunger strike was underway at this time, with Bobby Sands and Raymond McCreesh dying in the two weeks before the LYM march). The leaflet mentions an unemployed march due to come through Luton on 25th May 1981 - this was the People's March for Jobs which features briefly in the opening credits to 'Blinded by the Light'.

'Luton Racist Attacks': A report on racist attacks in Bury Park area from Fight Racism ! Fight Imperialism! (Revolutionary Communist Group paper), July/August 1980. This describes a racist attack in November 1979 on the Shalimar restaurant and an attack by 60 racist skinheads on Asian people outside the local cinema (the Ocean). In the latter case local youth fought back, and 15 were arrested. Then in Feburary 1980 'Over 20 Asian shop windows were smashed in one week.... by thugs on motorbikes'

Neil Transpontine (2019), Blinded by the Light - memories of 1980s Luton racism and job cuts   <https://history-is-made-at-night.blogspot.com/2019/08/blinded-by-light-and-memories-of-1980s.htmll>. Published under Creative Commons License BY-NC 4.0. You may share and adapt for non-commercial use provided that you credit the author and source, and notify the author. 

How it all began (for me): a School Kid against the Nazis in Luton 1979/80

Going on a recent march against the far right in central London got me thinking about my earliest forays into anti-fascism when I was at school...

In 1979 I was 16, in my last year at school in Luton and getting into radical politics off the back of a couple of years listening to punk. I was voraciously reading anything relevant I could get my hands on from local libraries and bookshops, which included that year Martin Walker's The National Front (dedicated to 'anti-fascists everywhere'), George Woodcock's The Anarchist Reader anthology and Gordon Carr's The Angry Brigade. The latter introduced me to the Situationists and I tried unsuccessfully to get Luton Central Library to find a copy of The Society of the Spectacle. The actual radicals on the ground in Luton were a bit more mundane than my fantasy 1968 utopians, basically the Communist Party, the Labour Party Young Socialists (including 'Militant') and the Socialist Workers Party selling papers in the town centre next to Don Miller's bakers.  

The Clash were my favourite band, and I'd read all about the great Rock Against Racism carnivals of 1977/78 (in fact I wrote off to Rock Against Racism to enquire about getting involved). In the lead up to the  May 1979 General election, conflict between the far right National Front and its opponents increased in intensity. There were riotous clashes in Leicester and on the 23rd April 1979 socialist teacher Blair Peach was killed by the police in Southall while taking part in protests against an NF meeting in that predominately Asian area of West London.

The election, infamously won by Margaret Thatcher's Conservatives, nudged me towards participating in politics rather than just reading about it. I went to see Tony Benn speak in Luton town centre (29/4/1979), but I still hadn't been on an actual protest. All that changed in June 1979.

Luton Anti Nazi League leaflet, June 1979 - 'your Council allows the Nazi and Racist organization the National Front to use your library. We, the people of Luton, have joined together to oppose this... support racial harmony, oppose fascism'

 Someone I bought a paper off must have told me that the National Front were holding regular meetings at Luton Library with Anti-Nazi League pickets opposing them on the second Friday of every month. The NF had had a presence in the town for some time. In February 1977, NF Chairman John Tyndall was greeted with eggs and chants of  'nazi scum' when he arrived to speak at a meeting in Luton Town Hall (Luton News 10.2.77). The NF stood candidates in both Luton constituencies in the 1979 general election, with Donald How securing 701 votes in Luton West and MG Kerry 461 votes in Luton East. Notorious racist Robert Relf, who had once been jailed after putting a 'no coloureds' for sale sign outside his house in Leamington Spa, was working locally as a bus driver. 

I approached my first protest on Friday 6th June 1979 nervously and excitedly expecting some kind of Leicester/Southall confrontation, if on a smaller scale. In the event it was all rather tame. There were about twenty of us picketing and a handful of suspected NFers sneaking in and out under the eye of a small number of police, a pattern that was repeated on subsequent similar protests over the summer. 

The very next day though a group of us from Luton travelled up to Bedford town centre where a group of racist skinheads had been making a nuisance of themselves. As we gave out our leaflets in the name of 'People of Bedfordshire Against Racism' there was a a brief stand off with far right skins and anti-fascists squaring up to each other before the former moved off. Afterwards we went for a drink at a local gay pub, The Barley Mow, another first for me.

'People of Bedfordshire Against Racism - Day of Action, Sat 7th June... your support in the fight against racism is needed'
(reverse of Luton Anti Nazi League leaflet reproduced above)

People of Bedford Against Racism - sometimes known as People of Bedfordshire Against Racism - was set up 'to fight all forms of racism and the growth of fascism in our town'. Founders included Balbir Dutt and Bedford Young Indians.  Here's another leaflet of their's:

Also from this period a Bedford Rock Against Racism leaflet (thanks to Glyn Harries for supplying this and the one above).

'to stand aside is to take sides'

I heard a first hand account of the Southall events soon after, when I went to a Luton Anti Nazi League meeting with Balwinder Singh from Southall ANL. There were also speakers from Luton Trades Council (Jim Thakoordin) and the Pakistani Workers Association, and a collection for the Southall Defence Fund.

Leaflet for Luton Anti Nazi League meeting, 14 July 1979 'Learn the lessons of Southall'
I went to this meeting with a friend, David Heffer. Sadly he was killed in 1992 in an IRA bomb at the Sussex pub in London's Covent Garden.

 On my last day at school at the start of that summer I wrote in my diary 'bought a School Kids Against the Nazis badge, filled in a form to join the Labour Party Young Socialists, left school' (OK last day in school was a bit late to buy a school kids badge, but I did go on to Sixth Form College!).



'SKAN' - School Kids Against the Nazis



Opposing the British Movement in Notting Hill, 1980

It was another year before I went on my first major anti-fascist demo. In November 1980, the neo-nazi British Movement marched from London's Hyde Park to Edgware Road chanting 'We are the Whites' and 'Death to the Reds'. According to the report in The Leveller magazine, there were around 600 BM 'opposed by between 4 and 5,000 anti-fascists' who marched from Portobello Road in Notting Hill. Large numbers of police were mobilised - Socialist Challenge reported '8,000 cops defend 500 nazis' - turning Notting Hill into a 'sterile area'  to stop people getting near to the fascists. My main memory is  of standing around and of endless rumours about the whereabouts of the British Movement, who I never saw. There were 73 arrests, mostly in scuffles between anti-fascists, BM skins and the police Special Patrol Group near Paddington Station, with press photographers having their cameras taken by cops. Afterwards a Luton comrade, who was Jewish, took me to a Jewish Socialist Group meeting at a flat in north London.

So no great heroics, no Cable street or Lewisham-style battles... but maybe that was a good lesson. If you're in it for the long haul, you sure need to learn patience and low key local organising. On the counter-demo to the Tommy Robinson/UKIP 'Brexit Betrayal' march (December 2018) I actually saw somebody else who was also there on that first protest of mine in 1979. Of course it's more than annoying that the leading figure on the contemporary British far right also comes from Luton. But hey, Tommy Robinson doesn't represent us (as recently pointed out by Ash Sarkar he doesn't even represent 52% of mortgage fraudsters). We have Nadiya Hussain, Stacey Dooley and the mighty Luton Town FC, we certainly don't need him.

[I didn't stay in the Labour Party Young Socialists for much longer - that's another story - but 40 years later I've been on quite a few more demos! The following year  (1981) things hotted up further in Luton with the formation of an anti-racist Luton Youth Movement and a riot sparked by the presence of nazi skinheads in the town centre. I will come back to that another time].

See also: Blinded by the Light - memories of 1980s Luton racism and job cuts  

(from 'The Leveller' no. 45, November 28 1980).

(Socialist Challenge, 27/11/1980)

[post updated August 2020 with Socialist Challenge press clipping; updated January 2021 with Bedford RAR leaflet]

Other Luton writings:

Blinded by the Light - memories of racism and job cuts in 1980s Luton (including the Luton Youth Movement)

The Luton Riots of 1981 - 'Brixton comes to Bedfordshire'

The Hunger Strike, the Irish War and an English Town

Karma Sutra, Luton anarcho-punk and hunt sabbing

Clubbing in Luton 1984

Dole Days in Luton: unemployed protests, 1985

We are Luton - opposing the English Defence League in 2012

'Angry White People' book review (at Datacide magazine)

Bowie in Dunstable 1972

The Civic Hall in Dunstable, later renamed the Queensway, was built in 1966 and demolished to make way for an Asda supermarket in 2000. Growing up in neighbouring Luton, which despite its size had no decent sized music venue, the Queensway was the nearest place where bands of any national repute came to play. Sadly I was just a little too young to catch iconic gigs by The Sex Pistols and the Jam (October 1976 - only 80 people were there on the Anarchy in the UK tour), The Clash (May 1977 and January 1978) and Blondie (March 1978), and when shortly after a school friend's biker older brother took us to a couple of gigs there it was to see ex-Deep Purple heavy metal acts Ian Gillan Band and Whitesnake. In my school days we had to travel further afield for the good stuff, coach trips from Luton Bus Station to Aylesbury Friars to see Echo and the Bunnymen  (with Blue Orchids, Apri 1981) or the Undertones (May 1981), or to St Albans City Hall to see Hawkwind and Motorhead (the acceptable end of the metalist spectrum).

Still looking at photos of the building now it has the retro-futurist appeal of a lost space age classic and the appropriate place for gigs by Pink Floyd (February 1967 and November 1969) and most famously of all David Bowie.

The Civic Centre/Queensway Hall, Dunstable

Bowie in Dunstable

On the June 21 1972 Summer Solstice, David Bowie and the Spiders from Mars (supported by no less than the Flamin' Groovies) played a 'Midsummer Night's Dream' in Dunstable. Somebody filmed it, and the footage is now a Youtube favourite for Bowie fans - the original silent images having been cleverly synched with sound from another gig on the same tour. Songs featured include Ziggy Stardust, Moonage Daydream, Suffragette City, Andy Warhol, Song for Bob Dylan, Star Man, Waiting for the Man, Queen Bitch, Space Oddity, Hang onto Yourself, and Jacques Brel's Amsterdam.

Bowie's album 'The Rise and Fall of Ziggy Stardust and the Spiders and Mars' had been released just two weeks earlier, on 6 June 1972. The album and tour gave rise to full scale Bowie-mania, with an army of fans going on to imitate his Ziggy style. What's great about this Dunstable footage is that it shows a cross section of the audience experiencing this moment directly, plainly enraptured in many cases, but not yet having becoming 'Bowie kids'.

So Dunstable shoppers, next time you're in Asda pause to remember that this also has been one of the wonderful places of the earth.

Turner Prize 2012: Sub-Cultural Traces

Glad to see Elizabeth Price win the Turner Prize. Pleased too that she mentioned her (similar to mine) Luton upbringing in her winning speech referencing arts cuts and threats to arts education in schools: 'It’s incredibly depressing listening to the comments people made earlier that a young girl from Luton going to a comprehensive might not be able to imagine being an artist and might not have the opportunities I’ve had'. 

Leaving aside my bias, I do think her film 'Woolworths Choir of 1979' is the most powerful work in this year's Turner Prize exhibition at Tate Britain in London. It cuts together three sets of images, drawn from Church architecture, 1960s/1970s female music performance and most poignantly a fire at Manchester Woolworths in 1979 in which ten people died. The film both utilises a didactic public information style of address, and critiques it by refusing to tell people what to make of the connection between these three themes. The threads include the notion of the 'choir', the name for part of a church as well as a group of singers/dancers or chorus; and the common hand gestures of humans in disparate situations, the 'conspicuous twist of the wrist' shared by dancers and a desperate wave from a burning building.

The use of a real tragedy in this way is controversial, but the film's rescue from the archives of a chorus of voices from the time restores this tragedy to the public memory from which it has largely faded. It also calls into question how our familiar visual shorthand for historical periods (the kind of 1960s and 70s fashion, haircuts, and music used elsewhere in the film) excludes these kinds of less cosy and familiar events.

Liz was a founder member of 1980s band Talulah Gosh (as well as later performing as one half of The Carousel), and with that knowledge in mind you can't help but noticing some of the continuities - in particular the appreciation for girl groups. The Shangri-Las 'Out on the Streets' features prominently in the (pleasingly loud for a gallery) soundtrack to the film.

One of the interesting things about all four of this year's finalists is their links to sub-cultures/counter-cultures beyond the art world, either in their personal biographies or as reference points in their work. Well to start with there's Liz Price's indie-pop thing (and as mentioned here, even before she went to art school she was hand printing tickets for a 1985 Luton punk gig benefit for the local Unemployed Workers Centre with bands including Karma Sutra, Party Girls and Click Click - I helped out with that gig too, wish I'd kept the ticket!).

Paul Noble was involved in the 1990s Claremont Road/Leytonstone road protest against the M11. According to Josephine Berry Slater & Anthony Iles, 'Paul Noble who had been involved early on in the campaign began to fix home-made blue plaques onto derelict houses in the path of the road (a trick later copied by Gavin Turk to egotistical ends). The inscription on the plaques read: Our Heritage: This House was Once a Home'. Is it too fanciful to see in Noble's drawings of a fantasy city-scape some echo of the alternative urbanism of Claremont Road?

(photo from Little Tramp's excellent Claremont Road set at Flickr)

Luke Fowler's film about radical psychiatrist R.D. Laing (pictured below), All Divided Selves, can't help but feature lots of interesting archive footage from key 1960s/1970s counter-culture moments linked to Laing such as The Dialectics of Liberation 1967 conference at the Roundhouse, the London Street Commune and The Anti-University of London.

Meanwhile, Spartacus Chetwynd's performance art is pure Happening and embedded in a playful DIY/squat  aesthetic that can be traced back via Glastonbury Green Fields to Mutoid Waste Company and beyond (texts in her part of the exhibition inevitably mention Bakhtin's notion of the Carnivalesque, as well as less obviously Nikola Tesla) . As well as claiming now to live on a 'Nudist Commune' near Nunhead, Chetywynd participated in some of the !WOWOW! warehouse/squat events around Camberwell and Peckham (2003-2006), which also involved fashion designer Gareth Pugh in the days before he was making clothes for Beyonce and Lady Gaga.

The Turner Prize exhibition continues until 6 January 2013.