Walking in the swarm of stars

I've long been interested in dreams and visions of flight and space, something I experimented with a bit during the fantastic voyage of the Association of Autonomous Astronauts.

‘Nan Domi’, Mimerose P. Beaubrun’s deeply personal account of her ‘inititiate’s journey into Haitian Vodou’, is much concerned with  visions, dreams and the means  for moving between visible and invisible worlds. The title itself refers to what the author describes as ‘the  second level of attention... a state that permits one to see abstract things unknown until then. A lucid dream state’.


Her mentor teaches her that she has three bodies- the physical body (kadav ko) supplemented by a ‘double’, the nannan - ‘our mystery side... that is conscious of the two states- the state of being awake, and the dreaming state’ - which ‘in Nan Domi... is enveloped in light and becomes light-  the nannan-rev’. Her ‘Aunt’leads her on a visionary journey into space, ‘walking in the swarm of stars’.

Opening with the words ‘Ann ay monte Anwo. N apray palmannaze nan Lapousiye’ (‘Lets ascend towards ecstasy. We are going to walk in the Milky Way’), her singing and the sound of the tchatcha rattle help Mimerose to ‘drift into somnolence’and then become ‘conscious of walking in a place where everything was coloured mauve... At intervals, an abyss opened and then fell away. A prolonged movement like the swell of big waves broke into foam the colour of yellow saffron. The scenes before me came and went, fast and fascinating. I plunged into them as one plunges into the sea. The waves rocked me, and suddenly I saw myself as a baby. I watched my own birth’.

The author is lead singer and founding member of the Haitian band Boukman Eksperyan.

Couple in Voodoo Trance

This sublime image has turned up on a number of blogs including Royal Quiet Deluxe and Lucky Charm (I was alerted to it by Drumz of the South twitter feed). The photo was taken by Weegee - as the photographer Arthur Fellig (1899–1968) was known - and was featured in an exhibition at the International Center of Photography a few years ago. Weegee was a Jewish immigrant to the US from Ukraine, and is best known for his portrayal of life in New York. So I am guessing that this 1956 photo, entitled 'Couple in Voodoo Trance', was taken in the States rather than in the Haiti homeland of Voodoo (or Vodou).

What is striking is the calm dignity of these participants - who could be dancers anywhere - quite at odds with the racist caricature of Vodou as some blood-crazed evil cult. Such caricatures have sadly been getting quite an airing in the aftermath of the earthquake in Haiti, most notably from right wing US Christian fundamentalist nutjobs like Pat Robertson, who blamed the earthquake on a pact between Haitians and the devil. Clean Living in Difficult Circumstances is among those who have taken these views to task.

Haiti: all the tears and all the bodies

In today's Observer, Arcade Fire's Régine Chassagne, whose family fled Haiti to escape the Duvalier dictatorship, writes about the earthquake: 'Somewhere in my heart, it's the end of the world. These days, nothing is funny. I am mourning people I know. People I don't know. People who are still trapped under rubble and won't be rescued in time. I can't help it. Everybody I talk to says the same thing: time has stopped. Simultaneously, time is at work. Sneakily passing through the cracks, taking the lives of survivors away, one by one'.

She urges people to donate to Partners in Health, which provides free health care to people in Haiti.

Here's Arcade Fire's song Haiti, set to film shot there a couple of years ago by CryptoBioMayhem:



Haïti, mon pays,
wounded mother I'll never see.
Ma famille set me free.
Throw my ashes into the sea.

Mes cousins jamais nés
hantent les nuits de Duvalier.
Rien n'arrete nos esprits.
Guns can't kill what soldiers can't see.

In the forest we lie hiding,
unmarked graves where flowers grow.
Hear the soldiers angry yelling,
in the river we will go.

Tous les morts-nés forment une armée,
soon we will reclaim the earth.
All the tears and all the bodies
bring about our second birth.

Haïti, never free,
n'aie pas peur de sonner l'alarme.
Tes enfants sont partis,
In those days their blood was still warm